Machine Music

Music from the poker machines is a disgusting
Hideous siren's song to the desperate
Crawling around on the floor searching for coins
To put in the slot so they can watch the colours spin.
Continuous clicking.
Click, click, ding and a merry tinkle;
There is no sound more evil
Heard or devised in the history of man
Than the hypnotic, rhythmic jingle - the signal
That yet another decrepit soul
Has been laid out on the rack
Pockets heavy, eyes full of hope
Waiting... Eager...
And ready to be fucked.

Daydreams

Today I was eating a banana and daydreaming on the tram on my way down to lunch with a bunch of comedians. I had already finished my first banana and chucked the peel in the bin before I got on the tram, but I was about to be faced with the problem of what to do with the second peel: there are no bins on the tram, and it was looking like a solid ten minute wait between my projected banana finish-time and my stop, where I could get out and find a bin. Ten minutes holding a banana peel? Pffft... not likely, so I thought about throwing it out the window.

The tram coasted past the police station on the corner of Church St and Bridge Rd and I imagined throwing the peel out the half-open window and it landing on the bonnet of one of the three police cruisers parked on the side of the road. Glorious, I could see it there. To throw it out of the window accurately and make sure it landed on the car I would probably have had to stand up, turn around and aim my throw carefully, but if I did it deliberately then I'd run the risk of someone seeing – it was broad daylight and the tram was stopping at the lights and opening its doors. If someone – a police officer maybe? – saw me throw the peel intentionally onto their shiny police car, then I'd be in trouble. They probably couldn't pin me with much, maybe a fine for littering or at worst some trumped-up vandalism charge, but regardless, I don't need that right now. The fine for littering is probably over a hundred dollars, and I need to pay rent god DAMN it.

I imagined the police officer, just walking out to his car after grabbing a coffee or whatever police do in the station, when he sees a young, dark-haired, olive-skinned youth wearing a red Adidas jacket intentionally throw a banana peel out of a tram window at his vehicle. He would yell, “OI!”, drop his coffee on the ground and give chase. “Stop the tram! OI! YOU!”
At this point I'd be sitting in the tram, fretting and trying to think of how to get out of my fine, the cute couple sitting across from me would be smirking at me, having seen what I'd done, and now knowing they were about to see me get caught. I would run up to the front of the tram and beg the tram driver to keep going; “Pretend you didn't hear him! Please dude, just go!”

And he probably would go, because he's cool. He doesn't like cops either, and it's perfectly plausible that he didn't see or hear the police officer, who is now just an angry, but receding figure in his side-mirror, yell 'stop'. After another couple stops though, the tram driver would tell me that I had to get out, I couldn't stay in the tram – he'd be remembering his responsibility here, plus what if the cop called in another car to intercept the tram? He wouldn't want to get involved in this thing. But all the while I'd be reassuring myself that it was only a banana on a police car – how could he possibly care that much about a little, frivolous act of trivial civil disobedience. I'm sure police get that shit all the time...

I get out of the tram, and wonder where I'm going to walk now, because I still need to get to lunch, but before I can really do anything I hear more shouting, and see the angry, yelling figure running up the slight hill on Church St. Running right towards me. WHAT THE FUCK?! Overzealous motherfucker... so I run. Bolt down a side street and into the suburbs, but I know he saw where I was running, so I know I have to get away. I need to hide somewhere, I need to blend in. I stumble upon a sunny park at the end of the street with a playground and two single mums playing with their kids. Some guy in skins is doing laps of the oval before lunch and a girl is sitting on the hill reading a book with the midday sun on her back. I run, panting, up to her and sit down, still looking over my shoulder.
“We've been talking all morning.” I try to run her through my alibi.
“What? Who are you?
“It doesn't matter, look, we've been talking all morning, okay? I've been here with you all morning.”
The shouting comes from behind us and the cop charges over the little hill and runs down it, straight at me and dives, arms out and face red with fury. Tackle. He lands on top of me and we both go flying a good couple metres along the grass before he pins me to the ground and shouts something about a little prick. My ribs feel broken, I can't move, everything hurts.
“What the fuck?!” the girl jumps up and screams, looking accusingly at the officer.
“This young man is under arrest for wilfully vandalising police property! THE CHASE IS OVER BUD!”
“What chase, what are you talking about? We've been sitting here all morning!” She sticks to the script perfectly, and at that precise moment, I fall in love.

