Roma Street Gardens

The water makes a sound like trickling as it falls down, not very far – it's almost quiet. Mother and daughter, speaking between awed faces with voices that drift away, they barely disturb the silence. A friend is with them, leans down and takes a picture. Construction-site noises in the background, the melodious grating of a circular blade winds through the greenery. See trees moving but hear no wind. Feel no cold. Breathe shimmering stillness. The water, trickle, trickle.

“Come on!” urges the little girl with her mother and friend, they're behind me now. Some distant crashing is muffled by the all encompassing surrounds, these sounds enter and bounce off a craggy rock face. Maybe a plane, up above? Or just the unidentifiable rushing movements of the world, keeping pace. Staying in movement. Never stops

That was a bird, there was a definite chirp, unmistakeable. Tiny insects hover in front of this scene, too close for eyes to focus. More voices drift in, and out, and the water falls, and then ripples off into the reeds. The constant sounds of silence. Trickle, trickle, trickle.

Peace, Taco.

MICF Wrap-Up and Plans for 'The Future'

Once again, it really has been a long time since I've written in here, and I can feel myself getting out of the habit of writing, and really letting myself off the hook, which essentially goes against the whole reason I started writing on this blog. I think I can rationalize it this time though, and so, because I can, I will... here goes.

Comedy festival finished on Sunday (21/4) and that was a really amazing night. Massive. Huge. I felt like something changed that night – although it could have been because of the acid that we all took, because that darling chemical always gives events a sense of high significance, but I think the night itself was really special. One thing I'll always remember about the night that ended up closing out my first ever comedy festival, was that a group of Station 59 comics, disinterested with the Bollywood-themed closing party at The HiFi Bar, went to the Crown Casino – because it was the only place open – and decided to do a standup gig to seven assorted strangers, picked up from amidst the slot machines by the manically ambitious Sofie Prints. I got one amazing laugh at one point which rippled through the crowd, and yes I can sense the eye-rolls of comics listening to me calling seven drunken men and some comics a 'crowd', but that experience really was different. I don't care what anyone says... ew, look at me up on my soapbox defending myself. Gross.

The festival itself though was awesome, if not completely and utterly exhausting. I bitched out on going to see a show last night even though really I probably could have and still been fine for work this morning (I'm cleaning pubs and restaurants Monday, Wednesday and Friday now, but I'll get to that in a minute). I saw some inspiring work: Simon Keck, Jon Bennett, Daniel Kitson, Blake Mitchell, Setlist. I made some new friends, and some connections for the future, I did a bunch of spots including five at the Exford Late Show which was at times a surprisingly good room, but also lived up its reputation the first night I was there. I feel like this weekend will be full of rest as I finally catch up on the sleep I habitually missed throughout the festival, and hopefully come Monday I'll be back to square one energy-wise, because I feel FUCKING DRAINED, just right here.

So now, here's the plan folks. I'm going to Brisbane for two weeks starting next Wednesday (1/5) where I have a few spots lined up, as well as free accommodation with the lovely Corey White who I saw MC the show 'Undiagnosed' to about twelve people, and so feel unqualified to comment on at this juncture. I hear his comedy is very good, and I am grateful as SHIT to him for offering to put me up in his house for the whole two weeks. The reason I decided to do this trip is basically that for the first time in my life I have found myself in the strange position of having some level of disposable income. I feel squeamish... I don't really feel like I have earned or deserve this money, but I sure am not going to fuck it away on drugs and drinking – even if I wanted to I don't really feel like I have the capacity to be doing that anymore: I need to keep moving. I'm not saying that as a sort of order to myself, it's gone beyond that now. I actually need to keep moving, like I can't stop. I don't know how to not be doing anything any more, and every time I drink I end up being bored and edgy the next day when I'm not doing anything productive. Don't even start with drugs, in the last six months I think I can count two occasions where I've actually taken an amount of drugs large enough to create any sort of after-effect the day, or days after. It would be arrogant of me to say “I'm done” this early in the piece, but I am definitely having a break, and I can't see myself going back there any time soon.

After Brisbane I have a loose idea of a plan that I've been formulating in the days since Sunday, and so, in the interest of having something of substance recorded for my future self to fret over, here it is. My plan for the foreseeable future, may it hang over my head like an ambitious anvil, ready to fall at any minute and crush me:

• I want to write a story-show, or at least a show with a coherent through-line, and I have already decided on the topic, although I won't go into that here because to be honest I don't really think anyone is too interested in an idea. But I've started the earliest of early preparations for the show's creation. On the advice of Kieran Butler I think I might try and figure out at least some of the material on stage, even just to see if I can do it. Just to see if I'm anywhere near able to attempt that yet. This is my new challenge.
  
• I'm going to take this show, which will hopefully be up to half an hour in time for October, to the Melbourne Fringe and perform it as many times as possible at the Station 59 Free Comedy season there.
  
• Between the end of the Melbourne Fringe and the start of the Adelaide Fringe I'll keep workshopping the show and hopefully – and this is the part of the plan I'm not sure about and the part that will probably depend most on the performances during the Melbourne Fringe and my ability to stay focussed and passionate about this idea – it'll be up to around fifty minutes for the Adelaide Fringe, and then I'll take it there.
  
• If Adelaide goes okay, then I'll do the show at next year's MICF at Station 59 Free Comedy again for two weeks.
  
• Finally, if everything has worked out and if my money situation is still holding up in twelve months' time, I'll book my ticket to Edinburgh 2014, and book my spot in the Fringe, and then I'll have a fifty minute show to take over there where I'll hopefully be able to book a spot in one of the Free Comedy venues and do my first overseas shows. If I can make it to Edinburgh then I also want to head over to Spain and do the Camino de Santiago for a month, and with a month in between the two I'll travel around Europe a bit and say hi to some friends from Bolivia and people I've met in Australia.
  

So that's it, that's my plan for the next 18 months, and that's my recap of everything that's happened for me in the last month. Well not everything, but everything my fingers feel ready to write about right now. I'm sorry I haven't been writing, although I don't really know who I'm saying sorry to, because even after I put this on Facebook, probably only twenty people will read it, and you wouldn't have read it if I didn't tell you to anyway. So sorry, to me, but also good job me, you're doing okay, although you could really do with some new clothes to be honest.

Peace, Taco.

Tired

I feel tired. I've been doing so much lately: writing comedy for the festival, gigging 5 or more times a week three weeks straight, tours, cleaning, running in the rat race... not drinking enough water. I feel tired, but it's a good tired, a sign that for the first time in my life I think I am really pushing myself towards something. I think? Or maybe I'm just not getting enough sleep.

Money really isn't an issue at this point; I feel like I barely have enough time to spend the paltry amount that I'm making anyway – for those of you playing at home that's about $500 a week, which actually isn't that paltry at all, but it certainly isn't high-roller shit. I am leaving home in the mornings, every morning, and not coming home for hours. Ten hours. Twelve hours. Hours spent running around completing this or that errand, sitting on trams and trains, heading out to gigs to either do a spot, or sit in the crowd and watch. Learning, I've been learning a lot.

I've been working on this bit that I honestly didn't think would be ready for the festival, but turns out may just squeeze its way in to my show (Two for the Price of Free YES!). This whole bit is basically constructed around the idea that I had one day a few months ago that it'd be really cool to move to a new city where no one whatsoever knows who you are, and then create an elaborate, and completely outlandish fictional backstory for yourself. Nothing malicious – not like 'my family died in a fire' or some shit that would require actual acting and would seem like shameless attention-seeking if exposed... just something harmless, but fun, like oh say, that I was home-schooled. So then I decided I couldn't wait until I left for another country to play this game, and the next best place to play it would be on stage... but it wouldn't be funny if I was the only one in on the joke. Considering that the whole point of comedy is that the audience is in on the joke – and whence cometh their laughter – I'd need to figure out a way to let them in on the joke that was being played on them – that I was lying outright to them for no good reason – whilst not making them the butt of the joke.

Then I remembered the story that I have been telling about the time Tim Clark, bless his cotton socks, told me that I had a nice jacket, only to rescind his compliment moments later after it became apparent that I was going to take his sarcastic jibe at face value and proceed to talk about how much I, too, liked my jacket. He lied to me, for no reason it seems, and I couldn't understand the reasoning behind this not-unheard of social phenomenon. Why do that? Why say, “nice jacket man,” only to add after I had accepted the compliment, “oh no, I was joking, it's shit”... what he did there was exactly what I was planning to do in my lying bit about home-school. If I could tell that story, then tell another, seemingly separate one about home school, and have the audience believe it, then lift the veil and say, “hey, look, it was all a lie,” then they would know how I felt, and the joke would be on Tim, and not on them.

I still have a few reservations about the story, I mean I invented it, from nothing, which feels kind of cool to do – just like Brad Oakes said it would ha. – but still there are only laughs in the setup, not the actual story, and most of those laughs aren't that strong... but I guess my joke writing will improve with time. Hopefully. Fingers crossed.

