Comedy and Laughing

My beard is getting way out of hand. It's not even that intense, I can pull at it with my fingers no problem at this point which is never a state I want my facial hair to be in, but I don't think I look like a failed case... it's just really annoying. Itchy. Fuck I hate facial hair, my electric shaver thingo broke in my bag on the plane to Brisbane last Wednesday, so when I went to use it a few days ago, instead of a neat trim accompanied by mild face-pain as per usual, the teeth just grabbed at the thick, black hairs sticking out of my chin, impotent and unable to cut. I was standing in a hostel toilet staring at a face in a mirror with a set of twenty dollar K-Mart facial-hair clippers hanging from it. My face. Fuck you Brisbane.

This trip has been good so far, although I'm just starting to count the days until my departure – not from hatred of this place so much as impatience to get back to my own place and set to work on a bunch of ideas that have been brewing in my head since I got here. I've been writing lots, and often, and aside from two drunken nights at the Base Embassy Hostel with an assortment of lecherous Canadians and Norwegians, have stayed completely sober. Clear headed, yes.

I've been thinking about the fact that my writing, and really a lot of the writing that I particularly like and try to draw from, isn't particularly funny. Even writers who are considered 'humorists' don't have many moments of actual, laugh-out-loud (I refuse to abbreviate that term) hilarity in their books. I can think of one moment in a Bukowski book, one of Douglas Adams', nothing from Hunter S. really springs to mind. Does that mean the expectations placed on an author, or a piece of writing, are lower? Or that the laughter is just more internal... as if laughter is more of a thing that comes from experiencing something funny as a group rather than just experiencing something funny in itself.

I guess that's where Dave Grant's idea of 'comedy is electricity' comes from; if laughter comes from experiencing something funny as a group, then the laughter will naturally be stronger and come easier when the audience feels united – feels that it is a group. Reading is, by necessity, something that we do alone, and so something really has to be BRAIN-RENDINGLY funny to illicit a reaction to the lone reader, sitting in his couch with a stern look of concentration on his face, trying to focus on the messy, messy words. Comedy is easy like that, because you know when you're doing a good job, and there are things to do to maximize your chances of doing a good job, like pushing the audience close together, and minimizing outside distractions. I'm still trying to figure out how all of the different aspects of 'comedy', or maybe even just 'writing' fit together though. I mean, parody, for example, is generally considered a genre of comedy, but then again, 1984 is a parody – and one so brilliant that it continues to reveal new aspects of itself to me almost daily – but I challenge anyone to find a funny line anywhere in that book. (by the way if you can find a funny line in there... fuck you, comedy is subjective, I win! CHAMPIOOOON)

I guess what this all comes down to is that I've been thinking a lot over here, and thinking has been good, although I am ready to rejoin the furious rat race back in Melbourne now, and the remainder of my days in Brisbane are looking longer than I would have liked. Yeeeeeckgh, so restless, so impatient, so jittery at the keyboard. Shudder. Stutter. Itch, itch, itch.

I need to have a fucking shave right now.

Peace, Taco.

Tired

I feel tired. I've been doing so much lately: writing comedy for the festival, gigging 5 or more times a week three weeks straight, tours, cleaning, running in the rat race... not drinking enough water. I feel tired, but it's a good tired, a sign that for the first time in my life I think I am really pushing myself towards something. I think? Or maybe I'm just not getting enough sleep.

Money really isn't an issue at this point; I feel like I barely have enough time to spend the paltry amount that I'm making anyway – for those of you playing at home that's about $500 a week, which actually isn't that paltry at all, but it certainly isn't high-roller shit. I am leaving home in the mornings, every morning, and not coming home for hours. Ten hours. Twelve hours. Hours spent running around completing this or that errand, sitting on trams and trains, heading out to gigs to either do a spot, or sit in the crowd and watch. Learning, I've been learning a lot.

I've been working on this bit that I honestly didn't think would be ready for the festival, but turns out may just squeeze its way in to my show (Two for the Price of Free YES!). This whole bit is basically constructed around the idea that I had one day a few months ago that it'd be really cool to move to a new city where no one whatsoever knows who you are, and then create an elaborate, and completely outlandish fictional backstory for yourself. Nothing malicious – not like 'my family died in a fire' or some shit that would require actual acting and would seem like shameless attention-seeking if exposed... just something harmless, but fun, like oh say, that I was home-schooled. So then I decided I couldn't wait until I left for another country to play this game, and the next best place to play it would be on stage... but it wouldn't be funny if I was the only one in on the joke. Considering that the whole point of comedy is that the audience is in on the joke – and whence cometh their laughter – I'd need to figure out a way to let them in on the joke that was being played on them – that I was lying outright to them for no good reason – whilst not making them the butt of the joke.

Then I remembered the story that I have been telling about the time Tim Clark, bless his cotton socks, told me that I had a nice jacket, only to rescind his compliment moments later after it became apparent that I was going to take his sarcastic jibe at face value and proceed to talk about how much I, too, liked my jacket. He lied to me, for no reason it seems, and I couldn't understand the reasoning behind this not-unheard of social phenomenon. Why do that? Why say, “nice jacket man,” only to add after I had accepted the compliment, “oh no, I was joking, it's shit”... what he did there was exactly what I was planning to do in my lying bit about home-school. If I could tell that story, then tell another, seemingly separate one about home school, and have the audience believe it, then lift the veil and say, “hey, look, it was all a lie,” then they would know how I felt, and the joke would be on Tim, and not on them.

I still have a few reservations about the story, I mean I invented it, from nothing, which feels kind of cool to do – just like Brad Oakes said it would ha. – but still there are only laughs in the setup, not the actual story, and most of those laughs aren't that strong... but I guess my joke writing will improve with time. Hopefully. Fingers crossed.

I've also been trying to write jokes about the news headlines off the Guardian – it doesn't matter which paper really, but I refuse to buy copies of the Feral Scum (thankyou Kieran Butler) or any other trashy cum-rag of a publication just to practise my joke writing. No, no, no; I will not be indebted to Rupert Murdoch in my comedy career. Not now. Not ever. No, no, no, no.

So many no's. I think I am tired. I should stop guessing and have a lie down... but there's still so much I want to do. I've nearly finished reading The War of Art that Richie gave me, and then it's on to Fade To Black (And Disappear) by an Adelaide author whose name I forget right now because I can't be fucked digging in my bag and pulling the book out to read the front cover. No. Fuck. I said no more. FUCK. There they are again. Okay, I'll stop now.

Peace, Taco.

Review of Charles Bukowski's 'Women' [SPOILER ALERT]

I just finished reading Charles Bukowski's 'Women'. Like, just finished it. Just now. For most of the book I had no idea where he was going with the whole thing... it just seemed like one graphic, semi-pornographic sexual encounter after another. I mean, obviously I knew he was going somewhere, because I've read 'Ham on Rye', and 'Post Office', but I had no idea where, or whether it would be anywhere truly interesting, and I had absolutely no inclination whatsoever to begin guessing.

I think 'Women' is by far the best of the three Bukowski books that I've read though, and it definitely resonated with me much more than the other two... the language, he is so detached. Every sexual encounter starts with his eyes roaming up some girl's legs – they're not even girls though, really, just bodies with names on them. Then she undresses and submits to him completely; “I mounted, stuck it in, and then...” is a fair summation of the end of every other chapter in this book, and there are one-hundred and four of them. He jumps from woman to woman to woman to woman, never growing attached to them, or even seeming to care when they walk out on him. At one point around the halfway mark he muses that all of his women leave him, but it is clear that this is only the case because he will take sex wherever he can get it. Only on his terms though. Only ever the way he wants it... he knows how he is, and for most of the book he is aware that he is selfish, and a bastard, and he understands why they all leave. He is seemingly at peace.

The morning hangovers and physical sickness barely seem to drain him, and the paid poetry readings that sustain his lifestyle somehow keep popping up out of nowhere, along with groupies, and fan-mail from easy women. He dismisses the men. But he hardly talks of love – he was married once, but had been in love four times. Now a dirty old man of around sixty, he dreams of the day when he is “an eighty year old fucking an eighteen year old.” Life-long dreams of a professional pervert.

This chauvinistic, evil womaniser has his run of the town for most of the book, and the thing is... and I don't know whether this thing is scary, or sobering, or humbling, or maybe just deliciously tempting in its realism... the thing is, it speaks to me. I don't stand for all men, and I'm sure there are saints out there somewhere among us, but the way Henry Chinaski (Bukowski's literary alter-ego) laps up woman after eager, fawning woman should have most straight men salivating. It's not pretty, and it's not nice, and it sure is pretty fucking uncomfortable, but he gets right to the core of it, at least for me. No wonder there is no mention of his mother... no family, no moral compass or ties to a possibly innocent past. Just a dirty old man, “sucking beer”, puking up blood through three-hundred hangovers a year.

Towards the end though, maybe the last seventy or so pages (out of three-hundred) things start to get a little clouded for Henry Chinaski. The sex is still good – in fact the whores and sluts that he so adores only become more and more sumptuous, their young flesh more and more tempting... but he has also met a girl, Sara, who touches something else in him. He doesn't say he loves her, and I trust him, he is a very honest narrator, and is frank and blunt about his feelings, both to his women, and to the reader. He doesn't love Sara, but he knows that she is 'a good woman', and this is a phrase he uses sparingly only once before. But the difference with Sara as well, is that she won't fuck him. She knows about his continuing conquests, and she suffers through his ongoing selfishness, but she always comes back, and there is something in that that strikes a chord with old, dirty Henry Chinaski. His last few sexual encounters span the whole range of women possibly conceivable: a young, nubile belly-dancer from Canada who gives him the time of his life, and gives it to him again and again; an old, haggard, sagging woman whom he loathes even before she is between his sheets, and infinitely more afterwards; a black hooker who sucks his dick terribly five minutes after meeting him in the car park of a liquor store; a ninety-pound, eighteen year old – at last. He has seen everything. Fondled every part, fucked every crevice. Still Sara waits, over Thanksgiving, Christmas, then she gives herself to him, without his asking and says, “Happy New Years Henry”; they fall asleep together.

After he accepts terrible head from the black hooker for twenty dollars, and then drives her to an intersection where she continues to hitchhike and no doubt solicit more of the same, he makes one last attempt – and there have been many beforehand – to steel his mind against any more fucking around.

“Sara was a good woman. I had to get myself straightened out. The only time a man needed a lot of women was when none of them were any good. A man could lose his identity fucking around too much. Sara deserved much better than I was giving her. It was up to me now.”