During the lengthy court proceedings that draw out over many long and arduous months, I learn her name, and her birthday, and her likes and dislikes and all her favourite things as we fight in the halls of justice against police brutality. I even remember the colour of her eyes: green. She is my witness and with her help I win a victory worth millions in compensation for the injuries I sustained, I was an innocent bystander randomly attacked by a deranged agent of the law. My injuries keep me from work and I lay a spurious claim to a life-long disability pension. Me and my beautiful witness kiss outside the courtroom, and then go off to spend our millions on eating, drinking, and being merry. I propose to her in the park where we met and for the rest of our lives we are happy, and in love.

I imagine this all, while I am sitting on the tram holding the now-finished banana peel in my hand. I imagine it, but it never happens, because I am way too scared of getting caught and fined for littering. Instead the peel goes under the seat, and I brush my hands clean, before pulling out my notebook and writing the story I am not yet brave enough to live.

Peace, Taco.

No More Comedy

This afternoon/night I went to the last show of the year at 100% Nuts in Brunswick and had a great gig with a bunch of other crew. By some mysterious planetary alignment a bunch of random punters actually showed up all within about ten minutes of the show starting and made a decent-sized crowd for us to perform to so that was nice. Damian cut off his dreads as the opener and I bought a BLT for twelve bucks which I really shouldn't have done, but did anyway. A delightful afternoon, no matter who you ask.

What sucks now though – and I only realized this about twenty minutes ago as I was sitting at the tram stop writing a new joke that had come into my head on the quiet eleven pm walk down Victoria Parade – is that there is no more comedy for the rest of the year!!! Today was my last gig for 2012... well, my last gig of material anyway. I don't think I can accurately express how fucked that feels to all of the non-comedian daywalkers who read this blog... and I'm sure there are HORDES of you. Oh yes.

But seriously though, I now have AT LEAST two weeks with no gigs and no stage time. Where will I get validation? The situation is seriously dire, I'm shaking, my mouth is dry, I'm not looking forward to the pain. I was writing this joke and thought of a callback I can do in the middle of it that references some other shit and works really well with a joke I've been doing recently and I was getting all excited and happy with myself when I realized... holy fuck, I'm not going to get a chance to even TRY this on stage until like the first or probably more realistically, second week of January. Jesus Fuck. That's so far away, and no doubt I'm going to be writing a fucking BUNCH of material over the Christmas break, and now there's going to be a massive back-log, and the joke that I just wrote – which I am actually really happy with, and I know has legs – will possibly get lost in this massive stretch of time between today – my last gig of the year – and my first of the new year. The Kieran Butler Roast is on Wednesday, and then the stage is taken away as well. There's nothing after that until the new year is back in swing... god damn it... oh god... oh... oh... oh... I don't know what to say about this. Where to go? What can I do? Nothing is the answer, absolutely nothing.

It's cool that I've fallen so happily into comedy and am still enjoying it and have the same drive after going pretty hard at it for about six months... I would never have expected myself to become so dedicated to doing something as I have become... I really love my life here.

After the 100% Nuts gig at Bridie O'Rielly's I went with Millie, a friend from doorknocking days back in Adelaide that has spent the last five months in the outback working and has just returned to civilization, to the Comic's Lounge to catch the highly-hyped and very talked-about Dov Davidoff perform his last Melbourne gig. He was seriously good... like seriously fucking brilliant. It was weird though, I mean I watched a bit of his stuff on YouTube this week after everyone was talking about how good he is and how every comic absolutely had to get down to the Comic's Lounge and catch him. Normally I take the advice on seeing shows that those guys give out with a grain of salt because I know they like to get butts on seats and will oversell comics to do it... but the amount of raving that went around about this guy was next fucking level, so I thought I'd better get down. It ended up being a coin-toss that decided it, but still, we went down and got in with some free tickets I had buried at the bottom of my bag.