I've also been trying to write jokes about the news headlines off the Guardian – it doesn't matter which paper really, but I refuse to buy copies of the Feral Scum (thankyou Kieran Butler) or any other trashy cum-rag of a publication just to practise my joke writing. No, no, no; I will not be indebted to Rupert Murdoch in my comedy career. Not now. Not ever. No, no, no, no.

So many no's. I think I am tired. I should stop guessing and have a lie down... but there's still so much I want to do. I've nearly finished reading The War of Art that Richie gave me, and then it's on to Fade To Black (And Disappear) by an Adelaide author whose name I forget right now because I can't be fucked digging in my bag and pulling the book out to read the front cover. No. Fuck. I said no more. FUCK. There they are again. Okay, I'll stop now.

Peace, Taco.

It's Been Too Long

It's been too long, so I have to write something, three weeks almost, but what to write? Updates? Last week I had six gigs – one Sunday, two Tuesday, one Wednesday, one Thursday, and an MC spot Saturday. One of those went okay, three went very well (I'd at least say well, but at least two I was quite happy with), one went to shitsville and was me eating dicks for five and a half minutes, and one (the MC spot) went averagely for the first half, but then pretty well for second half. Now that I'm breaking it down like that, that's a pretty good ratio – and I think I'm being fairly honest with myself there.

That was a good week, not just because of the volume of gigs, but also because of the quality, those three that went really well felt great while I was doing them, and with the solid five minutes that I've got on me now, as well as with the twenty or so minutes of other material, I'm feeling fairly confident going into my run of ten fifteen-minute spots at the comedy festival. Also this week I printed off my flyers for the festival – eighty A4 sheets each with four flyers on them – so that's three-hundred and twenty A6 flyers ready to be given out to people that I meet in the next three weeks... I think I can do it. I'll be pretty happy with myself if I can hand out all of those flyers by the end of the first week of my run.

What else, what else? I'm going to Adelaide for a few days (Tuesday the 5^th to Saturday the 9^th) which should be cool, doing a spot at the Ed Castle and hopefully catching up with a wide array of crew down there during the fringe. The fringe is going to be sick, and I've got a few cool shows lined up that I want to see as well – Wolf Creek the Musical should be sick. Rhino Room Late Show should be sick. Grills at Phil's and jumping into WOMAD, it's all going to be sick. When I get back I'll have to sort out this Centrelink Bullshit that I'm too confused and tired to go into right now, but suffice to say that it needs to be sorted, and quickly, or else I'll be sitting in a room full of lifetime fuckup losers learning how to write cover letters and 'effectively present myself' for job interviews.

This has been an update from Tugzy, your pal, out in the midst.

Peace, Taco.

On the Road and Other Medications

Reading Jack Kerouac's 'On the Road' the first time was a bit of a blur for me to be honest, I was in Bolivia, and I read the entire thing on my HTC Desire HD screen (that's a phone, if you were unsure) in less than twenty-four hours. Most of those hours were spent on a bus, sitting next to a Bolivian kid who was sixteen or seventeen if I remember correctly. I read the book for hour-long stints at a time, and then would turn to the kid and continue the conversation we'd been having before I had dipped off into my reading and he back into the 'cincuenta centavo' (50 Cent) playing on his iPod. I don't think I rushed through it, but the book has a real habit of lifting you out of whatever you are doing and taking you away on the journey, the road, off into the distance with it... so I definitely read it quicker than I would have a normal book. I'm reading it for the second time now though – I'm typing it out actually, word-for-word on my laptop – and this time I'm taking it much slower.

I've just reached the start of part two, and I'm only going about four or five pages each sitting, because to type about that many pages takes around forty minutes to an hour, depending on how good a day my fingers are having. But I'm loving the fact that it's so slow. I almost forget about this ongoing project every few days, but it sits there – the Penguin-Paperback copy of 'On the Road', the clothes-peg I use to hold the pages open, and the hardcover children's 'The Fun-To-Learn Picture Dictionary' that I use as a board to peg the pages of the book onto – it all sits there on the back corner of my desk, waiting to be opened whenever I feel a little desperate. Typing out books is something that I've grown to really depend on in the past year; first it was Orwell's '1984', and now this. It's a great way to immerse myself in someone else's words and thoughts, forcibly and directly, and take my busy mind off of whatever frantic problems are troubling me. The idea came from Hunter S. Thompson and my former obsession with his wild, drug-addled life and persona, but now that I've appropriated his activity as my own I can see benefits completely separate from what he described – or what were described on his behalf. He did it to “see what it felt like to write a great novel”, if I remember correctly – he typed out F. Scott Fitzgerald's 'The Great Gatsby' – but his motivation is of much lesser concern to me. My aims are much more simple, but much more immediate, and vital as well.

I just passed over a part in 'On the Road' where Dean Moriarty has left his second wife, Camille, with their child to go back to his first wife, Marylou, and beg on his knees for her to take him back. She does, and in Kerouac's own words;

“She understood Dean; she stroked his hair; she knew he was mad.”

More reassuring words have never been written, and upon typing them out as my eyes flitted over the page I felt a wave of understanding and hope wash over me. I recently watched a video of Neal Cassady, upon whom Moriarty is famously based, when he was on the bus with the Merry Pransters in the early-mid sixties and to be perfectly honest, he looks and sounds like a complete lunatic. A madman. But sometimes it's hard not to feel, in the furious changing tides of life, that I am mad as well. Although maybe not as outwardly eccentric as Cassady/Moriarty, I'm sure every one of us feels at some point as if they are the exception to some sane rule of the world, an outlier on the bell curve of acceptable normalcy. “Am. I. Insane?”

Well maybe you are, and maybe I am, but Jack Kerouac, in a surely unplanned but far from accidental stroke-of-genius example here, shows that no matter how crazy you think you are, or how crazy you are by everyone else's admission, you still have a place in this world, and you can still find someone to love you. Dean Moriarty, with his head in the hands of his sweetheart, is proof enough of that.

Sometimes I wonder when I'll get tired of the violent up-and-down cycle of my mood and of my life and of the world that I constantly create around myself. I find myself hoping that that day will come soon; “soon, surely, soon I'll find it within myself to settle down and find a level of balance in my life, soon I'll be able to relax.” But every time I find myself repeating this tired inner dialogue, I am tempted, once again, by the promise of a higher tomorrow, and the irresistible, surging rise of a brand new peak. For as long as I am tempted by these peaks though, there will be a frightening low waiting in the trough, and that's where Jack Kerouac and his famous tale of freedom come in. Whenever I feel like I need something else to hold onto, to support me while I ride out the lows and confront the fear, I turn to the pages of this book – and when it's done, the pages of another classic that I'll start typing out – to escape to the open spaces of someone else's words, and leave the dark churnings of my own mind behind for a while. In this way, I remind myself that a new high is coming, and peace is a comfort that, for the moment, I do not need. Not just yet, Tugzy. Not today.

Peace, Taco.

Living on my Birthday

Yesterday I met the most ridiculous person I have met in a long time... jesus shit! I went to some writing club meeting in South Melbourne with little expectations considering the previous meeting in December wasn't so much a 'writing club' as it was a bunch of people who share writing in common meeting up for a drink. I mean, that could be called a writing club, I guess, but it wasn't really what I had in mind... it can't have been all that terrible though, because I went back, albeit half an hour late.

So when I walked in some lady – who I later discovered was a 'writing guru' (someone else's words, but not difficult to believe) – was talking about journalism and a writers' group/course thingo she'd set up and I sat at a stool on the far end of the table and proceeded to crackle in a violent ray of sun that was beaming through the front door of the bar. A sun-tan indoors – well life is just full of surprises? Tee-hee-hee. Anyway, Mrs Guru (Valerie, her name was) was interesting and she had some cool stuff to say, but the ridiculous person that I met wasn't our speaker, no no, she was a lady by the name of Samantha.

Samantha was a early/mid-thirties (I hope that guess is accurate) writer who had been sending off a few bits and pieces of comedy writing to competitions and doing quite well, but what grabbed me was when she said to the group that her preferred method of writing was sitting down with a bottle of red wine and headphones full of hip hop. YES! My People! She told me about her writing, and then her life before her writing, which had consisted of about a decade all around the world (Denmark, Spain, Portugal, Egypt, South America) as a tour guide for a travel company. She had been taught how to play backgammon by Sean Connery and serenaded by Alanis Morissette, and received a donkey from native people in some far flung corner of the world... the details elude me at this point, friends, as I stand in awe of a person who has truly stepped up to life and nutted the beast between it's piercing eyes. She said that at twenty-three she was engaged and stuck in a dead end job, but one day she woke up, looked at her fiance and said, “I really don't like you”, and within two weeks she was off. Fuck. Fuck. Fuck. These are the people that we all need to know, my friends. This is the person that everyone should be.