This is his final challenge to himself... three-hundred and four pages in and barely one more to go, he convinces himself that he needs to give this good woman a proper chance, because if he lets her slip away, then he will be doomed. Then another girl calls, another admirer, and this is where I was scared. Charles Bukowski was about to offer his opinion, in this last page, in one last conversation between a dirty old man and a juicy, delicious, groaning and spread-legged nineteen-year-old temptress. In the final lines of 'Woman' Charles Bukowski would decree whether, in his humble opinion, it was at all possible for a flawed man to accept the love of a good woman.

Anyone who says that Bukowski is a sexist, chauvinistic pig is probably right... but anyone who says that this is all he is is a single-minded, blind fucking moron. 'Women' is a book that is not afraid to delve past the scared facades that we put in front of ourselves to mask our true desires in our attempts to play the role of the good guy. I'm still not sure if Henry Chinaski is a good guy or not, but I am sure that he is a real guy, about as real a guy as there could possibly ever be in my eyes, and when his time came to decide whether he could be loved in the final pages of this book, my heart was in my mouth, as I felt my fate too, rested in his decision.

He sent her back. And still, there is hope yet.

Peace, Taco.

It's Been Too Long

It's been too long, so I have to write something, three weeks almost, but what to write? Updates? Last week I had six gigs – one Sunday, two Tuesday, one Wednesday, one Thursday, and an MC spot Saturday. One of those went okay, three went very well (I'd at least say well, but at least two I was quite happy with), one went to shitsville and was me eating dicks for five and a half minutes, and one (the MC spot) went averagely for the first half, but then pretty well for second half. Now that I'm breaking it down like that, that's a pretty good ratio – and I think I'm being fairly honest with myself there.

That was a good week, not just because of the volume of gigs, but also because of the quality, those three that went really well felt great while I was doing them, and with the solid five minutes that I've got on me now, as well as with the twenty or so minutes of other material, I'm feeling fairly confident going into my run of ten fifteen-minute spots at the comedy festival. Also this week I printed off my flyers for the festival – eighty A4 sheets each with four flyers on them – so that's three-hundred and twenty A6 flyers ready to be given out to people that I meet in the next three weeks... I think I can do it. I'll be pretty happy with myself if I can hand out all of those flyers by the end of the first week of my run.

What else, what else? I'm going to Adelaide for a few days (Tuesday the 5^th to Saturday the 9^th) which should be cool, doing a spot at the Ed Castle and hopefully catching up with a wide array of crew down there during the fringe. The fringe is going to be sick, and I've got a few cool shows lined up that I want to see as well – Wolf Creek the Musical should be sick. Rhino Room Late Show should be sick. Grills at Phil's and jumping into WOMAD, it's all going to be sick. When I get back I'll have to sort out this Centrelink Bullshit that I'm too confused and tired to go into right now, but suffice to say that it needs to be sorted, and quickly, or else I'll be sitting in a room full of lifetime fuckup losers learning how to write cover letters and 'effectively present myself' for job interviews.

This has been an update from Tugzy, your pal, out in the midst.

Peace, Taco.

On the Road and Other Medications

Reading Jack Kerouac's 'On the Road' the first time was a bit of a blur for me to be honest, I was in Bolivia, and I read the entire thing on my HTC Desire HD screen (that's a phone, if you were unsure) in less than twenty-four hours. Most of those hours were spent on a bus, sitting next to a Bolivian kid who was sixteen or seventeen if I remember correctly. I read the book for hour-long stints at a time, and then would turn to the kid and continue the conversation we'd been having before I had dipped off into my reading and he back into the 'cincuenta centavo' (50 Cent) playing on his iPod. I don't think I rushed through it, but the book has a real habit of lifting you out of whatever you are doing and taking you away on the journey, the road, off into the distance with it... so I definitely read it quicker than I would have a normal book. I'm reading it for the second time now though – I'm typing it out actually, word-for-word on my laptop – and this time I'm taking it much slower.

I've just reached the start of part two, and I'm only going about four or five pages each sitting, because to type about that many pages takes around forty minutes to an hour, depending on how good a day my fingers are having. But I'm loving the fact that it's so slow. I almost forget about this ongoing project every few days, but it sits there – the Penguin-Paperback copy of 'On the Road', the clothes-peg I use to hold the pages open, and the hardcover children's 'The Fun-To-Learn Picture Dictionary' that I use as a board to peg the pages of the book onto – it all sits there on the back corner of my desk, waiting to be opened whenever I feel a little desperate. Typing out books is something that I've grown to really depend on in the past year; first it was Orwell's '1984', and now this. It's a great way to immerse myself in someone else's words and thoughts, forcibly and directly, and take my busy mind off of whatever frantic problems are troubling me. The idea came from Hunter S. Thompson and my former obsession with his wild, drug-addled life and persona, but now that I've appropriated his activity as my own I can see benefits completely separate from what he described – or what were described on his behalf. He did it to “see what it felt like to write a great novel”, if I remember correctly – he typed out F. Scott Fitzgerald's 'The Great Gatsby' – but his motivation is of much lesser concern to me. My aims are much more simple, but much more immediate, and vital as well.

I just passed over a part in 'On the Road' where Dean Moriarty has left his second wife, Camille, with their child to go back to his first wife, Marylou, and beg on his knees for her to take him back. She does, and in Kerouac's own words;

“She understood Dean; she stroked his hair; she knew he was mad.”

More reassuring words have never been written, and upon typing them out as my eyes flitted over the page I felt a wave of understanding and hope wash over me. I recently watched a video of Neal Cassady, upon whom Moriarty is famously based, when he was on the bus with the Merry Pransters in the early-mid sixties and to be perfectly honest, he looks and sounds like a complete lunatic. A madman. But sometimes it's hard not to feel, in the furious changing tides of life, that I am mad as well. Although maybe not as outwardly eccentric as Cassady/Moriarty, I'm sure every one of us feels at some point as if they are the exception to some sane rule of the world, an outlier on the bell curve of acceptable normalcy. “Am. I. Insane?”

Well maybe you are, and maybe I am, but Jack Kerouac, in a surely unplanned but far from accidental stroke-of-genius example here, shows that no matter how crazy you think you are, or how crazy you are by everyone else's admission, you still have a place in this world, and you can still find someone to love you. Dean Moriarty, with his head in the hands of his sweetheart, is proof enough of that.

Sometimes I wonder when I'll get tired of the violent up-and-down cycle of my mood and of my life and of the world that I constantly create around myself. I find myself hoping that that day will come soon; “soon, surely, soon I'll find it within myself to settle down and find a level of balance in my life, soon I'll be able to relax.” But every time I find myself repeating this tired inner dialogue, I am tempted, once again, by the promise of a higher tomorrow, and the irresistible, surging rise of a brand new peak. For as long as I am tempted by these peaks though, there will be a frightening low waiting in the trough, and that's where Jack Kerouac and his famous tale of freedom come in. Whenever I feel like I need something else to hold onto, to support me while I ride out the lows and confront the fear, I turn to the pages of this book – and when it's done, the pages of another classic that I'll start typing out – to escape to the open spaces of someone else's words, and leave the dark churnings of my own mind behind for a while. In this way, I remind myself that a new high is coming, and peace is a comfort that, for the moment, I do not need. Not just yet, Tugzy. Not today.

Peace, Taco.

Last Night I Had a Good Gig

I'm heading out to do my first MC gig in a second, but I thought I'd sit down and write something first before I slide into the engulfing black that promises to be Saturday night. After I finish writing this, I'm going to change into my new jeans – hoping they fit properly – and walk out of the house with my notebooks, wallet and phone. Then I'll go get some fried rice from Loi Loi, around the corner. I love fried rice. I've been practising eating with chopsticks.

This MC gig – it's at Voltaire, a little upstairs performance space in North Melbourne that hosts an open mic every Sunday – isn't a comedy night, oh no no no. It's a burlesque show, so already, things are looking interesting. I'm excited though, because the fact that it's not a comedy show means that the audience, and even the performers, will have never heard any of my material before. I have a completely clean slate. Add to that the optimism that I've been feeling lately about my pool of material as a whole – I think I might almost be up to twenty usable, if not killer, minutes of stuff – and this gig is looking like it might just go okay.

Last night I had a spot at Fishface comedy in Footscray that went fucking brilliantly, which was nice. I tried a couple of bits that I've written in the last week and hadn't performed yet, as well as a bit that I did for the first and second time this week, and my bit about birdwatching and my mum that is turning into a pretty strong opener that reveals something about my personal life. The two new bits: last and second last, both killed, but the last one did especially well. It involves me yelling and screaming 'DUH DUH DERRRRR' whilst stomping around the stage for about a minute, and I'm really excited by it because I think I may have managed to write a bit that breaks out of the normal formula of 'stand on stage and say something funny' that stand up threatens to be trapped by, whilst still containing a conventional 'set-up, punchline' structure at its heart. I think I'm being a little pretentious here, and maybe reading Stewart Lee's book where he analyses three of his shows with liner notes has pushed me over the edge and into a pool of self-congratulatory wank. Hopefully not, friends. I need to remain vigilant.

All I think I'm trying to say here, is that I'm really looking forward to this MC gig, and I'm hoping it goes well and I get to do a good amount of material including some new stuff. I'll have to work on winning the crowd over with some of my more bankable material and then coming out with the weirder stuff, whilst still making sure that the stage is set for the burlesque acts themselves. Seven at the start of each bracket... wait... are there brackets in a burlesque show? Eh, this will all be a strange learning experience. I just want to get on stage, to be honest.

Feeling dangerously selfish, maybe? Over-confident after a good gig? Only time will tell.

Peace, Taco.

On Humility

I just went on the r/StandUpComedy subreddit and had a look at a post by a comedian who said he'd been doing comedy for about a year and was asking everyone to reply to his thread with what their biggest achievements thus far in stand up had been. Proud moments, goals for the future etc. This thread excited me because while I go onto this subreddit every now and then, I don't usually stay for very long because it seems to be mostly filled with people posting videos of gigs and asking for feedback or people linking to comedy specials by comedians that I don't find terribly hilarious... and just a quick aside: I don't have a problem with people posting footage of their gigs and asking for feedback, in fact I think it's great, but I'll get to the slight problem I have with it which may not be a problem at all but just me being a dick... in a little bit.

Anyway, so I went on to check out this thread and straight away I was pleased to see a bunch of long responses, and I started reading. After reading all comments though (only sixteen, but they were all pretty lengthy) I was a little disappointed. I had hoped to find... well actually, I don't know what I had hoped to find on here, and maybe sharing comedy advice on the internet just isn't the same as sharing it in person, but I'll say now that I didn't find what I thought I had.