The stuff I'd seen on YouTube hadn't excited me too much, because it seemed to be mostly pandering towards the kind of mass-appeal audience demographic that has produced half of the outstandingly adequate Comedy Central specials of recent times... this guy just seemed like another mildly talented US comedian talking about work, sex and his silly parents. After a few of the jokes that I recognized from the YouTube stuff though he got into some political gear and some other really interesting personal stuff, and I liked the direction he was taking a lot to be honest, I really enjoyed the second half of his set. I mean, I was always going to enjoy it, it was never going to be a bad set or anything. I am under no delusions about sub-standard comedians making it onto Comedy Central or anything like that – I know it requires a massive level of talent to get that far and so to see a guy who has had an hour special perform live is always going to be a captivating and ultimately funny experience, but I wasn't expecting anything too interesting other than a few clever punchlines and charismatically delivered dick jokes.

He started on the introspection though and I really started listening... the lame thing was though, and it was clear that he could feel it too, as soon as he started down on the stuff that was really interesting and actually felt like it was going somewhere new, the audience stopped digging it. At the start of his set, Dov made a few jokes about girl's tits and the first black guy that ever fucked a white girl saying 'look what I found'... that kind of predictable shit. The audience ATE IT UP. They fucking LOVED it, and I let out a small chuckle. But later on when it got a little more challenging, you could feel people switching off. Are we so impatient and stupid as a society that we need any original ideas to be so carefully couched and presented on a silver platter between easily-digestible sex jokes? Has comedy really been reduced to how many laughs we can get per minute? Is that what we want our art form to become? It really worried me to watch this comic who clearly knew what he was doing go up on stage, kill it with dumb material, and then lose his audience with the clever stuff, because it made me think: if this guy can't grab them, then what fucking chance do any of us have?

I went into the gig sceptical about the quality of the comic I was going to see, and expecting a wry smile and a shrug of the shoulders. I came out having realized that the comedians are not the problem, the audiences are – we are, every time we decide to go for safe, sensible vanilla instead of stretching ourselves and giving someone the opportunity to challenge us. That's a scary thought guys, because I don't want to be listening to dick jokes for the rest of my life, and I sure as fuck don't want to be telling them either.

Peace, Taco.

Waiting for Inspiration

I don't really know what to write about today, or this week, I feel like my juices are a bit used up at the moment... ew that sounds weird, I kind of want to backspace that, but I won't. Unblinking honesty, that's what I'm all about. Breaking down boundaries. I'm such a fearless crusader of truth.

It's weird that I want to be a comedian, or a writer – something where I get to have views, and then express them skilfully to a large audience through whatever medium I choose. I want to be this thing, but right now I don't really feel like I have very strong views on anything much. Like I care about shit like global warming, and music, and people being free, but I feel kind of abstracted from these problems because I live such a comfortable life... but this comfortable life that I live is what is currently allowing me to develop my craft (that's apparently what I'm doing here) as a writer and comedian, and this period of development right here is what will give me the voice to say things that I want to say, when the time comes that I figure out what those things are.

It still sometimes feels like I'm cheating myself out of real living though; sitting around here writing trivial little jokes and churning out random thousand-word chunks of writing. What am I working towards? Just the abstract goal of 'being a comedian'? 'Being a writer'? What kind of goal is that? I have always said that I want to be someone who says something meaningful with the things that I do, not just someone who does them for the sake of doing them – these things, flimsy semblances of life direction that they are, are only worthy goals if I have something worthwhile to say. But right now I feel dangerously ambivalent and hazy in my convictions. I don't feel like I care very much about anyone except myself, and I don't like that, but I don't know how to change it either.

Five months ago when I moved here I was sure that I had found the thing in my life that I wanted to pursue, and I still believe that, but I still wouldn't say I have definitely found something to be passionate about. I think the difference between a hack comedian or writer and a great one is as small as the strength of the convictions and beliefs they express through their chosen medium. Any hack comedian can talk about politics, or religion, or suicide, and any great writer can put down forty-thousand words about the differences between men's and women's toilets... these simple distinctions between topics are not what make careers trivial. An artist's work becomes trivial when they are only expressing superficial feelings – feelings that they know they are supposed to express, and may even be aware that they want to be expressing, but they don't really, truly have. Bill Hicks wasn't an amazing comedian because he talked about politics and conspiracy theories in the second half of his career, he was an amazing comedian because he actually cared about something. So it's all well and good for people to say, “you just have to speak from your heart and speak about what you actually care about” – that's obviously very good advice. That's not the hard part though. Everyone is speaking from their heart, all the time, every day people say what they really think and say it with conviction because they don't want to be misunderstood. The hard part though, is finding something to care about that strikes so deeply within yourself – myself – that saying what you really think is no longer simply a monotonous exercise in honesty, it actually becomes important.