And then, a few days before that, there was another lady, this time someone I met on a tour, who was originally from Adelaide (of all the promising beginnings) but had lived in South Africa for twenty-five years including the apartheid era and Nelson Mandela's release from prison. She told me about how many households, including her own, had had black slaves during the era of segregation. One day, after a law had passed which would have nullified the black/white segregation of beaches within six months, she and her kid went to a whites only beach. They also took their slave's (I think she used a different word, but I heard slave) kid along, and the kid would have been no more than ten years old at this point. So while the segregation law was due to be repealed in six months – the decision had already been made and passed – for the time being the beach was still 'whites only', so when they got there a police officer saw the young kid and told the mother that she had to take him off of the beach or they would all be arrested. That's right, that shit happened. Imagine the kid – how confused. Imagine the mother, and the looks, and imagine people actually abiding by these laws and legitimately believing in their righteousness to the point where they knew they were going to be defunct soon, but until then the plan was racism as usual.

She talked about Nelson Mandela and the rugby game depicted in that movie Invictus and she talked about the feeling of national pride and togetherness when Mandela walked out onto the field wearing the national team's jersey. She told me about his ex-wife, who was apparently a part of some underground group and used to send her harems of male entourage on assassination missions. Mandela had to leave her and distance himself from the warring clans – the divides between different groups of black people in South Africa were apparently just as pervasive as the one that we heard about on the news. She lived through that, she saw it first hand. What have I seen? Maybe I've been a part of something important already, I just don't know it yet... maybe the eyes of history will look back and see Melbourne, 2013 as a strange pocket of human existence... maybe. Maybe not.

Crazy, disjointed thoughts on this sunny February day, this day that happens to be my twenty-second birthday. Samantha, this outlandish specimen of a person, has forced me to look at what I am doing and make absolutely certain that what I am doing with my life is exactly what I want to be doing. How can I possibly spend one single day doing anything other than that, when there are people out there in the dankest pockets of existence being given donkeys by villagers and playing board games with James Bond. Not a single second, my friends, not a solitary fucking moment can we afford to waste. Wring with all your strength, and drain this life for every drop. Be sure, it can be done.

Peace, Taco.

On Humility

I just went on the r/StandUpComedy subreddit and had a look at a post by a comedian who said he'd been doing comedy for about a year and was asking everyone to reply to his thread with what their biggest achievements thus far in stand up had been. Proud moments, goals for the future etc. This thread excited me because while I go onto this subreddit every now and then, I don't usually stay for very long because it seems to be mostly filled with people posting videos of gigs and asking for feedback or people linking to comedy specials by comedians that I don't find terribly hilarious... and just a quick aside: I don't have a problem with people posting footage of their gigs and asking for feedback, in fact I think it's great, but I'll get to the slight problem I have with it which may not be a problem at all but just me being a dick... in a little bit.

Anyway, so I went on to check out this thread and straight away I was pleased to see a bunch of long responses, and I started reading. After reading all comments though (only sixteen, but they were all pretty lengthy) I was a little disappointed. I had hoped to find... well actually, I don't know what I had hoped to find on here, and maybe sharing comedy advice on the internet just isn't the same as sharing it in person, but I'll say now that I didn't find what I thought I had.

To me, the way the thread came off was just a bunch of comedians, in similar positions to myself, becoming excited by the invitation to talk about themselves and the growth they have experienced in the first stages of their 'careers'. It seemed like a bunch of egos competing for screen time, basically – fevered egos, you might even say (Eh! Eh!). None of the long comments had replies underneath them, they were all just individual replies about the particular poster's achievements and goals which basically said to me that these people weren't reading here to exchange actual advice, they were just looking for a forum to gloat upon... actually I lie, there was one comment that started a conversation: one between two comics, the first comment had called a particular city's scene 'cliquey', there was a friendly disagreement, and then plans to meet up with a slightly back-peddled explanation by the original poster. Fevered egos really, but who am I to judge?

I'm not even sure about the reasons that I had for coming on to this page? I mean, to be completely honest, I had no intention of posting my 'achievements' or 'goals' on there, but not because I don't like bragging... just because I don't really care about bragging to people that are in no position to get me anything for my hard bragging work. But I had a bit of a think about the reason why some of the advice that these people were handing out for free over the internet was that I sort of half-resented, half-dismissed them as idiots. Petty. Pathetic. I found myself thinking, “who the fuck is this cocky tosser? Thinking he can dole out advice like this when he's only been doing comedy for *re-reads start of comment* TWO YEARS!!!” That may be the problem with comedy advice over the internet... it's all well and good to talk about the giving and receiving of advice in person and there is a valid point to be made about the fact that it doesn't matter whether you think a comedian is good or not, advice is advice and should be taken gratefully. The fact of the matter though, is that it is a narcissistic reflex to reject advice that comes from a source whose credibility you don't have positive proof for.

There is a reason piano teachers give recitals and put themselves last, there is a reason that past football players often slot nicely into coaching roles, and it is the same reason that I don't feel comfortable being told about 'the industry' or given tips on witing by some fevered ego sitting behind a keyboard on the other side of the world. It's because we are all the same fevered egos, and we only like to be told what to do by people we know can do it at least as well, or hopefully better, than we can. Well... I don't know, maybe you're not all that shallow. All I know is the day I can come onto a forum like this, read the comments, and take a meaningful piece of advice from something someone has said without requiring proof of their talents; on that day I will finally have learned humility.

Peace, Taco.

...aaaaand we're back

Two weeks exactly since my last post, and things have changed quite a bit in those two weeks, but I don't even want to talk about those things. I just want to sit. I want to write something. I just found this mixtape by a dude called Joey Bada$$ whose name I have heard around the place in the last few months, but as is always the case with new music, I've been way late to jump onto the new stuff coming out, even if it is TRAGICALLY up my alley. Basically the idea behind this guy and his crew (Pro Era) is that they love the 90's New York hip hop sound, and they are making music in the style that came out of the greatest city in the world during the Golden Era. I cannot express how much I would have absolutely lost my mind over this about eighteen months ago. Two years ago. This would have been the most amazing thing in the world. Now, it's just a nice surprise.

Today has been a nice surprise, sunny outside, and at ten-thirty I woke up after getting to bed at four-thirty in the morning, and felt great. I felt so great, in fact, that I went for a run with the Vintage Beatlab Podcast number twenty pumping through the headphones I found at the Workers last night. Luck luck luck motherfuckers, it's coming in through the windows.

I've been stressing this week about the looming rent day on the sixteenth, which is tomorrow now, and I was about ready to cruise down to the bank with a pocket full of coins and fifty bucks I'd borrowed off of Benny to pump my account up to what would have been about fifty cents above the required amount. Shit was deep. Things were getting thingy. But then, just as I was finally contemplating the beginning of preparations to leave, I saw an email come in – PAY SLIP. I'd forgotten about my pay from the one night I worked at Yah Yah's on the weekend. That's A-Hunned-and Twenty-Fo' of them sweet sweet dorrah ladies and gentlemen. Crisis averted. The lucky streak continues.

Tonight I'm going to kick the football around with Rich and Mick in Flagstaff Gardens – and yes, by football I do mean soccer ball... oh how I await the day when I don't feel the need to clarify on that point. Then, after a bit of social outdoorsing, I've got a gig at Stomach Ache in Collingwood where I'm OPENING of all things, and have a seven minute spot. I've written a bit of new shit over the past few days and am actually feeling okay about it. This week is going to be all about new material. Heaps of new. I've been getting a bit lazy on that front I think.

Okay, so maybe I will talk about what's been happening lately, I guess I kind of can now, I feel okay about it. Not great, but okay. Rach and I broke up. I mean, we talked for ages and it was shaky and we couldn't come to a decision, but I think I've sussed out that I need to be by myself. Yeah. That's what's going to happen. Who cares. HAH! This music is so fucking good. The 1999 Mixtape by Joey Bada$$ – it came out in June last year – so about the time that I was heading over to Melbourne DAYM SUHN... but I'm recommending it now. Listen.

Wow that feels good, finally, something written down. Stay tuned, whoever is tuned at the moment, I feel a resurgence coming on. Fuck, I just jinxed it.

Peace, Taco.

What was Two-Thousand and Twelve?

Last year started with a crusty-eyed glance out of a second-story bedroom window in the Cactus Hostel in La Paz Bolivia. As I focussed my vision and adjusted to the harsh light coming in through the thin, high-altitude air, I saw a condom – mine, fresh from the early-morning ,sloppy, drunk frecking only a few hours before – dangling off of an electricity cable over the street and dripping Nobel Prize Winners onto the pavement below. Two-Thousand and Twelve was a good year.

When I came back from Bolivia it was the middle of February, and I had a girl travelling from France – the other side of the world – to Australia to come and be with me. No story has ever begun more beautifully, but it only took me five weeks between her decision and her arrival for me to ruin it... not that I'm bitter or angry at myself, these things just happen, and the luxury of time passed allows me to speak so frankly about it. But I messed that one up, and hurt a lovely girl quite unnecessarily in the process, she really was lovely. She really is. Lovely. We were together for two weeks full of shame and falsity and when everything unravelled it took only a few days to destroy a summer's worth of good memories. They weren't destroyed forever, I look back and smile now, but when it was happening, it was tough. Easter was tough. I bawled my eyes out after she left in the side-street behind the Cranka just of Rundle, but after that I couldn't cry anymore, which surprised me a little. Two-Thousand and Twelve surprised me.