To me, the way the thread came off was just a bunch of comedians, in similar positions to myself, becoming excited by the invitation to talk about themselves and the growth they have experienced in the first stages of their 'careers'. It seemed like a bunch of egos competing for screen time, basically – fevered egos, you might even say (Eh! Eh!). None of the long comments had replies underneath them, they were all just individual replies about the particular poster's achievements and goals which basically said to me that these people weren't reading here to exchange actual advice, they were just looking for a forum to gloat upon... actually I lie, there was one comment that started a conversation: one between two comics, the first comment had called a particular city's scene 'cliquey', there was a friendly disagreement, and then plans to meet up with a slightly back-peddled explanation by the original poster. Fevered egos really, but who am I to judge?

I'm not even sure about the reasons that I had for coming on to this page? I mean, to be completely honest, I had no intention of posting my 'achievements' or 'goals' on there, but not because I don't like bragging... just because I don't really care about bragging to people that are in no position to get me anything for my hard bragging work. But I had a bit of a think about the reason why some of the advice that these people were handing out for free over the internet was that I sort of half-resented, half-dismissed them as idiots. Petty. Pathetic. I found myself thinking, “who the fuck is this cocky tosser? Thinking he can dole out advice like this when he's only been doing comedy for *re-reads start of comment* TWO YEARS!!!” That may be the problem with comedy advice over the internet... it's all well and good to talk about the giving and receiving of advice in person and there is a valid point to be made about the fact that it doesn't matter whether you think a comedian is good or not, advice is advice and should be taken gratefully. The fact of the matter though, is that it is a narcissistic reflex to reject advice that comes from a source whose credibility you don't have positive proof for.

There is a reason piano teachers give recitals and put themselves last, there is a reason that past football players often slot nicely into coaching roles, and it is the same reason that I don't feel comfortable being told about 'the industry' or given tips on witing by some fevered ego sitting behind a keyboard on the other side of the world. It's because we are all the same fevered egos, and we only like to be told what to do by people we know can do it at least as well, or hopefully better, than we can. Well... I don't know, maybe you're not all that shallow. All I know is the day I can come onto a forum like this, read the comments, and take a meaningful piece of advice from something someone has said without requiring proof of their talents; on that day I will finally have learned humility.

Peace, Taco.

Daydreams

Today I was eating a banana and daydreaming on the tram on my way down to lunch with a bunch of comedians. I had already finished my first banana and chucked the peel in the bin before I got on the tram, but I was about to be faced with the problem of what to do with the second peel: there are no bins on the tram, and it was looking like a solid ten minute wait between my projected banana finish-time and my stop, where I could get out and find a bin. Ten minutes holding a banana peel? Pffft... not likely, so I thought about throwing it out the window.

The tram coasted past the police station on the corner of Church St and Bridge Rd and I imagined throwing the peel out the half-open window and it landing on the bonnet of one of the three police cruisers parked on the side of the road. Glorious, I could see it there. To throw it out of the window accurately and make sure it landed on the car I would probably have had to stand up, turn around and aim my throw carefully, but if I did it deliberately then I'd run the risk of someone seeing – it was broad daylight and the tram was stopping at the lights and opening its doors. If someone – a police officer maybe? – saw me throw the peel intentionally onto their shiny police car, then I'd be in trouble. They probably couldn't pin me with much, maybe a fine for littering or at worst some trumped-up vandalism charge, but regardless, I don't need that right now. The fine for littering is probably over a hundred dollars, and I need to pay rent god DAMN it.

I imagined the police officer, just walking out to his car after grabbing a coffee or whatever police do in the station, when he sees a young, dark-haired, olive-skinned youth wearing a red Adidas jacket intentionally throw a banana peel out of a tram window at his vehicle. He would yell, “OI!”, drop his coffee on the ground and give chase. “Stop the tram! OI! YOU!”
At this point I'd be sitting in the tram, fretting and trying to think of how to get out of my fine, the cute couple sitting across from me would be smirking at me, having seen what I'd done, and now knowing they were about to see me get caught. I would run up to the front of the tram and beg the tram driver to keep going; “Pretend you didn't hear him! Please dude, just go!”

And he probably would go, because he's cool. He doesn't like cops either, and it's perfectly plausible that he didn't see or hear the police officer, who is now just an angry, but receding figure in his side-mirror, yell 'stop'. After another couple stops though, the tram driver would tell me that I had to get out, I couldn't stay in the tram – he'd be remembering his responsibility here, plus what if the cop called in another car to intercept the tram? He wouldn't want to get involved in this thing. But all the while I'd be reassuring myself that it was only a banana on a police car – how could he possibly care that much about a little, frivolous act of trivial civil disobedience. I'm sure police get that shit all the time...

I get out of the tram, and wonder where I'm going to walk now, because I still need to get to lunch, but before I can really do anything I hear more shouting, and see the angry, yelling figure running up the slight hill on Church St. Running right towards me. WHAT THE FUCK?! Overzealous motherfucker... so I run. Bolt down a side street and into the suburbs, but I know he saw where I was running, so I know I have to get away. I need to hide somewhere, I need to blend in. I stumble upon a sunny park at the end of the street with a playground and two single mums playing with their kids. Some guy in skins is doing laps of the oval before lunch and a girl is sitting on the hill reading a book with the midday sun on her back. I run, panting, up to her and sit down, still looking over my shoulder.
“We've been talking all morning.” I try to run her through my alibi.
“What? Who are you?
“It doesn't matter, look, we've been talking all morning, okay? I've been here with you all morning.”
The shouting comes from behind us and the cop charges over the little hill and runs down it, straight at me and dives, arms out and face red with fury. Tackle. He lands on top of me and we both go flying a good couple metres along the grass before he pins me to the ground and shouts something about a little prick. My ribs feel broken, I can't move, everything hurts.
“What the fuck?!” the girl jumps up and screams, looking accusingly at the officer.
“This young man is under arrest for wilfully vandalising police property! THE CHASE IS OVER BUD!”
“What chase, what are you talking about? We've been sitting here all morning!” She sticks to the script perfectly, and at that precise moment, I fall in love.

During the lengthy court proceedings that draw out over many long and arduous months, I learn her name, and her birthday, and her likes and dislikes and all her favourite things as we fight in the halls of justice against police brutality. I even remember the colour of her eyes: green. She is my witness and with her help I win a victory worth millions in compensation for the injuries I sustained, I was an innocent bystander randomly attacked by a deranged agent of the law. My injuries keep me from work and I lay a spurious claim to a life-long disability pension. Me and my beautiful witness kiss outside the courtroom, and then go off to spend our millions on eating, drinking, and being merry. I propose to her in the park where we met and for the rest of our lives we are happy, and in love.

I imagine this all, while I am sitting on the tram holding the now-finished banana peel in my hand. I imagine it, but it never happens, because I am way too scared of getting caught and fined for littering. Instead the peel goes under the seat, and I brush my hands clean, before pulling out my notebook and writing the story I am not yet brave enough to live.

Peace, Taco.

On Stragglers

I remember a conversation with Brodie a few weeks ago about Adelaide, Melbourne, and the dozens of people who seem to be stuck in between. I couldn't put an exact figure on it, but there would probably be at least ten people that I know who are caught in some premature stages of moving over to Melbourne, or saying that they are moving, or thinking about moving, or wanting to move but not knowing how. Some of them I trust when they say that they are coming, I know that they'll get here when they are ready, and some, on the other end of the spectrum, I know are just sitting around puffing on pipe dreams, and I'll be lucky to see them down here for a weekend.

Brodie and I were talking about this while we sat out the front of our 3121 abode, he was smoking cigs and I was probably eating stir fry of some sort, it was probably around six in the evening. Tommy Martin was supposed to come over and live with Lolly and Tim, but he's doing something at uni now. Phil is still sorting his shit out in Adelaide before he makes the jump. My mate Jayden, and to a lesser extend his partner in shit-talking T. Wood, have talked about coming over many a time, Jayden even going as far as to say that he almost has a job lined up. Chris... well, Chris is a bit of a lost cause at this stage. But there are plenty more, people who are 'coming' to Melbourne, just not yet. Just not now, just wait, hold up while I get my shit sorted.

This isn't some post railing against those people and trying to paint them as lazy, or dumb, or useless, not at all, and I know that sometimes you need to lay your plans properly before you hatch them or else they'll go sour. A few people who have said they are coming have my genuine trust, I know they'll make it over here, it's only a matter of time. But what Brodie said in the midst of this idle list-making struck me as a bit of fair warning to anyone who has ever had even the most cursory thought about leaving Adelaide and coming to join the youth of the world in Melbourne. “Yeah, maybe they'll make it down,” he said, “but it won't be for a few years at least, and by the time they get here the party will be over and we'll all have moved on to bigger and better things.” He said it like it wasn't even news. Like that's the way things were always going to be, and it was as obvious as the colour of the sky, but I had never even considered it that way.

The party will come to an end, eventually, but not because anyone says it has to, it'll just come to pass, some moment will fly by and the Melbourne vibe will be finished with. I've heard Chris, several times, bemoan his lateness in arriving to the town scene in Adelaide. “I can't believe I missed those few years of partying with you guys, I don't even know what I was doing?” I've heard him spill these words out after again hearing the stories of climbing cranes or lighting fires or Block Party or stupid, one night absinthe fling-benders. So why are you missing it again, then? I don't know... just know what you're doing, I guess. If you have a plan and you're doing something, make sure you know why, or at least have a fair idea. Don't be putting off what you really want to do in favour of what seems easier now, because what you really want might not be there forever.

Peace, Taco.

What was Two-Thousand and Twelve?

Last year started with a crusty-eyed glance out of a second-story bedroom window in the Cactus Hostel in La Paz Bolivia. As I focussed my vision and adjusted to the harsh light coming in through the thin, high-altitude air, I saw a condom – mine, fresh from the early-morning ,sloppy, drunk frecking only a few hours before – dangling off of an electricity cable over the street and dripping Nobel Prize Winners onto the pavement below. Two-Thousand and Twelve was a good year.

When I came back from Bolivia it was the middle of February, and I had a girl travelling from France – the other side of the world – to Australia to come and be with me. No story has ever begun more beautifully, but it only took me five weeks between her decision and her arrival for me to ruin it... not that I'm bitter or angry at myself, these things just happen, and the luxury of time passed allows me to speak so frankly about it. But I messed that one up, and hurt a lovely girl quite unnecessarily in the process, she really was lovely. She really is. Lovely. We were together for two weeks full of shame and falsity and when everything unravelled it took only a few days to destroy a summer's worth of good memories. They weren't destroyed forever, I look back and smile now, but when it was happening, it was tough. Easter was tough. I bawled my eyes out after she left in the side-street behind the Cranka just of Rundle, but after that I couldn't cry anymore, which surprised me a little. Two-Thousand and Twelve surprised me.