When I find something to care about – like something that really, instinctively makes me give a fuck – I know I'll stop peppering my writing and comedy with disclaimers about how 'I don't really know where this is going' and 'I guess that's what I'm trying to say'. Conviction will come, at least I hope it will. Fuck, I am sick of waiting.

“Don't wait for your dreams, Taco! Go out and get them!”
Fuck off dickhead, I'm busy watching rap battles on YouTube.

Peace, Taco.

Comedy Laundry

My Beautiful Laundrette is on Brunswick Street in Fitzroy, contains a number of washing machines in varying sizes and dryers of varying noisiness. It is a pleasant, if bare environment, and always seems to be kept at optimal room-temperature by fans – I haven't counted how many – positioned in above eye level and hanging from the walls or ceiling. I go there every couple weeks to do my laundry (duh, fuckhead) and... wait... hold up... ok, what the fuck was that?

In the past months I've become increasingly frustrated by what I have started to understand is the biggest problem with my comedy. As much as I pet and cajole myself after every gig, and as much as I mentally prepare myself beforehand, I can't seem to reliably win the audience over. Every now and then I'll have a great gig, but that's nothing to celebrate – everyone gets lucky every now and then. For the majority of my mediocre spots I seem to have the audience steadily suspended somewhere between vague enjoyment and frightened annoyance and as great as this may sound, it really is not gold comedy territory. So I've been thinking about why this is and what I can do about it, and I think I've hit upon a small something... hopefully? Maybe? We'll see I guess.

Firstly, I mentioned that I've had good gigs, but I mentioned it dismissively, and with good reason – it seems to me that most, if not all, of the really good gigs I've had have been mostly down to luck, and I say that not because I'm trying to get down on myself, but because it's true. The approach that I've been taking with comedy has been very much along the lines of “write material; decide whether it's funny enough to do on stage; do new material on stage; decide whether I should keep it; compose predetermined sets from bits of new material that worked mixed with old material”. I guess there's no problem with that approach, in theory – ah those beautiful words – in theory it should be fine. In theory I can continue to push through a wall of silence after my opener falls flat, or receives a lukewarm response. In theory I should just keep going and try the next joke. Maybe they'll like this one better? Maybe that was just a false start? NO! That's a stupid fucking theory; comedy isn't about theories, and comedy isn't about robots getting on stage telling joke after joke after joke and crossing their fingers in the hope that a few of them stick... fuck... FUCK... COME ON...

I had noticed that my gigs had been falling in quality – maybe a better way of putting it would be that they have been lacking in consistency or predictability – and I tried a few things. You'll notice up top there at the start of this piece that I reached out for anger and attacked you, my gentle readers, when I realised that I had gone three sentences into my intro without cracking one joke – I got nervous and lashed out... it was a cheap shot borne of fear, and I need to dead those cheap shots. Put them away, and start really reading the audience. Connecting with them. I need to tell them – let them know? – that it's ok, that I'm in control. Maybe first it would be nice to actually be in control, but hopefully one will beget the other I guess... ugh, thinking about comedy is hard. Comedy is hard. Look guys, all I'm trying to say, and all I will say for the moment, is I've realised that in order to regain control over the quality of my gigs, I'm going to have to go out on a limb and break the fourth wall. Break it, smash it, shit on it, and eat it for breakfast. The audience need to feel like they have some control over what is happening so that when the comedian jumps out and surprises them from behind his cleverly placed misdirections and traps and cleverly constructed sentences, they aren't so surprised that they turn on him. They need to trust me. Trust me audience... please?... Ok., working on it.