I stayed at uni for another semester, but you know me – and by you, I mean me, because let's face it, I'm talking to myself here – I sat around and did the minimum required to feel fulfilment at the end... that's two years of a three year degree finished, but I can't see the final year materializing in the near future to be honest. I volunteered at a Salvation Army store because I thought it would look good on my resume and I couldn't think of someone who would give me a nice reference – OH! That's the other thing, I spent like six months desperately unemployed – the first six months of this year. Jesus that was terrible, I don't ever want to be that unemployed again, lucky I turn twenty-two in a month and qualify for Centrelink (YES!)(Yes?). Two-Thousand and Twelve was skint, and really, really slow to get started.

I finally landed a job around June selling energy door-to-door for a joke of a man named Nathan in his AIDA franchise in Adelaide. That job lasted for two and a half weeks and was easily the worst stretch of employment I've ever had, even if it was also the shortest... a few funny things happened at that place though: getting screamed at by the office pussy for lighting up in the back of his brand-new car and spending the day at the pub instead of knocking doors. Roaming the streets of some shitty suburban region of mid-northern Adelaide belting out Ed Sheeran's 'The A Team' between houses and sitting by the river under the bridge in Black Forest hiding from the boss... not everything about that place was terrible. The people and the routine got me out of the house for about twelve days, and the brutal stupidity of my situation for those two and a half weeks finally pushed me over the edge and into Melbourne. Two-Thousand and Twelve was dumb.

I just remembered that we're supposed to be pronouncing it 'twenty-twelve'. Sorry guys, too bad, looks like the programming hasn't quite sunk in has it? Two-thousand and Twelve. I'm not changing just because it's quicker – I'm going to need a really clever piece of marketing directed at me from 180 degrees backwards and wrapped in chocolate to get me to kick this inefficient habit of pronunciation. Two-Thousand and Twelve sounds sexier.

Melbourne has been a constant firestorm of new faces, busy evenings, words, pictures, and no pedestrians... that doesn't really sound like a firestorm does it? I think I'm trying to be over-dramatic... but Twenty-Twelve was a bit like that as well... inconsistent. I found a calling this year – maybe that's a bit over-dramatic as well, but it sounds ok to me, not completely superficial. Stand up comedy has given me a place to go where before there was only the night stretching out past sunset and it has filled the void that used to bring so much dangerous introspection. I finally feel like I am going somewhere, and doing something with purpose, not just because I know it's healthy for me to be filling my time with things. Two-Thousand and Twelve has given me something that I am going to be able to carry around with me for the rest of my life – a purpose. Don't ask me what that is just yet, I'm not that far, I'm still figuring these things out, but Two-Thousand and Twelve helped. Thanks Two-Thousand and Twelve, cheers for the hand.

Quote of the year, although I think I might have actually heard it last year to be honest, is as follows:

There is no way to happiness,
happiness is the way

That's Buddha, apparently, but it doesn't really matter who it is, just what it says. After everything that's happened in the last three-hundred and sixty-five days, I feel like that quote could sum it all up pretty near perfectly – the whole year, and all of the years before it, I have only been having as much fun as I have been willing to admit. And now that I'm over in the most hyped youth destination in the fucking world, it's almost like I have to report back that I'm having the time of my life... it's no coincidence though, that I really, completely am having that time. The best time ever. And whether it's because I came to a place that was supposed to be brilliant, or because I found that place within myself, and then happened to move cities, it doesn't matter. Two-Thousand and Twelve was Happy.

Twenty-Thirteen?... let's go for 'spontaneous'. Sorry about the sappy, seriousness of this post for anyone wonderful enough to have made it this far. Thanks for reading, whoever you are, to be serious for a second, if you have ever taken the time out of your day to read anything that I've written and pushed out into the ether, it means more to me than I can put into words here. Thankyou.
And I promise I'll put more funnies in next time. Until then, dicks dicks dicks. Big fat willy. Asses.

Happy New Year everyone.
Peace, Taco.

The Last Two Weeks of the Year

One thing that really annoys me about word processing programs is the way that they have developed to be so complex that half of the subtle formatting options seem to auto-adjust, and arbitrarily change without warning. When I write my blog, I write each entry on a new page in the same document, and the formatting is always the same: date, double space, then start writing. Lately though, pressing enter in this particular document has started making a wider space than before, and so I've had to start using shift+enter to make my line breaks instead of just pressing enter. I know it's not a big deal, definitely nothing to hunger strike over, but it's a part of my life, and if I don't say something, who will?

I've been thinking about this drinking thing next year again – I feel like the pressure is really on now, because on one hand, this year has been the most productive year ever and I know that a lot of that is down to the fact that I haven't been drinking much. Based on that argument alone, I should continue with my fifty-two days of drinking a year in 2013. On the other hand, though, not drinking this year has taught me valuable lessons and I've developed the ability to say no, and refrain from over-indulging in my favourite vice. I think maybe I've even tempered my previously fawning reverence for liquor, and if I were to go back to not having self-imposed limits on my alcohol intake, I think I could employ these lessons myself. I just want to recapture a bit of spontaneity in my life instead of having to plan every outing like a prison break. Lame.

My alarm just went off: I have two alarms set every day – one at ten-forty am that says 'Write', and one at five-twenty pm that says 'Write you lazy fuck!' – and then there are the other ones reminding me to pay rent, call people, be awake or do my washing. My life is so ordered, or rather, I try so hard to make it ordered. But for every alarm that goes off, my threshold for ignoring these reminders increases, thus making me all the less likely to take notice of any URGENT NOTICE that I might have given myself for that day.

Fuck I hate this double enter thing.

The Kieran Butler Roast is coming up on Wednesday, and also, ding ding, ta-da ta-da, Rachel, my absentee girlfriend is flying back into Melbourne from places afar on Tuesday. Then on Thursday morning I'll be grabbing my dirty hobo mitts around a couple of mushroom caps and valiums for the ten-hour bus ride to Adelaide – The Christmas Party awaits. My good friend Rouse's twenty-second birthday is on Friday and against the odds he's made it this far without getting his ass locked up so we're off to celebrate in style by attending the same club that those fuckers smash their heads at every week. That sounds sarcastic, like I'm not excited, but really I am... next weekend is going to be sick.

So also tomorrow (Sunday) I've got a spot at 100% Nuts in Brunswick which should be a lot of fun, and I'm catching up with Millie, a British girl I worked with at AIDA Promotions in Adelaide – the job that pushed me over the edge of sanity and into this mixed-up experiment in the first place. She's been living in the outback for as long as I've been living here in Melbourne, but she's finally emerged from the dirty shrub she's spent the last four months sleeping in to wash her hair and rejoin civilization. She'll be at the show on Sunday as well, which is nice... Everything is coming together for the last two furious, high-octane weeks of the year. Last night at work I found out that our bar is closed for New Year's Eve because we only managed to get a license until one am... I was planning on working NYE for the fat stacks and free booze, but now that the decision has been made for me, I am WIDE EYED AND JUBILANT!! So many possibilities. So many opportunities. Christmas. New Years. Fuck the resolution, someone hand me a beer right now.

Okay, maybe don't... I've toyed with the idea of dashing a whole year's worth of restraint and self-control just for the joyous thrill of doing it. Smashing my own arrogance and destroying something beautiful... fuck that would be awesome. But no, I'm NOT going to do that, I have four more drinking days left and sixteen days to use them, fuck man that's not even hard, this really is not a challenge anymore. I probably won't make the final decision on whether I'm doing 52 Days I 2013 until about March... or maybe I'll try and put it off until later... and later, and later again. Who can tell at this stage? I'm just sitting at my computer, here and now, fingers fluttering and eyes pupils dilating in the darkness. The blinds are drawn, my shirt is off, the floor is shaking from techno. I think I'm going to cook some bacon.

Peace, Taco.

I Don't Care

My eyes are heavy and my shirt is on the floor, it's hot tonight in Richmond. I'm listening to this album called 'Poor Boy/Lucky Man' by some guy called Asaf Avidan and his band, The Mojos. I had never heard of these strange people before today, and I never would have if I hadn't met a couple of people on my tour today, had lunch with them, and then told them to add me on Facebook. The guy added me first, and then the girl. I checked both of their about sections, (god, this is getting a bit to 'twentyfirst century social interaction' isn't it? Ugh) noticing in the girl's, whose name I refuse to write because I cannot pronounce it, that she keeps a blog. So I went onto this blog, and saw a few quotes – some really nice stuff actually, but the thing that really caught my attention was a song called 'Your Anchor' by the crew I'm listening to right now.