I stayed at uni for another semester, but you know me – and by you, I mean me, because let's face it, I'm talking to myself here – I sat around and did the minimum required to feel fulfilment at the end... that's two years of a three year degree finished, but I can't see the final year materializing in the near future to be honest. I volunteered at a Salvation Army store because I thought it would look good on my resume and I couldn't think of someone who would give me a nice reference – OH! That's the other thing, I spent like six months desperately unemployed – the first six months of this year. Jesus that was terrible, I don't ever want to be that unemployed again, lucky I turn twenty-two in a month and qualify for Centrelink (YES!)(Yes?). Two-Thousand and Twelve was skint, and really, really slow to get started.

I finally landed a job around June selling energy door-to-door for a joke of a man named Nathan in his AIDA franchise in Adelaide. That job lasted for two and a half weeks and was easily the worst stretch of employment I've ever had, even if it was also the shortest... a few funny things happened at that place though: getting screamed at by the office pussy for lighting up in the back of his brand-new car and spending the day at the pub instead of knocking doors. Roaming the streets of some shitty suburban region of mid-northern Adelaide belting out Ed Sheeran's 'The A Team' between houses and sitting by the river under the bridge in Black Forest hiding from the boss... not everything about that place was terrible. The people and the routine got me out of the house for about twelve days, and the brutal stupidity of my situation for those two and a half weeks finally pushed me over the edge and into Melbourne. Two-Thousand and Twelve was dumb.

I just remembered that we're supposed to be pronouncing it 'twenty-twelve'. Sorry guys, too bad, looks like the programming hasn't quite sunk in has it? Two-thousand and Twelve. I'm not changing just because it's quicker – I'm going to need a really clever piece of marketing directed at me from 180 degrees backwards and wrapped in chocolate to get me to kick this inefficient habit of pronunciation. Two-Thousand and Twelve sounds sexier.

Melbourne has been a constant firestorm of new faces, busy evenings, words, pictures, and no pedestrians... that doesn't really sound like a firestorm does it? I think I'm trying to be over-dramatic... but Twenty-Twelve was a bit like that as well... inconsistent. I found a calling this year – maybe that's a bit over-dramatic as well, but it sounds ok to me, not completely superficial. Stand up comedy has given me a place to go where before there was only the night stretching out past sunset and it has filled the void that used to bring so much dangerous introspection. I finally feel like I am going somewhere, and doing something with purpose, not just because I know it's healthy for me to be filling my time with things. Two-Thousand and Twelve has given me something that I am going to be able to carry around with me for the rest of my life – a purpose. Don't ask me what that is just yet, I'm not that far, I'm still figuring these things out, but Two-Thousand and Twelve helped. Thanks Two-Thousand and Twelve, cheers for the hand.

Quote of the year, although I think I might have actually heard it last year to be honest, is as follows:

There is no way to happiness,
happiness is the way

That's Buddha, apparently, but it doesn't really matter who it is, just what it says. After everything that's happened in the last three-hundred and sixty-five days, I feel like that quote could sum it all up pretty near perfectly – the whole year, and all of the years before it, I have only been having as much fun as I have been willing to admit. And now that I'm over in the most hyped youth destination in the fucking world, it's almost like I have to report back that I'm having the time of my life... it's no coincidence though, that I really, completely am having that time. The best time ever. And whether it's because I came to a place that was supposed to be brilliant, or because I found that place within myself, and then happened to move cities, it doesn't matter. Two-Thousand and Twelve was Happy.

Twenty-Thirteen?... let's go for 'spontaneous'. Sorry about the sappy, seriousness of this post for anyone wonderful enough to have made it this far. Thanks for reading, whoever you are, to be serious for a second, if you have ever taken the time out of your day to read anything that I've written and pushed out into the ether, it means more to me than I can put into words here. Thankyou.
And I promise I'll put more funnies in next time. Until then, dicks dicks dicks. Big fat willy. Asses.

Happy New Year everyone.
Peace, Taco.

No More Comedy

This afternoon/night I went to the last show of the year at 100% Nuts in Brunswick and had a great gig with a bunch of other crew. By some mysterious planetary alignment a bunch of random punters actually showed up all within about ten minutes of the show starting and made a decent-sized crowd for us to perform to so that was nice. Damian cut off his dreads as the opener and I bought a BLT for twelve bucks which I really shouldn't have done, but did anyway. A delightful afternoon, no matter who you ask.

What sucks now though – and I only realized this about twenty minutes ago as I was sitting at the tram stop writing a new joke that had come into my head on the quiet eleven pm walk down Victoria Parade – is that there is no more comedy for the rest of the year!!! Today was my last gig for 2012... well, my last gig of material anyway. I don't think I can accurately express how fucked that feels to all of the non-comedian daywalkers who read this blog... and I'm sure there are HORDES of you. Oh yes.

But seriously though, I now have AT LEAST two weeks with no gigs and no stage time. Where will I get validation? The situation is seriously dire, I'm shaking, my mouth is dry, I'm not looking forward to the pain. I was writing this joke and thought of a callback I can do in the middle of it that references some other shit and works really well with a joke I've been doing recently and I was getting all excited and happy with myself when I realized... holy fuck, I'm not going to get a chance to even TRY this on stage until like the first or probably more realistically, second week of January. Jesus Fuck. That's so far away, and no doubt I'm going to be writing a fucking BUNCH of material over the Christmas break, and now there's going to be a massive back-log, and the joke that I just wrote – which I am actually really happy with, and I know has legs – will possibly get lost in this massive stretch of time between today – my last gig of the year – and my first of the new year. The Kieran Butler Roast is on Wednesday, and then the stage is taken away as well. There's nothing after that until the new year is back in swing... god damn it... oh god... oh... oh... oh... I don't know what to say about this. Where to go? What can I do? Nothing is the answer, absolutely nothing.

It's cool that I've fallen so happily into comedy and am still enjoying it and have the same drive after going pretty hard at it for about six months... I would never have expected myself to become so dedicated to doing something as I have become... I really love my life here.

After the 100% Nuts gig at Bridie O'Rielly's I went with Millie, a friend from doorknocking days back in Adelaide that has spent the last five months in the outback working and has just returned to civilization, to the Comic's Lounge to catch the highly-hyped and very talked-about Dov Davidoff perform his last Melbourne gig. He was seriously good... like seriously fucking brilliant. It was weird though, I mean I watched a bit of his stuff on YouTube this week after everyone was talking about how good he is and how every comic absolutely had to get down to the Comic's Lounge and catch him. Normally I take the advice on seeing shows that those guys give out with a grain of salt because I know they like to get butts on seats and will oversell comics to do it... but the amount of raving that went around about this guy was next fucking level, so I thought I'd better get down. It ended up being a coin-toss that decided it, but still, we went down and got in with some free tickets I had buried at the bottom of my bag.

The stuff I'd seen on YouTube hadn't excited me too much, because it seemed to be mostly pandering towards the kind of mass-appeal audience demographic that has produced half of the outstandingly adequate Comedy Central specials of recent times... this guy just seemed like another mildly talented US comedian talking about work, sex and his silly parents. After a few of the jokes that I recognized from the YouTube stuff though he got into some political gear and some other really interesting personal stuff, and I liked the direction he was taking a lot to be honest, I really enjoyed the second half of his set. I mean, I was always going to enjoy it, it was never going to be a bad set or anything. I am under no delusions about sub-standard comedians making it onto Comedy Central or anything like that – I know it requires a massive level of talent to get that far and so to see a guy who has had an hour special perform live is always going to be a captivating and ultimately funny experience, but I wasn't expecting anything too interesting other than a few clever punchlines and charismatically delivered dick jokes.

He started on the introspection though and I really started listening... the lame thing was though, and it was clear that he could feel it too, as soon as he started down on the stuff that was really interesting and actually felt like it was going somewhere new, the audience stopped digging it. At the start of his set, Dov made a few jokes about girl's tits and the first black guy that ever fucked a white girl saying 'look what I found'... that kind of predictable shit. The audience ATE IT UP. They fucking LOVED it, and I let out a small chuckle. But later on when it got a little more challenging, you could feel people switching off. Are we so impatient and stupid as a society that we need any original ideas to be so carefully couched and presented on a silver platter between easily-digestible sex jokes? Has comedy really been reduced to how many laughs we can get per minute? Is that what we want our art form to become? It really worried me to watch this comic who clearly knew what he was doing go up on stage, kill it with dumb material, and then lose his audience with the clever stuff, because it made me think: if this guy can't grab them, then what fucking chance do any of us have?

I went into the gig sceptical about the quality of the comic I was going to see, and expecting a wry smile and a shrug of the shoulders. I came out having realized that the comedians are not the problem, the audiences are – we are, every time we decide to go for safe, sensible vanilla instead of stretching ourselves and giving someone the opportunity to challenge us. That's a scary thought guys, because I don't want to be listening to dick jokes for the rest of my life, and I sure as fuck don't want to be telling them either.

Peace, Taco.

I Don't Care

My eyes are heavy and my shirt is on the floor, it's hot tonight in Richmond. I'm listening to this album called 'Poor Boy/Lucky Man' by some guy called Asaf Avidan and his band, The Mojos. I had never heard of these strange people before today, and I never would have if I hadn't met a couple of people on my tour today, had lunch with them, and then told them to add me on Facebook. The guy added me first, and then the girl. I checked both of their about sections, (god, this is getting a bit to 'twentyfirst century social interaction' isn't it? Ugh) noticing in the girl's, whose name I refuse to write because I cannot pronounce it, that she keeps a blog. So I went onto this blog, and saw a few quotes – some really nice stuff actually, but the thing that really caught my attention was a song called 'Your Anchor' by the crew I'm listening to right now.

So I downloaded their album, and I'm listening to it, and because the only torrent (jargon, jargon, jargon) I could find of theirs was their discography, I have their other two albums as well. Maybe I'll give them a listen. This music, this vaguely folky, rocky, guitary kind of thing... oh look, a horn has started playing, lonely over an acoustic guitar riff. That's quite nice. I feel that this music is passionate and impressively raw – someone cried over this I think. Someone at least shed some bodily fluid. Someone cares a lot about the sound that is coming out of my speakers right now, and I'm really making an effort to be that person that cares as well.

Fuck I wish I could find something to be passionate about, I really feel like I have all this pent up energy inside of me, but nothing to throw it onto... and I can't just 'use it up' – it doesn't work like that. I'm sitting here, listening to this undoubtedly beautiful music, but I'm finding it really hard to relate it to anything real. What are these people singing about? What machine are they raging against? I feel like I'm almost at the point where Winston ends up at the end of Nineteen Eighty-Four when he has fought all his life against the creeping tendrils of the party and their mind-controlling propaganda machine, but then just as his final opportunity for redemption is at hand – when the party finally has him killed – he finds it within himself to submit to them and become one with his meaningless, lobotomized contentment. I feel like I am so close to saying, “well, that's it, who cares if things are bad for some people, who cares if I'm being marketed to, who cares if I have designer products thrown at me every day – what if I like it like that?”