By the way the laundrette really is quite nice. Four dollars for a wash cycle, one dollar for fifteen minutes of drying, and everything I said about the room-temperature was true. My Beautiful Laundrette Brunswick St, Fitzroy – I recommend it.

Peace, Taco.

Paying Fines is Shithouse

There is something that instinctively irks me about bureaucratic hoop-jumping. Centrelink, taxes, court dates, fines, rent, uni enrolment; it all seems so over-complicated and every time one of these makes an appearance in my life I find myself walking down the streets muttering swear-words and sulking. Today, this happened.

A month and a half ago I was the unhappy recipient of a fine from the transport people, whatever they like to call themselves, for resting my feet on the seat of a train as I made my way out to Footscray to hit up a comedy gig. I gave them my ID (SA Driver's License) with my Adelaide address on it, and the conductors explained to me that if I just contested the fine as soon as it arrived then everything would be sweet and I'd be let off with a warning. That all seemed well and good at the time, but when Mum Dawgz called me the other day to let me know that my fine for two-hundred and seven Australian Currency Units had arrived, I shuddered with bilious anger at the fresh realisation of the exercise in futility that I was about to embark on – I was shaken from my peace.

I trudged into town, infringement notice in hand, to fix this shitiness – I am not paying a two-hundred and seven dollar fine for putting my feet on a fucking chair, this is the future and I REFUSE to be needlessly oppressed. First stop library: I went in to print my carefully worded letter at the library as my home, inhabited as it is by four young drifters, each in varying stages of emotional decay, does not have a printer. The letter contained phrases like: “to whom it may concern”, “excused having regard to exceptional circumstances”, and the always convincing, “I apologise for any inconvenience and I hope that this matter can be brought to a satisfactory close.” Filthy grovelling, really. I felt dirty, I still feel dirty in fact. I wrote those things, and I can't un-write them now... also I forgot the data cable to connect my phone to the printer, so things weren't looking up.

After obtaining a library printing card, putting a dollar of credit on it, re-typing the letter in notepad in a font that resembled a Soviet military dossier, and printing the thing off, I asked how to work the scanner. “Sorry, you can't scan straight to the photocopier, you have to scan to a USB and then print a copy from that.”
“Why?”
“That's just how it is.”
That's just how it is dude, just leave it – my internal monologue, always the voice of reason – that's just how they do things here. Just let it go... twitch... shudder... *%### … ok, so I left the library and went around the corner to Officeworks where I got another printing card, onto which I put another dollar, and printed off a scanned copy of my drivers license (my excuse for contesting the fine is “I'm from Adelaide, and I didn't know that 'feet-on-seats' was an offense here”... details, details). Armed with my two pieces of contesting evidence, I walked with purpose to the post office, arms swinging, eyes burning, and coins jangling in pocket.

After making it to the post office, past the big red sign hanging on the corner of Little Bourke and Elizabeth that says 'Shopping as Usual' (I could vomit a lake of dark sludge and still not be purged of my deep hatred for this consumerist placard, but that's neither here nor there is it) I wrote the address on a postage-paid envelope and sealed my letter within. I considered not paying for the envelope, but then I thought that maybe when you pay for the envelope they put some special stamp on it which validates it – what if I don't pay? My thingy won't reach the place this will all have been for naught!! – so I paid, because I'm a pussy. Turns out I was right, they do stamp it. Crime doesn't pay kids, stay in school.

I flushed it down the chute of the red mailbox after performing one last OCD-check and then it was gone. Finished. Now begins the extended waiting period while my appeal is processed and re-processed through the dripping annals of the machine before being rubber-stamped by some hooded beetle-man behind a desk in the Transport Department. Hopefully my name will be cleared and I will be merrily released from debt. I guess if I do eventually escape a two-hundred and seven dollar fine then all that running around and frustration at having to deal with the mind-numbing inefficiency of a system where appeals have to be submitted in written form and reasons are called 'excusory clauses' and and every telephone is answered by the same machine... if I get to keep my money then all of this hoop-jumping will have been worth it. I can't help being angry though, even though, if we're honest, it's my fault for not following the rules. What's so fucking precious about those train seats anyway?

Peace, Taco.