So I downloaded their album, and I'm listening to it, and because the only torrent (jargon, jargon, jargon) I could find of theirs was their discography, I have their other two albums as well. Maybe I'll give them a listen. This music, this vaguely folky, rocky, guitary kind of thing... oh look, a horn has started playing, lonely over an acoustic guitar riff. That's quite nice. I feel that this music is passionate and impressively raw – someone cried over this I think. Someone at least shed some bodily fluid. Someone cares a lot about the sound that is coming out of my speakers right now, and I'm really making an effort to be that person that cares as well.

Fuck I wish I could find something to be passionate about, I really feel like I have all this pent up energy inside of me, but nothing to throw it onto... and I can't just 'use it up' – it doesn't work like that. I'm sitting here, listening to this undoubtedly beautiful music, but I'm finding it really hard to relate it to anything real. What are these people singing about? What machine are they raging against? I feel like I'm almost at the point where Winston ends up at the end of Nineteen Eighty-Four when he has fought all his life against the creeping tendrils of the party and their mind-controlling propaganda machine, but then just as his final opportunity for redemption is at hand – when the party finally has him killed – he finds it within himself to submit to them and become one with his meaningless, lobotomized contentment. I feel like I am so close to saying, “well, that's it, who cares if things are bad for some people, who cares if I'm being marketed to, who cares if I have designer products thrown at me every day – what if I like it like that?”

I feel like I have to get angry at things, or be upset about something, in order to 'find a voice' in comedy – but what if I don't see the world like that? Fuck, I know this is even wrong to think, but what if I see the world as an inherently happy place? That is such a confusing statement to have just made – look at what I just said. Look at what you just said Aidan. “This is wrong, but I think things are good.” WHAT THE FUCK IS WRONG WITH THAT? But apparently everything really is fucked, and as an intelligent, rational, observant human being, I'm supposed to notice that and be angry about it. And if I don't, then I'm naïve. Stupid. I'm enjoying my life, but I know that there are so many people out there that aren't – they don't even have the opportunity to enjoy anything. The vast majority of the people in this world are born, feel hungry, and then they die – that's a Louis CK joke, and it's so terribly true. But I'm having a good time though... fuck... what am I supposed to do about that? Do I stop having a good time? Should I be angry about the fact that I'm having a good time? Or should I just be happy with the fact that I've drawn the lucky number in life's ridiculous lottery and continue on with my easy life and simple pleasures, trying not to think about the writhing hell that continues to burn daily in most of the rest of the world?

I want to end this by just deferring to another one of my, 'oh well this is too hard to think about now, let's all have doughnuts' punchline/endings. The ones I'm so good at writing that tie everything up in a little bow... but I shouldn't. I can't. Fuck. This stuff really doesn't work like that. I just don't know what else to do... I can't offer myself a solution, I want to care about the bad things that are happening in the world, but every day as I wake up and find myself feeling good about everything, I am stared in the face by the harsh truth of the matter – I really don't care. I just really don't. What am I supposed to do about that? I hate my indifference, but it's mine, and I'm so indifferent that I don't even care. Catch 22. The ultimate trap. Staring truth in the face, it hurts, or at least, I know it should. Help me, someone, I am stuck in a paradox.

Peace, Taco.

Failed Organization

Directly to my left stuck to the wall with Blu-Tack is an A4 piece of paper with a bunch of dates and corresponding dollar amounts listed on it, which are divided into two columns: 'spent' and 'earned'. This depressed, abandoned piece of written record is just the latest in a long line of failed attempts at organization that stretches as far back into my past as I can remember. I'm always trying to order things like this, and I always give up. Half-finished projects and notebooks full of meaningless numbers haunt me from the bottom drawer of my bedside table. Why?

The column on the left of this thing hanging on my wall is the 'spent' column, and the one on the right is 'earned'. Basically, from what I can tell after deliberately ignoring it for the last two weeks, the idea of this little table was that I would write down every dollar I spent on the left, and every one I made on the right, but I think the catch was that only money that didn't pass through my bank account would be included... the idea behind this was that, of my two jobs, one pays in cash and one pays into my account. So my cash job would fund spending money, and my other job would be for rent, which is direct debited on the fifteenth of the month. Since I make roughly $250 a month more from my legit job than I need for rent, I should be able to save $250 a month in my account, and so if the 'spent' column equalled the 'earned' column on this little sheet, then I'd be $250 up at the end of each month.

It was a good system, in theory, but there are millions of variables that always contribute to these things not working out. I won't go into any of them here because we all know that to organize the finances of a twenty-one year old male requires at least a bachelor in some sort of accounting as well as a keen readiness to accept mysterious syphoning of money into nefarious late-night/early-morning frivolities. That having been said though, surely I should have been able to stick to the system I'd devised for myself for longer than – hold up, I'll just read the dates on the paper... – nineteen days. Jesus christ, that's woeful.

Nineteen days of diligence... this reminds me of when I was a kid and I used to race marbles down my Hot Wheels car tracks two at a time, pitting the marbles against each other in a sixty-four-marble elimination competition and studiously recording the scores as one beat another and another and another and eventually the grand final was contested by the remaining two. I had massive sheets and tables and a track that extended across my room and I would draw up the fixtures in preparation for the competition, and the games would begin. Inevitably though, the four that ended up making it all the way through to the finals were my four favourite marbles, and the gold one always won because I thought it looked prettiest – I was never one to accept the outcomes of pure chance. I could never sit by and watch my world be ruled by chaos... now that I'm twenty-one though, controlling reality is hardly as simple as giving old 'goldie' a little nudge at the start of the race. Shit is real in here... shit is DEEP.

I do it all the time: my system for recording comedy and blog ideas is split into two books, the distinctions between which I have yet to be able to confidently define... and each book is split into a front and back section, which are also separated in an equally arbitrary fashion. This one has jokes... that one has premises... but then this one has a few premises that are sort of half in joke format... and that one has stuff that's slightly more developed... and this one has stuff I tried last night... but that one has a few bits and pieces in it that belong in the other book but I'd left it at home that day... that one has something about Christopher Hitchens next to a shopping list... this one has poems on the middle page. It all means NOTHING. USELESS. DROSS. Swear words.When I go to find my new bit about how my housemate owes me eight beers, I know which book I wrote it in, because I just remember... as much as I wish that I had a system, so I didn't have to remember anything, I don't. So to the casual observer, it may look like my life is arranged neatly in a simple system that allows me to work at optimal efficiency, but this casual observation is a fallacy. My shit is fucked. I don't know where anything is. I'm admitting it. Right now. I'M COMING APART AT THE SEAMS!!!

I don't know what else to write here, because I didn't plan this piece of confused word-jumble out before I wrote it. I guess I should end with a funny quip – something to tie everything together nicely and make me feel good again, so that I can accept the mess that is my bedraggled existence with a smile and a flick of my long, flowing hair. Quips... jokes... funny chucklings... if only.

Peace, Taco.

Now We're Fucked

Okay, so what's this about then? I feel a little shit all of a sudden. I feel a bit strange. I got a call today from Ben who is one of the guides for Peek Tours, the walking tour company that I've been getting about half of my paycheque from for the last few months. He said he had to cancel his tour this morning because he only had two people rock up, and when he went to check out the competition (I'm Free Tours) their guy had like twenty people... that's a lot of people for a Monday. That's worrying.

They must have been doing something in the month or two that they've been running that has given them these numbers, but what that thing is, I am absolutely clueless... I've never even SEEN THEIR FLYERS!?! But the fact of the matter now, is that they have fucking WAY MORE people, and we are left with barely any base from which to make money. This is stressful because tours is really the main base of my income right now, and add to that the fact that I've just faced this week, that I'm going to have to quit Yah Yah's after the new year. I won't rant and spit here right now because I don't think that'd help anything, but to put it plainly, I can't work in that place anymore. I hate it. It is fucking terrible.

So let's look at how things are now then... in about a week, my two sole sources of income now have a limited life, one due to work conditions, and one due to competition. Fuck. FUCK. !!! Things were going way to smoothly... I know I'll be able to get work at another bar with Sean around February when his new project kicks off, but until then, and until the final security of my twenty-second birthday rolls in (twenty-two is the age when I can finally claim centrelink... but more on that well of shame when it rolls around in two months' time) … (THIS PIECE IS INCOHERENT!!)

Until February, I'm going to be waiting in the wings, basically. I'm going home for Christmas, but now that I'm faced with it and the looming rent deadline on the fifteenth, I don't know how I'm going to be able to get the coin together unless one final gambit pays off... Tomorrow I'm going to go down to the I'm Free tour and suss out their situation. I'm going to have to move fast... I'll have to talk to this guy... ugh... FUCK... I think I'm admitting to myself right now already that I'm going to be jumping shit... FUCK... this sucks so hard. I want to bring the Peek Tours guides over as well and make sure everyone can still keep doing tours... I won't know what the score is until I meet this guy tomorrow and suss him out, and suss out their guides situation.

Shit just got really stressful this week. No more smooth sailing. Oh yeah, I had some gigs yesterday though. Well I say 'gigs', one was ONLY comics, so it was basically a workshop, and for some reason I got really freaked out when I was on stage and bailed... I'm kind of pissed off that I did that, because I could have hung around longer and got some really good feedback on jokes... anyway, that's neither here nor there. I went and did another spot at Voltaire after that and did a new bit which went pretty well, but the recording fucked up so I didn't even get to listen back and see what I could polish up... Ugh.