I feel like I have to get angry at things, or be upset about something, in order to 'find a voice' in comedy – but what if I don't see the world like that? Fuck, I know this is even wrong to think, but what if I see the world as an inherently happy place? That is such a confusing statement to have just made – look at what I just said. Look at what you just said Aidan. “This is wrong, but I think things are good.” WHAT THE FUCK IS WRONG WITH THAT? But apparently everything really is fucked, and as an intelligent, rational, observant human being, I'm supposed to notice that and be angry about it. And if I don't, then I'm naïve. Stupid. I'm enjoying my life, but I know that there are so many people out there that aren't – they don't even have the opportunity to enjoy anything. The vast majority of the people in this world are born, feel hungry, and then they die – that's a Louis CK joke, and it's so terribly true. But I'm having a good time though... fuck... what am I supposed to do about that? Do I stop having a good time? Should I be angry about the fact that I'm having a good time? Or should I just be happy with the fact that I've drawn the lucky number in life's ridiculous lottery and continue on with my easy life and simple pleasures, trying not to think about the writhing hell that continues to burn daily in most of the rest of the world?

I want to end this by just deferring to another one of my, 'oh well this is too hard to think about now, let's all have doughnuts' punchline/endings. The ones I'm so good at writing that tie everything up in a little bow... but I shouldn't. I can't. Fuck. This stuff really doesn't work like that. I just don't know what else to do... I can't offer myself a solution, I want to care about the bad things that are happening in the world, but every day as I wake up and find myself feeling good about everything, I am stared in the face by the harsh truth of the matter – I really don't care. I just really don't. What am I supposed to do about that? I hate my indifference, but it's mine, and I'm so indifferent that I don't even care. Catch 22. The ultimate trap. Staring truth in the face, it hurts, or at least, I know it should. Help me, someone, I am stuck in a paradox.

Peace, Taco.

Failed Organization

Directly to my left stuck to the wall with Blu-Tack is an A4 piece of paper with a bunch of dates and corresponding dollar amounts listed on it, which are divided into two columns: 'spent' and 'earned'. This depressed, abandoned piece of written record is just the latest in a long line of failed attempts at organization that stretches as far back into my past as I can remember. I'm always trying to order things like this, and I always give up. Half-finished projects and notebooks full of meaningless numbers haunt me from the bottom drawer of my bedside table. Why?

The column on the left of this thing hanging on my wall is the 'spent' column, and the one on the right is 'earned'. Basically, from what I can tell after deliberately ignoring it for the last two weeks, the idea of this little table was that I would write down every dollar I spent on the left, and every one I made on the right, but I think the catch was that only money that didn't pass through my bank account would be included... the idea behind this was that, of my two jobs, one pays in cash and one pays into my account. So my cash job would fund spending money, and my other job would be for rent, which is direct debited on the fifteenth of the month. Since I make roughly $250 a month more from my legit job than I need for rent, I should be able to save $250 a month in my account, and so if the 'spent' column equalled the 'earned' column on this little sheet, then I'd be $250 up at the end of each month.

It was a good system, in theory, but there are millions of variables that always contribute to these things not working out. I won't go into any of them here because we all know that to organize the finances of a twenty-one year old male requires at least a bachelor in some sort of accounting as well as a keen readiness to accept mysterious syphoning of money into nefarious late-night/early-morning frivolities. That having been said though, surely I should have been able to stick to the system I'd devised for myself for longer than – hold up, I'll just read the dates on the paper... – nineteen days. Jesus christ, that's woeful.

Nineteen days of diligence... this reminds me of when I was a kid and I used to race marbles down my Hot Wheels car tracks two at a time, pitting the marbles against each other in a sixty-four-marble elimination competition and studiously recording the scores as one beat another and another and another and eventually the grand final was contested by the remaining two. I had massive sheets and tables and a track that extended across my room and I would draw up the fixtures in preparation for the competition, and the games would begin. Inevitably though, the four that ended up making it all the way through to the finals were my four favourite marbles, and the gold one always won because I thought it looked prettiest – I was never one to accept the outcomes of pure chance. I could never sit by and watch my world be ruled by chaos... now that I'm twenty-one though, controlling reality is hardly as simple as giving old 'goldie' a little nudge at the start of the race. Shit is real in here... shit is DEEP.

I do it all the time: my system for recording comedy and blog ideas is split into two books, the distinctions between which I have yet to be able to confidently define... and each book is split into a front and back section, which are also separated in an equally arbitrary fashion. This one has jokes... that one has premises... but then this one has a few premises that are sort of half in joke format... and that one has stuff that's slightly more developed... and this one has stuff I tried last night... but that one has a few bits and pieces in it that belong in the other book but I'd left it at home that day... that one has something about Christopher Hitchens next to a shopping list... this one has poems on the middle page. It all means NOTHING. USELESS. DROSS. Swear words.When I go to find my new bit about how my housemate owes me eight beers, I know which book I wrote it in, because I just remember... as much as I wish that I had a system, so I didn't have to remember anything, I don't. So to the casual observer, it may look like my life is arranged neatly in a simple system that allows me to work at optimal efficiency, but this casual observation is a fallacy. My shit is fucked. I don't know where anything is. I'm admitting it. Right now. I'M COMING APART AT THE SEAMS!!!

I don't know what else to write here, because I didn't plan this piece of confused word-jumble out before I wrote it. I guess I should end with a funny quip – something to tie everything together nicely and make me feel good again, so that I can accept the mess that is my bedraggled existence with a smile and a flick of my long, flowing hair. Quips... jokes... funny chucklings... if only.

Peace, Taco.

Waiting for Inspiration

I don't really know what to write about today, or this week, I feel like my juices are a bit used up at the moment... ew that sounds weird, I kind of want to backspace that, but I won't. Unblinking honesty, that's what I'm all about. Breaking down boundaries. I'm such a fearless crusader of truth.

It's weird that I want to be a comedian, or a writer – something where I get to have views, and then express them skilfully to a large audience through whatever medium I choose. I want to be this thing, but right now I don't really feel like I have very strong views on anything much. Like I care about shit like global warming, and music, and people being free, but I feel kind of abstracted from these problems because I live such a comfortable life... but this comfortable life that I live is what is currently allowing me to develop my craft (that's apparently what I'm doing here) as a writer and comedian, and this period of development right here is what will give me the voice to say things that I want to say, when the time comes that I figure out what those things are.

It still sometimes feels like I'm cheating myself out of real living though; sitting around here writing trivial little jokes and churning out random thousand-word chunks of writing. What am I working towards? Just the abstract goal of 'being a comedian'? 'Being a writer'? What kind of goal is that? I have always said that I want to be someone who says something meaningful with the things that I do, not just someone who does them for the sake of doing them – these things, flimsy semblances of life direction that they are, are only worthy goals if I have something worthwhile to say. But right now I feel dangerously ambivalent and hazy in my convictions. I don't feel like I care very much about anyone except myself, and I don't like that, but I don't know how to change it either.

Five months ago when I moved here I was sure that I had found the thing in my life that I wanted to pursue, and I still believe that, but I still wouldn't say I have definitely found something to be passionate about. I think the difference between a hack comedian or writer and a great one is as small as the strength of the convictions and beliefs they express through their chosen medium. Any hack comedian can talk about politics, or religion, or suicide, and any great writer can put down forty-thousand words about the differences between men's and women's toilets... these simple distinctions between topics are not what make careers trivial. An artist's work becomes trivial when they are only expressing superficial feelings – feelings that they know they are supposed to express, and may even be aware that they want to be expressing, but they don't really, truly have. Bill Hicks wasn't an amazing comedian because he talked about politics and conspiracy theories in the second half of his career, he was an amazing comedian because he actually cared about something. So it's all well and good for people to say, “you just have to speak from your heart and speak about what you actually care about” – that's obviously very good advice. That's not the hard part though. Everyone is speaking from their heart, all the time, every day people say what they really think and say it with conviction because they don't want to be misunderstood. The hard part though, is finding something to care about that strikes so deeply within yourself – myself – that saying what you really think is no longer simply a monotonous exercise in honesty, it actually becomes important.

When I find something to care about – like something that really, instinctively makes me give a fuck – I know I'll stop peppering my writing and comedy with disclaimers about how 'I don't really know where this is going' and 'I guess that's what I'm trying to say'. Conviction will come, at least I hope it will. Fuck, I am sick of waiting.

“Don't wait for your dreams, Taco! Go out and get them!”
Fuck off dickhead, I'm busy watching rap battles on YouTube.

Peace, Taco.

Now We're Fucked

Okay, so what's this about then? I feel a little shit all of a sudden. I feel a bit strange. I got a call today from Ben who is one of the guides for Peek Tours, the walking tour company that I've been getting about half of my paycheque from for the last few months. He said he had to cancel his tour this morning because he only had two people rock up, and when he went to check out the competition (I'm Free Tours) their guy had like twenty people... that's a lot of people for a Monday. That's worrying.

They must have been doing something in the month or two that they've been running that has given them these numbers, but what that thing is, I am absolutely clueless... I've never even SEEN THEIR FLYERS!?! But the fact of the matter now, is that they have fucking WAY MORE people, and we are left with barely any base from which to make money. This is stressful because tours is really the main base of my income right now, and add to that the fact that I've just faced this week, that I'm going to have to quit Yah Yah's after the new year. I won't rant and spit here right now because I don't think that'd help anything, but to put it plainly, I can't work in that place anymore. I hate it. It is fucking terrible.

So let's look at how things are now then... in about a week, my two sole sources of income now have a limited life, one due to work conditions, and one due to competition. Fuck. FUCK. !!! Things were going way to smoothly... I know I'll be able to get work at another bar with Sean around February when his new project kicks off, but until then, and until the final security of my twenty-second birthday rolls in (twenty-two is the age when I can finally claim centrelink... but more on that well of shame when it rolls around in two months' time) … (THIS PIECE IS INCOHERENT!!)

Until February, I'm going to be waiting in the wings, basically. I'm going home for Christmas, but now that I'm faced with it and the looming rent deadline on the fifteenth, I don't know how I'm going to be able to get the coin together unless one final gambit pays off... Tomorrow I'm going to go down to the I'm Free tour and suss out their situation. I'm going to have to move fast... I'll have to talk to this guy... ugh... FUCK... I think I'm admitting to myself right now already that I'm going to be jumping shit... FUCK... this sucks so hard. I want to bring the Peek Tours guides over as well and make sure everyone can still keep doing tours... I won't know what the score is until I meet this guy tomorrow and suss him out, and suss out their guides situation.

