Tugzy's Travels

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Monday, February 11, 2013

On the Road and Other Medications

Reading Jack Kerouac's 'On the Road' the first time was a bit of a blur for me to be honest, I was in Bolivia, and I read the entire thing on my HTC Desire HD screen (that's a phone, if you were unsure) in less than twenty-four hours. Most of those hours were spent on a bus, sitting next to a Bolivian kid who was sixteen or seventeen if I remember correctly. I read the book for hour-long stints at a time, and then would turn to the kid and continue the conversation we'd been having before I had dipped off into my reading and he back into the 'cincuenta centavo' (50 Cent) playing on his iPod. I don't think I rushed through it, but the book has a real habit of lifting you out of whatever you are doing and taking you away on the journey, the road, off into the distance with it... so I definitely read it quicker than I would have a normal book. I'm reading it for the second time now though – I'm typing it out actually, word-for-word on my laptop – and this time I'm taking it much slower.

I've just reached the start of part two, and I'm only going about four or five pages each sitting, because to type about that many pages takes around forty minutes to an hour, depending on how good a day my fingers are having. But I'm loving the fact that it's so slow. I almost forget about this ongoing project every few days, but it sits there – the Penguin-Paperback copy of 'On the Road', the clothes-peg I use to hold the pages open, and the hardcover children's 'The Fun-To-Learn Picture Dictionary' that I use as a board to peg the pages of the book onto – it all sits there on the back corner of my desk, waiting to be opened whenever I feel a little desperate. Typing out books is something that I've grown to really depend on in the past year; first it was Orwell's '1984', and now this. It's a great way to immerse myself in someone else's words and thoughts, forcibly and directly, and take my busy mind off of whatever frantic problems are troubling me. The idea came from Hunter S. Thompson and my former obsession with his wild, drug-addled life and persona, but now that I've appropriated his activity as my own I can see benefits completely separate from what he described – or what were described on his behalf. He did it to “see what it felt like to write a great novel”, if I remember correctly – he typed out F. Scott Fitzgerald's 'The Great Gatsby' – but his motivation is of much lesser concern to me. My aims are much more simple, but much more immediate, and vital as well.

I just passed over a part in 'On the Road' where Dean Moriarty has left his second wife, Camille, with their child to go back to his first wife, Marylou, and beg on his knees for her to take him back. She does, and in Kerouac's own words;
She understood Dean; she stroked his hair; she knew he was mad.”
More reassuring words have never been written, and upon typing them out as my eyes flitted over the page I felt a wave of understanding and hope wash over me. I recently watched a video of Neal Cassady, upon whom Moriarty is famously based, when he was on the bus with the Merry Pransters in the early-mid sixties and to be perfectly honest, he looks and sounds like a complete lunatic. A madman. But sometimes it's hard not to feel, in the furious changing tides of life, that I am mad as well. Although maybe not as outwardly eccentric as Cassady/Moriarty, I'm sure every one of us feels at some point as if they are the exception to some sane rule of the world, an outlier on the bell curve of acceptable normalcy. “Am. I. Insane?”

Well maybe you are, and maybe I am, but Jack Kerouac, in a surely unplanned but far from accidental stroke-of-genius example here, shows that no matter how crazy you think you are, or how crazy you are by everyone else's admission, you still have a place in this world, and you can still find someone to love you. Dean Moriarty, with his head in the hands of his sweetheart, is proof enough of that.

Sometimes I wonder when I'll get tired of the violent up-and-down cycle of my mood and of my life and of the world that I constantly create around myself. I find myself hoping that that day will come soon; “soon, surely, soon I'll find it within myself to settle down and find a level of balance in my life, soon I'll be able to relax.” But every time I find myself repeating this tired inner dialogue, I am tempted, once again, by the promise of a higher tomorrow, and the irresistible, surging rise of a brand new peak. For as long as I am tempted by these peaks though, there will be a frightening low waiting in the trough, and that's where Jack Kerouac and his famous tale of freedom come in. Whenever I feel like I need something else to hold onto, to support me while I ride out the lows and confront the fear, I turn to the pages of this book – and when it's done, the pages of another classic that I'll start typing out – to escape to the open spaces of someone else's words, and leave the dark churnings of my own mind behind for a while. In this way, I remind myself that a new high is coming, and peace is a comfort that, for the moment, I do not need. Not just yet, Tugzy. Not today.

Peace, Taco.

Friday, February 8, 2013

Last Night I Had a Good Gig

I'm heading out to do my first MC gig in a second, but I thought I'd sit down and write something first before I slide into the engulfing black that promises to be Saturday night. After I finish writing this, I'm going to change into my new jeans – hoping they fit properly – and walk out of the house with my notebooks, wallet and phone. Then I'll go get some fried rice from Loi Loi, around the corner. I love fried rice. I've been practising eating with chopsticks.

This MC gig – it's at Voltaire, a little upstairs performance space in North Melbourne that hosts an open mic every Sunday – isn't a comedy night, oh no no no. It's a burlesque show, so already, things are looking interesting. I'm excited though, because the fact that it's not a comedy show means that the audience, and even the performers, will have never heard any of my material before. I have a completely clean slate. Add to that the optimism that I've been feeling lately about my pool of material as a whole – I think I might almost be up to twenty usable, if not killer, minutes of stuff – and this gig is looking like it might just go okay.