The getting drunk and partying on Saturday night was really fucking good... but I don't feel like that really matters at this point. It wasn't especially satisfying and felt pretty arbitrary to be honest... like, why am I drinking? Why do I need to go out and party? What have I done to warrant this? It was really lucky that I had the Saturday off work because I would have killed myself if I'd had to go in and had my face spat in for five and a half hours again by... *breathe* … ugh... fuck... breathe, breathe. This ranks as EASILLY the most unreadable and retarded thing I have ever posted. Don't even bother.

Peace, Taco.

I'm Going to get Drunk

I can't fucking wait until tomorrow night. I always put too much stock in these planned evenings, but I guess that's just the way I operate. I'm a schemer. I like to plan things. I like to be in control? Maybe... that could be taking things a little too far. Stop trying to psychoanalyze yourself Tugzy. Chill the fuck out.

I've got work tonight at midnight, as P.U., but this Friday shift doesn't look like being the normal burning drudgery that I wade through every regular weekend because the promise of a whole Saturday of drinking and immorally festive behaviour is looming, bright and hopeful in the distance. Goon is the drink, my friends, and two-dollar-fifty bottles of bitter Chardonnay sit waiting for my thirsty stomach on the shelves of Aldi just one block down Victoria Street. My man Samson Benger is down from Adelaide in one of the rarest random-chance encounters that I have experienced in a long time – the kid has come down for a once-in-a-blue-moon weekend away on the very same weekend that I choose to take my first Saturday off since moving to Melbourne. Stars are aligning and wolves can clearly be heard howling behind the mountains.

The worn-out deck of playing cards that adorn my desk is currently fourty-seven out of fifty-two cards finished, and tomorrow the fifth-last card will be written off. I don't even know how I'm going to contain my excitement after knocking-off of work at five-thirty am... I'm going to have to devise some way of getting to bed. I'll rig a system of pipes up to a bottle of chloroform and hang them from the roof of my bedroom so that a fine mist of knock-out gas will come down in a violent shroud and engulf me bodily upon my return home this morning. I will pay someone to sleeper-hold me when I walk in the door. I'll buy a cryogenic sleep-pod and power it with human tears. I'll... I'll... FUCK! I'm way too excited.

Do you know what it's like working less than twenty hours a week and going to comedy five nights a week to watch people do the thing that you love, and learn from them, and two or three of those five nights you get to do that thing too? Do you know what it's like to spend the majority of daylight hours in any given week writing jokes and stories, and reading brilliant books and browsing facebook and the internet and re-watching old Simpsons episodes? Do you have any fucking idea how brilliant this shit is? But I don't party enough... I really don't... somehow I've managed to trick myself into believing that what I do when I'm not earning money can still be fairly classified as work, and so now that I have given myself this rare opportunity to really get rowdy, I'm so over-ready for the occasion that there is a reasonable chance I'll spoil it by passing out at ten pm anyway? Who can honestly say they've been there? Well everyone, probably, but I bet you were all teenagers huh? I feel like a fucking sixteen year old.

I'm excited, energized, prepared, poised, and anticipant... apparently that's not a word? Fuck off it isn't, that's simple verb-to-noun conversion we're looking at there. Anticipant. Anticipant. An-ti-ci-pant. Fuck off. Good.

Peace, Taco.

This Post is a Little Bit Arrogant but Eeeeh...

Karmon's 'Wowshit' is blasting from down the passage, bass is shaking the floorboards and the fifteen-hundred dollar sound system in our living room is being given its daily workout. I love living with these cats, every week during the day the sunny ambience of the house is inevitably broken when one of the three DJ inhabitants of my Richmond abode decide to jump on the deck s and have a mix. Deep house and techno are the staples of this summer, and while the weed smoke sits heavy under the ceiling and soaks in to the plaster, the pounding bass sends ripples through the air. I sit in my room and write. Listen. Focus.

Then every weekend at sunrise a new horde of loud, obnoxious freaks crawls through our front door and pile themselves on couches and empty floorspace and throb with the music. They are messy and uncouth and ugly and their eyes twitch and their faces are dirty from sweat and alcohol. They are fucking brilliant.

What I have noticed, pretty much since I moved into this place, is that this is the house I have always wanted to live in. Constant parties, a parade of new faces and stupid conversations, drinking, drugs, people... this is the place I wished so hard for every weekend from the moment I turned eighteen, but never managed to secure. I always felt like I was on the outside of some huge social network, forever looking in through the tinted windows, trying to make out the figures within. I strained to see the people inside as they did all the amazing things I thought I could see them doing, I beat myself up wondering why I could never find the way to acceptance. I now realize that this very desperation which has so shaped me the last few years was the reason that I never felt like I was in the middle of things – that I always felt like I was on the outside looking in.

Now, only a year or so later, I have stopped going out and looking, begging for that acceptance and trying furiously to get into the middle of that scene; the town scene. Ironically, after all that fruitless toil, it is only now that I have stopped trying that I somehow find myself sitting in the middle, in the room with everyone else, behind the tinted glass. Of course that's not how it feels, it still feels like I'm on the outside of something, and when the people come into my house on a Saturday or Sunday morning, I don't feel like these are my people coming home, or that I am one of them and they are here to see me, because they're not... but I know that to anyone sitting where I used to sit, out in the world of clubbing and partying and weekend benders, I must look like I'm running the show back here.

I guess the lesson here is something that I've been repeatedly telling myself for quite a while now, something that is undoubtedly, irrevocably true, but that never seems to fully sink in, no matter how often I say it. Everyone is insecure, everyone is troubled, everyone stresses about things and no one really has it as together as they would have the world believe. We are all struggling to fit in somewhere, or impress someone, or live up to some lofty ideal. I look at some people and just think, “wow, you are just fucking cool”... some people just seem to have it and exude positivity and excellence wherever they go. But those people are looking at someone else too, saying the same shit, and wondering the same things. “How do they do it?” We're all looking to someone else, wondering how they built their house of cards... well... like maybe not Brad Pitt or something.

Brad Pitt is the apex of humanity. He is the monolithic idol from which all subsequent human endeavour can be traced. And with that grand, overreaching statement, I think I'm just about finished for today.

Peace, Taco.

3121 Hangs

Yesterday I had only one person on my tour, an Indonesian girl called Neysha, and so instead of packing my bags and going back home in a huff, I decided to take her on a quick tour in exchange for her buying me lunch (atlantic salmon... I get my money's worth). We were going to go check out Ballarat after lunch which would have been nice but in the end we couldn't because it got a bit late in the day, so we went our separate ways. It was a lovely afternoon all in all, and I'd like to thank the lovely Neysha for lunch, although … (I pondered long and hard over which conjunction to use here because it seems that the use of either 'and' or 'but' to preface the information I'm about to deliver would set the tone for the rest of this bit and betray my feelings towards the events I intend to describe... I have definitely over-thought this... hurry up Taco, people are getting bored) … there was something else that was far more interesting than salmon.

We were sitting at the tram stop in Richmond waiting for the tram to head back into the city to Southern Cross Station. I sat on the end of the bench on the corner of Church and Victoria streets and Neysha sat in the middle, to my right. To her right again there sat an old man, probably around sixty-five or seventy years old, dressed as most old men usually dress and waiting for the tram like we were. Neysha and I talked for a while about Richmond and why I love living in this suburb – to paraphrase my housemate Brodie, “it's that 3121 real shit” – there's a real grittiness about Richmond and I told her I enjoyed that. While we were talking, as if on cue, a local smackhead approached the bench. I've seen this girl before, wandering aimlessly around Victoria street in the middle of the day, stumbling, glazed eyes, riding the tram with a lost look on her face. She's one of many sad characters that populate the streets in this shitty inner-city suburb of Melbourne, and I'd always had my suspicions.

She approached from the right – from the other side of Church St – and looked first at me, but must have assumed that the girl I was with, being as she was roughly the same age as me, was my girlfriend. Her eyes then fixed on the old man, and she stopped herself just in front of him and squatted on the footpath in a submissive, prostrate position before looking up at him and engaging in conversation. Her voice was thin and high-pitched, and she was clearly drifting in and out of lucid consciousness, never fully in control of herself, but she grabbed the reins for long enough to look into his eyes and ask, “you looking for a good time?” As she said it she made a motion with her right hand to imitate the way she would suck his tired, sixty-five-year-old dick to a climax for some pithy sum of money that I didn't quite manage to overhear. I was paying as much attention as I could at this point while still trying not to be too obvious... it was hard to maintain an air of normality and Neysha and I had stopped talking as soon as the afternoon's twisted courtship had commenced. I wanted desperately to hear what he was saying, but I couldn't grasp much of anything. Maybe he said something to her that I didn't hear, or maybe he didn't even reply to her, but whatever his voice did or didn't tell her, I could understand everything from his uncomfortable body language... he tacitly refused her subsequent urges and offers to give him her phone number. “Do you want to call me later?” She asked. “I just need some money for food and a packet of smokes.” She was getting a little more forceful, sensing, surely, that there was no relief to be had here.