Shit just got really stressful this week. No more smooth sailing. Oh yeah, I had some gigs yesterday though. Well I say 'gigs', one was ONLY comics, so it was basically a workshop, and for some reason I got really freaked out when I was on stage and bailed... I'm kind of pissed off that I did that, because I could have hung around longer and got some really good feedback on jokes... anyway, that's neither here nor there. I went and did another spot at Voltaire after that and did a new bit which went pretty well, but the recording fucked up so I didn't even get to listen back and see what I could polish up... Ugh.

The getting drunk and partying on Saturday night was really fucking good... but I don't feel like that really matters at this point. It wasn't especially satisfying and felt pretty arbitrary to be honest... like, why am I drinking? Why do I need to go out and party? What have I done to warrant this? It was really lucky that I had the Saturday off work because I would have killed myself if I'd had to go in and had my face spat in for five and a half hours again by... *breathe* … ugh... fuck... breathe, breathe. This ranks as EASILLY the most unreadable and retarded thing I have ever posted. Don't even bother.

Peace, Taco.

This Post is a Little Bit Arrogant but Eeeeh...

Karmon's 'Wowshit' is blasting from down the passage, bass is shaking the floorboards and the fifteen-hundred dollar sound system in our living room is being given its daily workout. I love living with these cats, every week during the day the sunny ambience of the house is inevitably broken when one of the three DJ inhabitants of my Richmond abode decide to jump on the deck s and have a mix. Deep house and techno are the staples of this summer, and while the weed smoke sits heavy under the ceiling and soaks in to the plaster, the pounding bass sends ripples through the air. I sit in my room and write. Listen. Focus.

Then every weekend at sunrise a new horde of loud, obnoxious freaks crawls through our front door and pile themselves on couches and empty floorspace and throb with the music. They are messy and uncouth and ugly and their eyes twitch and their faces are dirty from sweat and alcohol. They are fucking brilliant.

What I have noticed, pretty much since I moved into this place, is that this is the house I have always wanted to live in. Constant parties, a parade of new faces and stupid conversations, drinking, drugs, people... this is the place I wished so hard for every weekend from the moment I turned eighteen, but never managed to secure. I always felt like I was on the outside of some huge social network, forever looking in through the tinted windows, trying to make out the figures within. I strained to see the people inside as they did all the amazing things I thought I could see them doing, I beat myself up wondering why I could never find the way to acceptance. I now realize that this very desperation which has so shaped me the last few years was the reason that I never felt like I was in the middle of things – that I always felt like I was on the outside looking in.

Now, only a year or so later, I have stopped going out and looking, begging for that acceptance and trying furiously to get into the middle of that scene; the town scene. Ironically, after all that fruitless toil, it is only now that I have stopped trying that I somehow find myself sitting in the middle, in the room with everyone else, behind the tinted glass. Of course that's not how it feels, it still feels like I'm on the outside of something, and when the people come into my house on a Saturday or Sunday morning, I don't feel like these are my people coming home, or that I am one of them and they are here to see me, because they're not... but I know that to anyone sitting where I used to sit, out in the world of clubbing and partying and weekend benders, I must look like I'm running the show back here.

I guess the lesson here is something that I've been repeatedly telling myself for quite a while now, something that is undoubtedly, irrevocably true, but that never seems to fully sink in, no matter how often I say it. Everyone is insecure, everyone is troubled, everyone stresses about things and no one really has it as together as they would have the world believe. We are all struggling to fit in somewhere, or impress someone, or live up to some lofty ideal. I look at some people and just think, “wow, you are just fucking cool”... some people just seem to have it and exude positivity and excellence wherever they go. But those people are looking at someone else too, saying the same shit, and wondering the same things. “How do they do it?” We're all looking to someone else, wondering how they built their house of cards... well... like maybe not Brad Pitt or something.

Brad Pitt is the apex of humanity. He is the monolithic idol from which all subsequent human endeavour can be traced. And with that grand, overreaching statement, I think I'm just about finished for today.

Peace, Taco.

3121 Hangs

Yesterday I had only one person on my tour, an Indonesian girl called Neysha, and so instead of packing my bags and going back home in a huff, I decided to take her on a quick tour in exchange for her buying me lunch (atlantic salmon... I get my money's worth). We were going to go check out Ballarat after lunch which would have been nice but in the end we couldn't because it got a bit late in the day, so we went our separate ways. It was a lovely afternoon all in all, and I'd like to thank the lovely Neysha for lunch, although … (I pondered long and hard over which conjunction to use here because it seems that the use of either 'and' or 'but' to preface the information I'm about to deliver would set the tone for the rest of this bit and betray my feelings towards the events I intend to describe... I have definitely over-thought this... hurry up Taco, people are getting bored) … there was something else that was far more interesting than salmon.

We were sitting at the tram stop in Richmond waiting for the tram to head back into the city to Southern Cross Station. I sat on the end of the bench on the corner of Church and Victoria streets and Neysha sat in the middle, to my right. To her right again there sat an old man, probably around sixty-five or seventy years old, dressed as most old men usually dress and waiting for the tram like we were. Neysha and I talked for a while about Richmond and why I love living in this suburb – to paraphrase my housemate Brodie, “it's that 3121 real shit” – there's a real grittiness about Richmond and I told her I enjoyed that. While we were talking, as if on cue, a local smackhead approached the bench. I've seen this girl before, wandering aimlessly around Victoria street in the middle of the day, stumbling, glazed eyes, riding the tram with a lost look on her face. She's one of many sad characters that populate the streets in this shitty inner-city suburb of Melbourne, and I'd always had my suspicions.

She approached from the right – from the other side of Church St – and looked first at me, but must have assumed that the girl I was with, being as she was roughly the same age as me, was my girlfriend. Her eyes then fixed on the old man, and she stopped herself just in front of him and squatted on the footpath in a submissive, prostrate position before looking up at him and engaging in conversation. Her voice was thin and high-pitched, and she was clearly drifting in and out of lucid consciousness, never fully in control of herself, but she grabbed the reins for long enough to look into his eyes and ask, “you looking for a good time?” As she said it she made a motion with her right hand to imitate the way she would suck his tired, sixty-five-year-old dick to a climax for some pithy sum of money that I didn't quite manage to overhear. I was paying as much attention as I could at this point while still trying not to be too obvious... it was hard to maintain an air of normality and Neysha and I had stopped talking as soon as the afternoon's twisted courtship had commenced. I wanted desperately to hear what he was saying, but I couldn't grasp much of anything. Maybe he said something to her that I didn't hear, or maybe he didn't even reply to her, but whatever his voice did or didn't tell her, I could understand everything from his uncomfortable body language... he tacitly refused her subsequent urges and offers to give him her phone number. “Do you want to call me later?” She asked. “I just need some money for food and a packet of smokes.” She was getting a little more forceful, sensing, surely, that there was no relief to be had here.

All this time I said nothing, and Neysha said nothing, and we both allowed what was definitely the saddest, most enthralling spectacle we were likely to see for quite a while, to play out. The woman with the thin voice stood up after about thirty seconds, having obtained neither business nor money from her client, and walked away in the direction that she had come. Once she was out of earshot I resumed talking to Neysha and told her about how I'd seen this woman before. I saw her with a bunch of other broken, drug types across the road from Woolies a month or so ago; one of the guys she was with was trying to sell a gold necklace to some fresh looking Asian kid with a hoodie and trackies. He was talking with quick, dirty slang about how he'd stolen the necklace off of some guy he'd bashed the night before, and was using words like 'bruz', which made my skin crawl. It reminded me of the way some of my friends back in Adelaide talk, and it scared me to think that people I know are constantly only three bad decisions away from staring this life in the face too. They had left the hooded Asian with the promise to be back in half an hour – they were “going off to hit the hammer” (inject heroin). I told Neysha this other story to go with what we had just seen, but I left out the part about it reminding me of people I knew because I didn't want to start down that depressing conversational path, only having met this person five or six hours ago.

Both times I've seen glimpses of the course underside of Victoria Street, 3121, I have laughed to myself. I don't really know why, I don't know what about seeing a drug addict solicit prostitution or overhearing another try to sell stolen jewellery is funny – actually I don't think anything about it is funny, not at its core. At the very base of it, it's fucking sad. It's terrible, but it's also surprising – not that it exists at all, but that it exists right there, right in front of me. It's kind of scary, but also kind of exhilarating too, although the naivete required to believe that makes me want to rethink myself a little... nevertheless though, the sheer shock of the whole situation is where the laughter comes from. When the heroin lady walked away from us after failing to pick up her lonely, uncomfortable target, Neysha and I both laughed to eachother with raised eyebrows and twisted faces. We weren't laughing out of amusement, we were just shocked... so fucking shocked... we knew what we'd seen, and as much as we were laughing, we both knew that neither of us was making a joke.

“When the heroin lady walked away...” that's how I started that sentence. That's how I described her. “The heroin lady.” That's all she is to me, that is her only distinguishing characteristic. Not her face, not her eyes, not her hair or her voice or her clothes or her views on China. Heroin... that's who she is, and that's what she does. Jesus Christ... where do I even begin?

Peace, Taco.

Enrolling to Defer

You know what I just did? Like, just right now? I paid eighty-nine dollars to the Victorian Tertiary Admissions Centre (VTAC? More like Vee-WACK! Amirite?) so that they'll process my application for uni next year. I'm applying for Bachelor of Arts at University of Melbourne, and the plan is to get accepted, transfer my one-and-three-quarters of a year's worth of credits from Adelaide over to Melbourne, get a student card, and then defer again... maybe do one subject... maybe... maaaaybe... that's a bit fucking maybe. I'm definitely not stoked on the idea of traipsing back to uni next year, so the question is begged then; why apply at all?

I've had some great times during my prolonged years of tertiary education: Adelaide University was a bastion of restraint during three years of my life which were filled, almost exclusively, with drinking, dancing, and lip-bitten comedowns. Every week of classes that pulled me out of bed in those torturous days studying politics, morality, and mindless electives is another week that I can count as having not thrown away completely into the furnace. I learned some degree of planning – sitting in the smoking area of a club at 8am on a Sunday, it seems irresistibly tempting to drop another sixty on pills and cross fingers that this Monday's comedown wouldn't be so rough. I learned to keep to deadlines, and I learned – or to be fair, let's say rediscovered – the joy in feeling smarter than other people. What did I do this week, you ask? Well I didn't really do very much for the first three days, to be honest, but on Thursday night I sat in a computer lab all night researching and typing out a gloriously passable account of Rawlsian social theory... what's that? You don't know what that is? Well it's all about... well... fuck, actually I've forgotten, but seriously guys, I did that assignment, and for a week afterwards when people asked me what I'd been up to, that was the dick-hardening answer that I threw out to their bemused faces.