Last night I had a spot at Fishface comedy in Footscray that went fucking brilliantly, which was nice. I tried a couple of bits that I've written in the last week and hadn't performed yet, as well as a bit that I did for the first and second time this week, and my bit about birdwatching and my mum that is turning into a pretty strong opener that reveals something about my personal life. The two new bits: last and second last, both killed, but the last one did especially well. It involves me yelling and screaming 'DUH DUH DERRRRR' whilst stomping around the stage for about a minute, and I'm really excited by it because I think I may have managed to write a bit that breaks out of the normal formula of 'stand on stage and say something funny' that stand up threatens to be trapped by, whilst still containing a conventional 'set-up, punchline' structure at its heart. I think I'm being a little pretentious here, and maybe reading Stewart Lee's book where he analyses three of his shows with liner notes has pushed me over the edge and into a pool of self-congratulatory wank. Hopefully not, friends. I need to remain vigilant.

All I think I'm trying to say here, is that I'm really looking forward to this MC gig, and I'm hoping it goes well and I get to do a good amount of material including some new stuff. I'll have to work on winning the crowd over with some of my more bankable material and then coming out with the weirder stuff, whilst still making sure that the stage is set for the burlesque acts themselves. Seven at the start of each bracket... wait... are there brackets in a burlesque show? Eh, this will all be a strange learning experience. I just want to get on stage, to be honest.

Feeling dangerously selfish, maybe? Over-confident after a good gig? Only time will tell.

Peace, Taco.

Monday, February 4, 2013

Living on my Birthday

Yesterday I met the most ridiculous person I have met in a long time... jesus shit! I went to some writing club meeting in South Melbourne with little expectations considering the previous meeting in December wasn't so much a 'writing club' as it was a bunch of people who share writing in common meeting up for a drink. I mean, that could be called a writing club, I guess, but it wasn't really what I had in mind... it can't have been all that terrible though, because I went back, albeit half an hour late.

So when I walked in some lady – who I later discovered was a 'writing guru' (someone else's words, but not difficult to believe) – was talking about journalism and a writers' group/course thingo she'd set up and I sat at a stool on the far end of the table and proceeded to crackle in a violent ray of sun that was beaming through the front door of the bar. A sun-tan indoors – well life is just full of surprises? Tee-hee-hee. Anyway, Mrs Guru (Valerie, her name was) was interesting and she had some cool stuff to say, but the ridiculous person that I met wasn't our speaker, no no, she was a lady by the name of Samantha.

Samantha was a early/mid-thirties (I hope that guess is accurate) writer who had been sending off a few bits and pieces of comedy writing to competitions and doing quite well, but what grabbed me was when she said to the group that her preferred method of writing was sitting down with a bottle of red wine and headphones full of hip hop. YES! My People! She told me about her writing, and then her life before her writing, which had consisted of about a decade all around the world (Denmark, Spain, Portugal, Egypt, South America) as a tour guide for a travel company. She had been taught how to play backgammon by Sean Connery and serenaded by Alanis Morissette, and received a donkey from native people in some far flung corner of the world... the details elude me at this point, friends, as I stand in awe of a person who has truly stepped up to life and nutted the beast between it's piercing eyes. She said that at twenty-three she was engaged and stuck in a dead end job, but one day she woke up, looked at her fiance and said, “I really don't like you”, and within two weeks she was off. Fuck. Fuck. Fuck. These are the people that we all need to know, my friends. This is the person that everyone should be.

And then, a few days before that, there was another lady, this time someone I met on a tour, who was originally from Adelaide (of all the promising beginnings) but had lived in South Africa for twenty-five years including the apartheid era and Nelson Mandela's release from prison. She told me about how many households, including her own, had had black slaves during the era of segregation. One day, after a law had passed which would have nullified the black/white segregation of beaches within six months, she and her kid went to a whites only beach. They also took their slave's (I think she used a different word, but I heard slave) kid along, and the kid would have been no more than ten years old at this point. So while the segregation law was due to be repealed in six months – the decision had already been made and passed – for the time being the beach was still 'whites only', so when they got there a police officer saw the young kid and told the mother that she had to take him off of the beach or they would all be arrested. That's right, that shit happened. Imagine the kid – how confused. Imagine the mother, and the looks, and imagine people actually abiding by these laws and legitimately believing in their righteousness to the point where they knew they were going to be defunct soon, but until then the plan was racism as usual.

She talked about Nelson Mandela and the rugby game depicted in that movie Invictus and she talked about the feeling of national pride and togetherness when Mandela walked out onto the field wearing the national team's jersey. She told me about his ex-wife, who was apparently a part of some underground group and used to send her harems of male entourage on assassination missions. Mandela had to leave her and distance himself from the warring clans – the divides between different groups of black people in South Africa were apparently just as pervasive as the one that we heard about on the news. She lived through that, she saw it first hand. What have I seen? Maybe I've been a part of something important already, I just don't know it yet... maybe the eyes of history will look back and see Melbourne, 2013 as a strange pocket of human existence... maybe. Maybe not.

Crazy, disjointed thoughts on this sunny February day, this day that happens to be my twenty-second birthday. Samantha, this outlandish specimen of a person, has forced me to look at what I am doing and make absolutely certain that what I am doing with my life is exactly what I want to be doing. How can I possibly spend one single day doing anything other than that, when there are people out there in the dankest pockets of existence being given donkeys by villagers and playing board games with James Bond. Not a single second, my friends, not a solitary fucking moment can we afford to waste. Wring with all your strength, and drain this life for every drop. Be sure, it can be done.

Peace, Taco.