All this time I said nothing, and Neysha said nothing, and we both allowed what was definitely the saddest, most enthralling spectacle we were likely to see for quite a while, to play out. The woman with the thin voice stood up after about thirty seconds, having obtained neither business nor money from her client, and walked away in the direction that she had come. Once she was out of earshot I resumed talking to Neysha and told her about how I'd seen this woman before. I saw her with a bunch of other broken, drug types across the road from Woolies a month or so ago; one of the guys she was with was trying to sell a gold necklace to some fresh looking Asian kid with a hoodie and trackies. He was talking with quick, dirty slang about how he'd stolen the necklace off of some guy he'd bashed the night before, and was using words like 'bruz', which made my skin crawl. It reminded me of the way some of my friends back in Adelaide talk, and it scared me to think that people I know are constantly only three bad decisions away from staring this life in the face too. They had left the hooded Asian with the promise to be back in half an hour – they were “going off to hit the hammer” (inject heroin). I told Neysha this other story to go with what we had just seen, but I left out the part about it reminding me of people I knew because I didn't want to start down that depressing conversational path, only having met this person five or six hours ago.

Both times I've seen glimpses of the course underside of Victoria Street, 3121, I have laughed to myself. I don't really know why, I don't know what about seeing a drug addict solicit prostitution or overhearing another try to sell stolen jewellery is funny – actually I don't think anything about it is funny, not at its core. At the very base of it, it's fucking sad. It's terrible, but it's also surprising – not that it exists at all, but that it exists right there, right in front of me. It's kind of scary, but also kind of exhilarating too, although the naivete required to believe that makes me want to rethink myself a little... nevertheless though, the sheer shock of the whole situation is where the laughter comes from. When the heroin lady walked away from us after failing to pick up her lonely, uncomfortable target, Neysha and I both laughed to eachother with raised eyebrows and twisted faces. We weren't laughing out of amusement, we were just shocked... so fucking shocked... we knew what we'd seen, and as much as we were laughing, we both knew that neither of us was making a joke.

“When the heroin lady walked away...” that's how I started that sentence. That's how I described her. “The heroin lady.” That's all she is to me, that is her only distinguishing characteristic. Not her face, not her eyes, not her hair or her voice or her clothes or her views on China. Heroin... that's who she is, and that's what she does. Jesus Christ... where do I even begin?

Peace, Taco.

Enrolling to Defer

You know what I just did? Like, just right now? I paid eighty-nine dollars to the Victorian Tertiary Admissions Centre (VTAC? More like Vee-WACK! Amirite?) so that they'll process my application for uni next year. I'm applying for Bachelor of Arts at University of Melbourne, and the plan is to get accepted, transfer my one-and-three-quarters of a year's worth of credits from Adelaide over to Melbourne, get a student card, and then defer again... maybe do one subject... maybe... maaaaybe... that's a bit fucking maybe. I'm definitely not stoked on the idea of traipsing back to uni next year, so the question is begged then; why apply at all?

I've had some great times during my prolonged years of tertiary education: Adelaide University was a bastion of restraint during three years of my life which were filled, almost exclusively, with drinking, dancing, and lip-bitten comedowns. Every week of classes that pulled me out of bed in those torturous days studying politics, morality, and mindless electives is another week that I can count as having not thrown away completely into the furnace. I learned some degree of planning – sitting in the smoking area of a club at 8am on a Sunday, it seems irresistibly tempting to drop another sixty on pills and cross fingers that this Monday's comedown wouldn't be so rough. I learned to keep to deadlines, and I learned – or to be fair, let's say rediscovered – the joy in feeling smarter than other people. What did I do this week, you ask? Well I didn't really do very much for the first three days, to be honest, but on Thursday night I sat in a computer lab all night researching and typing out a gloriously passable account of Rawlsian social theory... what's that? You don't know what that is? Well it's all about... well... fuck, actually I've forgotten, but seriously guys, I did that assignment, and for a week afterwards when people asked me what I'd been up to, that was the dick-hardening answer that I threw out to their bemused faces.

Had I not attended uni for the past three years, my life would have been almost completely devoid of any structure and any purpose. In the four years that have passed since I finished school I've been at uni for at least a few weeks each year – fuck in 2010 I actually did a whole year!! While my measly six upper-level course completions speaks volumes for the sub-par effort that I've put in during those four years, it feels good to have done anything at all... I mean, I almost feel like I've been able to get the best of both worlds with this double life of uni student slash hardcore club-head that I've been leading. On one hand, I know what it's like doing assignments and writing essays and sticking to deadlines and going to tutes and studying and putting off drinking and facebooking during lectures etc. etc... but on the other hand, I have delved, at least some way, into the perilous world of hardcore drug taking and seen the shadow cast by our society's vast underbelly. I'm no Rhodes Scholar, nor am I about ready to stand in an alleyway and sell four nights a week, but I've had a taste of both paths, and I feel wiser for it... is that an arrogant thing to say? Is that repulsively self-congratulatory? Am I just trying to warp my own arbitrary experiences into a coherent narrative to excuse myself for the lack of direction that my formative years have been characterised by? I honestly don't think so.

I paid that eighty-nine dollars today, the blow was made so much softer by the fact that I cleaned UP on my tour this morning, but when I paid it I couldn't help but think that what I was doing was basically flushing that cash away for the chance to be able to say that I haven't thrown it all away just yet. Uni is such a clearly defined path, and I can't say that I've totally given up the idea of going back at some point and finishing my (snigger) Bachelor of Arts... but right now I'm so happy – so insanely, illogically, unreasonably content with where I'm headed and the way my life is working – that it would be stupid to fuck with everything just because forgoing the safety net of tertiary education feels a little scary. When I came out here, I came out with the intention of living without a net. I wanted to stare into the abyss and jump, knowing, guessing, hoping, that there would be something in between me and that infinite black to grasp onto, and that that something would be enough to justify the sheer stupidity of the initial leap of faith. I wanted to exist beyond my familiar comfort zone.

I'm not going back to uni next year, but the option is still there, I haven't lost sight of the path completely, not yet, maybe soon though. For now, the edge is still out there. For now, I'm still holding on.

Peace, Taco.

November Life Update

What has even been going on for the last few weeks? I haven't kept y'all very well updated have I? Not that the majority of people give two shakes of an indifference stick about my day-to-day potterings and trips to the toilet, but for those of you who do, enthralling tales of a young man out in the wild lie within. Tacooooo is doin' it for hisself!

I have seven days of drinking left for twenty-twelve (FINALLY, my compulsive need to type numbers has paid off, none of this 'two-thousand and twelve' bullshit) and it's looking right now like they are almost all spoken for. I'm saving four for my trip back to Adelaide from the 20^th to the 28^th of December, which means only three remain. One will be for next Thursday when I hit up the Peek Tours pub crawl in an effort to gauge the amount of alcohol required to achieve complete standing-unconsciousness – doing it for science – and that means the last two days will fall somewhere in between a week from now, and December 20^th. I've found the best nights, even with my freakishly regimented year of monitored alcohol intake, have been the unplanned ones, and so with that in mind, I won't be pre-booking nights for those two remaining nights of drinking, but I'm sure that someone cool will pop up in the three or so weeks and convince me that Now! Now! Now! is the time for drunkenness.

Money-wise things are looking slightly tighter than I would like – and with every indulgent cafe lunch the noose keeps slipping – but as it stands I am making $250 a week from working at Yah Yah's, and probably another $250 a week from doing walking tours. Let's make that $200, just to be conservative. Realistically I'm probably pocketing around $550 a week, but at least a hundred of that goes straight into the wind so it's not even worth counting, $450 it is. Rent is $170 a week, so with another piece of nifty rounding that leaves me $250 a week to play with – and I really have to catch myself here, because although I use the term 'play with', what that should really mean is 'put away in an envelope and not look at'. I have to pay $500 by mid-January for the festival show I'm doing with Rob Caruana at Station 59, and a bus up to Adelaide and Plane back for Christmas – probably another $250 – and I'll be wanting some party-money for when I get down there, so unless the opportunity for sort of Mafia-sponsored contraband run on the Greyhound bus presents itself in the next month, that'll be four weeks of income spoken for. Conveniently, four weeks is the exact amount of time that stands in between me and Adelaide right now, so without getting too confident here, I think it's gonna be ok... there's always the surprise phone bill to worry about, but fuck it... live a little.

My ankles still hurt from repeated falls off my skateboard, although I'm getting better (marginally), although I'm guessing it's going to be a while before these badboys return to their regular size. Cruising down to the river-side skatepark the other afternoon with Brodie and his bro was easilly call of the week, watching people who can actually do things other than roll around gave me the balls to eat shit in the hope of being able to land even one tiny little trick. I just want to be cool guys!!! Fuck, that is seriously not far from the truth.