Had I not attended uni for the past three years, my life would have been almost completely devoid of any structure and any purpose. In the four years that have passed since I finished school I've been at uni for at least a few weeks each year – fuck in 2010 I actually did a whole year!! While my measly six upper-level course completions speaks volumes for the sub-par effort that I've put in during those four years, it feels good to have done anything at all... I mean, I almost feel like I've been able to get the best of both worlds with this double life of uni student slash hardcore club-head that I've been leading. On one hand, I know what it's like doing assignments and writing essays and sticking to deadlines and going to tutes and studying and putting off drinking and facebooking during lectures etc. etc... but on the other hand, I have delved, at least some way, into the perilous world of hardcore drug taking and seen the shadow cast by our society's vast underbelly. I'm no Rhodes Scholar, nor am I about ready to stand in an alleyway and sell four nights a week, but I've had a taste of both paths, and I feel wiser for it... is that an arrogant thing to say? Is that repulsively self-congratulatory? Am I just trying to warp my own arbitrary experiences into a coherent narrative to excuse myself for the lack of direction that my formative years have been characterised by? I honestly don't think so.

I paid that eighty-nine dollars today, the blow was made so much softer by the fact that I cleaned UP on my tour this morning, but when I paid it I couldn't help but think that what I was doing was basically flushing that cash away for the chance to be able to say that I haven't thrown it all away just yet. Uni is such a clearly defined path, and I can't say that I've totally given up the idea of going back at some point and finishing my (snigger) Bachelor of Arts... but right now I'm so happy – so insanely, illogically, unreasonably content with where I'm headed and the way my life is working – that it would be stupid to fuck with everything just because forgoing the safety net of tertiary education feels a little scary. When I came out here, I came out with the intention of living without a net. I wanted to stare into the abyss and jump, knowing, guessing, hoping, that there would be something in between me and that infinite black to grasp onto, and that that something would be enough to justify the sheer stupidity of the initial leap of faith. I wanted to exist beyond my familiar comfort zone.

I'm not going back to uni next year, but the option is still there, I haven't lost sight of the path completely, not yet, maybe soon though. For now, the edge is still out there. For now, I'm still holding on.

Peace, Taco.

November Life Update

What has even been going on for the last few weeks? I haven't kept y'all very well updated have I? Not that the majority of people give two shakes of an indifference stick about my day-to-day potterings and trips to the toilet, but for those of you who do, enthralling tales of a young man out in the wild lie within. Tacooooo is doin' it for hisself!

I have seven days of drinking left for twenty-twelve (FINALLY, my compulsive need to type numbers has paid off, none of this 'two-thousand and twelve' bullshit) and it's looking right now like they are almost all spoken for. I'm saving four for my trip back to Adelaide from the 20^th to the 28^th of December, which means only three remain. One will be for next Thursday when I hit up the Peek Tours pub crawl in an effort to gauge the amount of alcohol required to achieve complete standing-unconsciousness – doing it for science – and that means the last two days will fall somewhere in between a week from now, and December 20^th. I've found the best nights, even with my freakishly regimented year of monitored alcohol intake, have been the unplanned ones, and so with that in mind, I won't be pre-booking nights for those two remaining nights of drinking, but I'm sure that someone cool will pop up in the three or so weeks and convince me that Now! Now! Now! is the time for drunkenness.

Money-wise things are looking slightly tighter than I would like – and with every indulgent cafe lunch the noose keeps slipping – but as it stands I am making $250 a week from working at Yah Yah's, and probably another $250 a week from doing walking tours. Let's make that $200, just to be conservative. Realistically I'm probably pocketing around $550 a week, but at least a hundred of that goes straight into the wind so it's not even worth counting, $450 it is. Rent is $170 a week, so with another piece of nifty rounding that leaves me $250 a week to play with – and I really have to catch myself here, because although I use the term 'play with', what that should really mean is 'put away in an envelope and not look at'. I have to pay $500 by mid-January for the festival show I'm doing with Rob Caruana at Station 59, and a bus up to Adelaide and Plane back for Christmas – probably another $250 – and I'll be wanting some party-money for when I get down there, so unless the opportunity for sort of Mafia-sponsored contraband run on the Greyhound bus presents itself in the next month, that'll be four weeks of income spoken for. Conveniently, four weeks is the exact amount of time that stands in between me and Adelaide right now, so without getting too confident here, I think it's gonna be ok... there's always the surprise phone bill to worry about, but fuck it... live a little.

My ankles still hurt from repeated falls off my skateboard, although I'm getting better (marginally), although I'm guessing it's going to be a while before these badboys return to their regular size. Cruising down to the river-side skatepark the other afternoon with Brodie and his bro was easilly call of the week, watching people who can actually do things other than roll around gave me the balls to eat shit in the hope of being able to land even one tiny little trick. I just want to be cool guys!!! Fuck, that is seriously not far from the truth.

Also our internet is capped, which is probably the most crippling ailment known to civilized man. I have slowly begun to doubt the existence of AIDS, Hepatitis, and all forms of cancer, by the logic that if God wanted us to suffer needlessly through our lives, he wouldn't waste his time with microscopic viruses and fiddly tumours, he'd just cripple us by taking away our access to the infinite database of porn that should, according to all sane reasoning, be available to us instantly at any hour of the day. That's exactly what he's been doing to me and my housemates for the last six days, folks. God works in mysterious ways, and today his name is Telstra.

I think I just lost my notebook – one of three, even in note-taking I am meticulous and thoroughly organized – no massive loss really because this one contains the hurried scribblings of ideas for jokes and stories that I then look back on and expand in my other two books, but still annoying nonetheless. I've found myself lately thinking about the way that we use paper and the written word as a method for dumping the thoughts that occupy our brains onto a physical medium, thus eliminating the need for our minds to stagnate upon them. It's kind of like the way a computer uses a hard drive to store information it isn't using right now, while the info that it does need immediate access to is stored on the RAM. The written word is so amazingly useful because it allows us to free up our minds constantly for new information, and ensures that if we have a good idea, we don't need to stress ourselves remembering it, because we can just record it and have it waiting for a time when we feel ready to pick the thought back up again and follow it through.

I've gone off track slightly... but now that we're here, you can get a pretty good idea of how my life is faring right now. Without anything serious to think about – no real troubles to speak of, no stress, no pain, no emotional hangups – I am free to float and dawdle around whatever thoughts and pastimes I want. Sometimes things feel hard – comedy is not an easy pursuit, as friendly as the people might be (and they are), the stage is a lonely place – but whenever I feel myself getting down on setbacks, I recount the things I've done in the past week and shake my head once the ridiculous simplicity of my life sinks in. Life gets hard friends, but right now it seems easy.

Peace, Taco.

She Was Fucked, Basically

She was fucked, basically; two days to go and not a single inch closer to Newport. She hated that she thought in inches – the old, archaic measurements of the past had been long outdated by the metric system and she well knew that and had grown up favouring decimals – but she couldn't help it. Something about the inch, an inch, the word itself, sounded poetic and subtle, as if the simple act of saying she wasn't a single inch closer made real her predicament, and would somehow inspire motivation in her to move. She repeated it over to herself again, “not a single inch closer, not a single inch closer, I'm no closer, not one single inch... fucked, fucked, absolutely fucked...” She was muttering.

The road stretched out ahead of her, and no helpful vehicles were approaching up its long, narrow length, this final semi was definitely her last chance. Time to wait a second, maybe two, before approaching, but any hesitation would be sniffed out immediately so it was imperative – completely and without question – that she act fast, act now. She picked up her bag.

“Excuse me!” her voice was sucked up by the dusty air and soon drowned out by the silence around her, so she began to walk forwards, but still tentative and careful in her approach.
“Excuse me! Sir! Excuse me?” no trace of her anxiety could be allowed to seep into the next sentence or the whole thing would be finished and she might as well turn around and walk back to the city that dwindled in the distance behind her. His head turned, not a pretty head, or even a welcoming one, and two startled flies flew off his cap and zipped off above the tin roof. Here it was, “Here it is.” – her internal monologue shoving one last jolt of encouragement up her spine before finally delivering the five words she'd been storing up and preparing for this one crucial moment. The time for backing out had passed, and she welled up all of the air inside her lungs before measuring out six even syllables in about two and a half seconds of pure terror:

“Mind if I ride along?”

“Sure love, jump on up there with me.” He said it, and she stood there for a second while the sound passed between them as if she'd been struck by a brick. The flies were about to land down on her bag as she jolted out of her trance and quickly sealed their official agreement, “uuuuh... thanks.” And without waiting for his final nod, she started scaling the stairs and threw her bag at her feet in the cabin of the dirty machine.

She settled down and waited for him to finish his pit-stop; now she finally had time to calm herself in silence. Looking around for the first time at her surroundings, she saw all that there was to see – and it wasn't very much to begin with – was covered in tiny red particles. The desert sand was all-encompassing, pervasive, and seemed to swallow any object past the middle distance except the long, thin road that stretched out in front. The sky was an angry yellow-white with the sun still setting in the west and the world was deathly still and silent. Winds were blowing sand around the floor. The petrol station where she had been sitting for the last day and a half was already like a foreign world painted onto the window, rather than the unfortunate outpost of civilization that served as a refuelling depot to interstate travellers. She did not recognize a single detail, and hoped soon to forget even the location of this hopeless little point, with its lifeless tin roof and its shade bereft of shelter. “Finally, we're away,” she said, again to herself, and she picked her bag up from the spot she had put it at first and clutched it to her chest, drawing it closer and waiting for her driver to join them. A day and a half – the unhappy stagnation.

She heard a sound like quick rattling coming from around the back of the cab, the tank was full and he was shaking the last drops of petrol from the metal hose – the last drops we all shake out, whenever we are given the opportunity. “Cost effective,” she mused, “is it cheating the system to milk those last droplets, or is the system cheating you if you don't?” She didn't have time to pursue the idle thought any further, because the driver's side door opened, and the cabin filled momentarily with wind and chill before once again sealing them off from the world. He started the engine. The truck roared to life. The ground started to move and the giant beast lurched forwards. Two days left, and finally, just an inch closer to Newport.

***

Her eyes opened up sharp as she snapped out of her dream like a child's hand recoiling from a flame. The world flooded back.

“What's the time?” the words came scrambled out of her mouth. She wasn't sure who she was saying them to.

“Just past four in the morning”, he said – the truckdriver. He didn't turn his head from the wheel, but every now and then his eyes were glancing up at the rear-view mirror which was tilted in her direction. It struck her that the centre mirror in a truck is superfluous, as the trailer would always obscure the view from behind, even if there was a good-sized window in the back. The thought struck her from side on, and it seemed somehow important, so she held on to it as a piece of trivia for the future. She remembered her conversation with the driver before she had fallen asleep, although she was unsure at what point she had trailed off.

His name was D... or 'Dee'? That was all he had said; she was definitely not mistaken in the pronunciation as she had made sure to memorise it the first time it had been told to her, mostly out of politeness.

“Dee”, she muttered to herself. “It's Dee.” She was always muttering.

“That's the one.” He replied, eyes darting up to the mirror for a second.
She began to recall their conversation in detail, the six or seven minutes of it before she had fallen away into sleep, and she remembered that he had made a good impression on her. He was gruff and brisk with his words, but not angry or reserved, just efficient. The truck had been like a cradle, slowly rocking her back and forth as it shuddered with the bumpy road and churned under its own weight and momentum. Back and forth. Back and forth. One way with the wind. The other way with the slope of the road. She had realized so suddenly that she was unbearably tired, and while it would have been nicer to stay awake and keep this man company while he drove – and truly, he was her saving grace – she could not bear it. Sleep.

The truck had ploughed on, past the sunset, and on into the night. She had told him she was going to Newport and he didn't ask why, he didn't need to, she needn't have even told him that much – he could have guessed. She was asleep by the time the sun was down, and the time in the cabin had passed quicker without the sun beating on the road in front of them. Dee had been silent with his hands on the wheel and allowed her all the rest she needed. Now she was awake, and she spoke, not to herself this time, but directly to him;

“Did I sleep for long?”

“Around eight hours”, he replied briskly, his voice was immediately clear and crisp and stood out amongst the other noises coming from the engine and the mass of metal behind them.

“Eight hours...” she repeated to herself, “I'm sorry for not staying awake to keep you company”, she looked over to him as she apologised, and waited for him to say something back. He just smiled, and flashed his eyes up to the mirror while she looked at him directly. They were looking at eachother, although because of this triangular arrangement, their eyes never actually met.

“How long were you waiting at that petrol station?” he asked her later.

“A day and a night or thereabouts, I caught the bus out from town.”
“And which town would that be?” Dee asked this fair enough question abruptly but it seemed odd to her that as she ventured out of Hampstead her safe, cosy identity could be left at home with her old life behind her.

“I came from Hampstead”, she answered, smiling to herself as she realised her potential for anonymity.
“Me too,” Dee replied, “stayed there 'till I was old enough to read a map.” His eyes stayed steady on the road as he said this, the cab was quiet for a second – was that a joke? She thought quickly to herself that if he had meant what he'd said to be funny, then he might have laughed at it himself to indicate so... but then again he had a way of talking that seemed as if he might be one to let something like that slip by as if it were an accident that he had ever said it at all. A wry smile appeared at the corner of his lips as he saw her mind ticking over; “laugh if you want, it's only the truth.” He had seen through her uneasiness instantly, and that set her back in her seat and made her comfortable.

“Do you pick up many travellers on the road?” she asked him after another break.

“Every now and then – if a person asks, I'll take them as far as I can.”

“Not many people I've met would have the heart to pick up a traveller off the road like this. Someone they've never met before, never even laid eyes on – most people I know would be pretty afraid of that.”

“Maybe you just haven't met many people yet.” he offered back to her, his eyes lazily drifting back up to the mirror to look at her, it definitely wasn't a question, he was telling her plainly. “The way I see it, if someone's asking for a lift, then they're always gonna give someone who comes to them asking something the same courtesy they asked for.”

“Well yeah, maybe that's...”

“Maybe they're asking out of humility, or maybe out of desperation, but either way, if someone's asking for help, then you can be sure that they'd never turn their back on someone they found in a similar position.” This time his words hung on the cabin for a while, she wanted to let him finish his answer properly and felt sorry for interrupting the first time.
“...and I guess everyone needs help from somebody at some point...” she chimed in after she judged that enough time had passed.
“Exactly,” he nodded. “It'd be a dead, unfeeling wretch who could accept help with one hand, and refuse it to his fellow man with the other – I've never met anyone that cold inside.”
“Maybe you just haven't met many people yet.” she said with a wry smile creeping across her dry lips. She saw the corner of Dee's mouth rise a little too, and she smiled more at seeing this. She liked the way his face looked, and she was proud of having made him smile for a second. The truck and it's heavy wheels pulled the road underneath them like a conveyor belt. The sky stood still and the sun burned overhead while the two companions sat comfortably in eachother's company.

***

After another long while and a pit stop and a small flock of birds in the distance they came to the place where the desert meets the sea. The sun was setting, and the truck turned North and followed the coast up towards the apex of the peninsula; Dee would be leaving her there while he headed inland, Newport lay to the West, just one more day across the desert. She looked back over to him and cocked her head to the side before asking him another question.
“When was the last time you picked someone up in your truck?” She wished she could have phrased it better after it came out, she thought it had sounded clumsy and stupid.

“A few weeks ago I had two boys, a couple brothers, sitting where you are now. They talked and talked about their plans for Newport, the summer and the women they were looking for. I set them off by the train station because they said they wanted to try and jump a freighter going across East. Funny boys, but stupid, I'd say they made it over alright though. Then there was another lady a few days before that, heading back East after losing herself. She'd been over in Newport but she said she'd grown tired of it all... I can't say whether she was telling the truth or not, but she wasn't staying gone for good, no way. She was going back, I could feel it. Everyone goes back. No one can ever stay away.”

“What's it like?” She asked him.
“You'll see.” He smiled again, the same smile as before, and nodded his head to the mirror. “I'll be back there myself before long no doubt... just for now though I like to live through the people I meet on the road, out here in the desert. It's nice to put your life on hold for a second, and appreciate the joy in someone else's eyes as they head out and search for their own happiness.”

“I imagine it is, but I can't say I'm...”

“The part of your story that you share here with me, you'll carry that with you now, for as far as your journey takes you I'll be there as a tiny character. I have no way of knowing where all the people I meet end up, and maybe some of them don't end up too well, who knows what happens to you as soon as you get out of this truck... but it's nice to think that out there in the world there are a few people who can remember the guy who picked them up when they needed a hand, held them a while and then set them loose, back into the empty world.”

“I guess that means you're not so selfless then.” She quipped straight away and eyed him from the side again. She felt his eyes looking at her in the mirror like they had been for most of their conversation, and this time finally brought up the courage to peel her eyes away from the side of his face and meet his gaze in the reflection. They stared for a second. Two seconds. Ten. Fifteen. Thirty-five. Someone blinked, and then the moment was broken.

She retreated back into herself after this, and although the mood in the cabin was still good-natured and pleasant, the unsteady suspicion rose within her that this man was not as calm, as perfect, as simple as he had initially seemed. 'Why should he get to ride the glory of other people's accomplishments?' she questioned. 'Why should I suffer and toil to reach my pinnacle when he can simply offer lifts and stand there with me for free?' She felt cheated somehow, she knew she shouldn't be feeling resentful, but something about his peaceful solitude threatened her. She had steeled herself with tough resolve to be ready for every trial that she knew her new life would have ready for her, and she was prepared to face each challenge head on. Greatness only comes through hardship, and yet this man expected to share in others' greatness, without also bearing a share of their pain. The idea repulsed her and seemed parasitic, but she resolved to put it out of her mind. She softened, and then, after realising her harshness, almost pitied him. He would never know the glory of truly achieving a goal, of suffering through the greatest ordeals only to come out the other side and beat them. To be crowned lord of everything, and rise above impossibility. To live. In her mind it was inevitable – the sky was where she was headed.

***

When they pulled in to the train station she slowly stirred from where she had been, propped up against the door half sleeping. Grabbing her bag from between her legs where it had lay in the shade, away from the burning sun, she checked it once to make sure nothing had fallen out. It hadn't, she was ready to go.
“Thankyou again.” she smiled, and looked up at the mirror to meet his gaze, only this time he had ventured to look directly at her as the need to keep his eyes on the road had vanished. She looked at his eyes in the mirror, and he saw the side of her face in profile, once again their gazes never met, and only after she turned away did he return her farewell.
“Good luck.” the last words he offered her. By the time they reached her ears she was already halfway out the door and jumping down the ladder, the train she wanted to jump onto was getting ready to leave. She had to make it, she refused to be caught waiting.

He looked through the glass as she gathered speed and jogged, then ran towards the depot, jumping the fence between the parking lot and the track. She was impatient, but impatience was good, useful, he started the engine again and turned the big hunk of metal around and back out onto the road. Another story he could hold on to, he was part of another victory. Or maybe another defeat, but either way, he had played his part.

She ran fast for the train, panting, pressing on. The weight of her bag was not significant, but it swayed from side to side with her movement as she swung her shoulders to steady herself while running. She held onto the straps and tried to keep the swinging mass still. Full pelt, maximum speed. The train shuddered first from the front way up ahead but she saw it even as far as she was, as she ran she tried to pick out a carriage to jump on to. Something covered but open where she would be sheltered but not cramped. She couldn't sit on an exposed flatbed, she would freeze to death – she needed an open container. She could hear the clicking of the connectors between each carriage get closer and closer together as the front end of the train edged forward and each successive section was picked up. Clang, Clang, Clang. They sounded out across the yards like a row of steel dominoes. She spotted an open door and knew that this was her chance. It was a little towards the back of the train, but if she kept on her current trajectory, even if it was some way behind her when she reached the tracks, she would easily be able to jump on.

She reached the tracks, the open door drew up close until it was almost level with her. She slowed her pace to draw even. Unhooked her bag from around her shoulders and whipped over with her left arm, it landed with a thud inside the dark, empty space. Something inside there smelled and she winced internally, this was going to be a long night devoid of sleep. She would reek of fertilizer on her first night in Newport. Her right hand stretched out to grab onto something, the edge of the train, her fingers reached around quickly for a steady hold but none was there to grab on to. She stopped looking at the ground, she couldn't, she had to watch her hand, to look for something. Something to grab on to. She looked, but there was nothing. Her left foot slipped on a loose rock, 'why are train tracks always built on mounds of rocks?' she thought, infuriated, muttering it to herself. She slipped again, but her hand grabbed something. Yes! She could feel it! And the train was going faster now, faster than she could run, and her feet were completely away from the ground. Off the ground. Moving! Her left hand struggled to join her right and her feet swung around to the inside, in towards the spinning wheels and slowly accelerating machinery. She clung on as the train kept speeding up, speeding up. Much faster and faster and faster. Her legs lurched inwards again and caught something. She swung her hand, another time, wildly, frantically, desperately. Too late. Too slow. Too much ambition.

As she was pulled under, her feet first before her body, the train kept accelerating. It chewed her up indifferently and left her on the tracks, remorseless. She never made it to Newport.