Also our internet is capped, which is probably the most crippling ailment known to civilized man. I have slowly begun to doubt the existence of AIDS, Hepatitis, and all forms of cancer, by the logic that if God wanted us to suffer needlessly through our lives, he wouldn't waste his time with microscopic viruses and fiddly tumours, he'd just cripple us by taking away our access to the infinite database of porn that should, according to all sane reasoning, be available to us instantly at any hour of the day. That's exactly what he's been doing to me and my housemates for the last six days, folks. God works in mysterious ways, and today his name is Telstra.

I think I just lost my notebook – one of three, even in note-taking I am meticulous and thoroughly organized – no massive loss really because this one contains the hurried scribblings of ideas for jokes and stories that I then look back on and expand in my other two books, but still annoying nonetheless. I've found myself lately thinking about the way that we use paper and the written word as a method for dumping the thoughts that occupy our brains onto a physical medium, thus eliminating the need for our minds to stagnate upon them. It's kind of like the way a computer uses a hard drive to store information it isn't using right now, while the info that it does need immediate access to is stored on the RAM. The written word is so amazingly useful because it allows us to free up our minds constantly for new information, and ensures that if we have a good idea, we don't need to stress ourselves remembering it, because we can just record it and have it waiting for a time when we feel ready to pick the thought back up again and follow it through.

I've gone off track slightly... but now that we're here, you can get a pretty good idea of how my life is faring right now. Without anything serious to think about – no real troubles to speak of, no stress, no pain, no emotional hangups – I am free to float and dawdle around whatever thoughts and pastimes I want. Sometimes things feel hard – comedy is not an easy pursuit, as friendly as the people might be (and they are), the stage is a lonely place – but whenever I feel myself getting down on setbacks, I recount the things I've done in the past week and shake my head once the ridiculous simplicity of my life sinks in. Life gets hard friends, but right now it seems easy.

Peace, Taco.

Comedy Laundry

My Beautiful Laundrette is on Brunswick Street in Fitzroy, contains a number of washing machines in varying sizes and dryers of varying noisiness. It is a pleasant, if bare environment, and always seems to be kept at optimal room-temperature by fans – I haven't counted how many – positioned in above eye level and hanging from the walls or ceiling. I go there every couple weeks to do my laundry (duh, fuckhead) and... wait... hold up... ok, what the fuck was that?

In the past months I've become increasingly frustrated by what I have started to understand is the biggest problem with my comedy. As much as I pet and cajole myself after every gig, and as much as I mentally prepare myself beforehand, I can't seem to reliably win the audience over. Every now and then I'll have a great gig, but that's nothing to celebrate – everyone gets lucky every now and then. For the majority of my mediocre spots I seem to have the audience steadily suspended somewhere between vague enjoyment and frightened annoyance and as great as this may sound, it really is not gold comedy territory. So I've been thinking about why this is and what I can do about it, and I think I've hit upon a small something... hopefully? Maybe? We'll see I guess.

Firstly, I mentioned that I've had good gigs, but I mentioned it dismissively, and with good reason – it seems to me that most, if not all, of the really good gigs I've had have been mostly down to luck, and I say that not because I'm trying to get down on myself, but because it's true. The approach that I've been taking with comedy has been very much along the lines of “write material; decide whether it's funny enough to do on stage; do new material on stage; decide whether I should keep it; compose predetermined sets from bits of new material that worked mixed with old material”. I guess there's no problem with that approach, in theory – ah those beautiful words – in theory it should be fine. In theory I can continue to push through a wall of silence after my opener falls flat, or receives a lukewarm response. In theory I should just keep going and try the next joke. Maybe they'll like this one better? Maybe that was just a false start? NO! That's a stupid fucking theory; comedy isn't about theories, and comedy isn't about robots getting on stage telling joke after joke after joke and crossing their fingers in the hope that a few of them stick... fuck... FUCK... COME ON...

I had noticed that my gigs had been falling in quality – maybe a better way of putting it would be that they have been lacking in consistency or predictability – and I tried a few things. You'll notice up top there at the start of this piece that I reached out for anger and attacked you, my gentle readers, when I realised that I had gone three sentences into my intro without cracking one joke – I got nervous and lashed out... it was a cheap shot borne of fear, and I need to dead those cheap shots. Put them away, and start really reading the audience. Connecting with them. I need to tell them – let them know? – that it's ok, that I'm in control. Maybe first it would be nice to actually be in control, but hopefully one will beget the other I guess... ugh, thinking about comedy is hard. Comedy is hard. Look guys, all I'm trying to say, and all I will say for the moment, is I've realised that in order to regain control over the quality of my gigs, I'm going to have to go out on a limb and break the fourth wall. Break it, smash it, shit on it, and eat it for breakfast. The audience need to feel like they have some control over what is happening so that when the comedian jumps out and surprises them from behind his cleverly placed misdirections and traps and cleverly constructed sentences, they aren't so surprised that they turn on him. They need to trust me. Trust me audience... please?... Ok., working on it.

By the way the laundrette really is quite nice. Four dollars for a wash cycle, one dollar for fifteen minutes of drying, and everything I said about the room-temperature was true. My Beautiful Laundrette Brunswick St, Fitzroy – I recommend it.

Peace, Taco.

Paying Fines is Shithouse

There is something that instinctively irks me about bureaucratic hoop-jumping. Centrelink, taxes, court dates, fines, rent, uni enrolment; it all seems so over-complicated and every time one of these makes an appearance in my life I find myself walking down the streets muttering swear-words and sulking. Today, this happened.

A month and a half ago I was the unhappy recipient of a fine from the transport people, whatever they like to call themselves, for resting my feet on the seat of a train as I made my way out to Footscray to hit up a comedy gig. I gave them my ID (SA Driver's License) with my Adelaide address on it, and the conductors explained to me that if I just contested the fine as soon as it arrived then everything would be sweet and I'd be let off with a warning. That all seemed well and good at the time, but when Mum Dawgz called me the other day to let me know that my fine for two-hundred and seven Australian Currency Units had arrived, I shuddered with bilious anger at the fresh realisation of the exercise in futility that I was about to embark on – I was shaken from my peace.

I trudged into town, infringement notice in hand, to fix this shitiness – I am not paying a two-hundred and seven dollar fine for putting my feet on a fucking chair, this is the future and I REFUSE to be needlessly oppressed. First stop library: I went in to print my carefully worded letter at the library as my home, inhabited as it is by four young drifters, each in varying stages of emotional decay, does not have a printer. The letter contained phrases like: “to whom it may concern”, “excused having regard to exceptional circumstances”, and the always convincing, “I apologise for any inconvenience and I hope that this matter can be brought to a satisfactory close.” Filthy grovelling, really. I felt dirty, I still feel dirty in fact. I wrote those things, and I can't un-write them now... also I forgot the data cable to connect my phone to the printer, so things weren't looking up.

After obtaining a library printing card, putting a dollar of credit on it, re-typing the letter in notepad in a font that resembled a Soviet military dossier, and printing the thing off, I asked how to work the scanner. “Sorry, you can't scan straight to the photocopier, you have to scan to a USB and then print a copy from that.”
“Why?”
“That's just how it is.”
That's just how it is dude, just leave it – my internal monologue, always the voice of reason – that's just how they do things here. Just let it go... twitch... shudder... *%### … ok, so I left the library and went around the corner to Officeworks where I got another printing card, onto which I put another dollar, and printed off a scanned copy of my drivers license (my excuse for contesting the fine is “I'm from Adelaide, and I didn't know that 'feet-on-seats' was an offense here”... details, details). Armed with my two pieces of contesting evidence, I walked with purpose to the post office, arms swinging, eyes burning, and coins jangling in pocket.

After making it to the post office, past the big red sign hanging on the corner of Little Bourke and Elizabeth that says 'Shopping as Usual' (I could vomit a lake of dark sludge and still not be purged of my deep hatred for this consumerist placard, but that's neither here nor there is it) I wrote the address on a postage-paid envelope and sealed my letter within. I considered not paying for the envelope, but then I thought that maybe when you pay for the envelope they put some special stamp on it which validates it – what if I don't pay? My thingy won't reach the place this will all have been for naught!! – so I paid, because I'm a pussy. Turns out I was right, they do stamp it. Crime doesn't pay kids, stay in school.

I flushed it down the chute of the red mailbox after performing one last OCD-check and then it was gone. Finished. Now begins the extended waiting period while my appeal is processed and re-processed through the dripping annals of the machine before being rubber-stamped by some hooded beetle-man behind a desk in the Transport Department. Hopefully my name will be cleared and I will be merrily released from debt. I guess if I do eventually escape a two-hundred and seven dollar fine then all that running around and frustration at having to deal with the mind-numbing inefficiency of a system where appeals have to be submitted in written form and reasons are called 'excusory clauses' and and every telephone is answered by the same machine... if I get to keep my money then all of this hoop-jumping will have been worth it. I can't help being angry though, even though, if we're honest, it's my fault for not following the rules. What's so fucking precious about those train seats anyway?

Peace, Taco.