Tired

I feel tired. I've been doing so much lately: writing comedy for the festival, gigging 5 or more times a week three weeks straight, tours, cleaning, running in the rat race... not drinking enough water. I feel tired, but it's a good tired, a sign that for the first time in my life I think I am really pushing myself towards something. I think? Or maybe I'm just not getting enough sleep.

Money really isn't an issue at this point; I feel like I barely have enough time to spend the paltry amount that I'm making anyway – for those of you playing at home that's about $500 a week, which actually isn't that paltry at all, but it certainly isn't high-roller shit. I am leaving home in the mornings, every morning, and not coming home for hours. Ten hours. Twelve hours. Hours spent running around completing this or that errand, sitting on trams and trains, heading out to gigs to either do a spot, or sit in the crowd and watch. Learning, I've been learning a lot.

I've been working on this bit that I honestly didn't think would be ready for the festival, but turns out may just squeeze its way in to my show (Two for the Price of Free YES!). This whole bit is basically constructed around the idea that I had one day a few months ago that it'd be really cool to move to a new city where no one whatsoever knows who you are, and then create an elaborate, and completely outlandish fictional backstory for yourself. Nothing malicious – not like 'my family died in a fire' or some shit that would require actual acting and would seem like shameless attention-seeking if exposed... just something harmless, but fun, like oh say, that I was home-schooled. So then I decided I couldn't wait until I left for another country to play this game, and the next best place to play it would be on stage... but it wouldn't be funny if I was the only one in on the joke. Considering that the whole point of comedy is that the audience is in on the joke – and whence cometh their laughter – I'd need to figure out a way to let them in on the joke that was being played on them – that I was lying outright to them for no good reason – whilst not making them the butt of the joke.

Then I remembered the story that I have been telling about the time Tim Clark, bless his cotton socks, told me that I had a nice jacket, only to rescind his compliment moments later after it became apparent that I was going to take his sarcastic jibe at face value and proceed to talk about how much I, too, liked my jacket. He lied to me, for no reason it seems, and I couldn't understand the reasoning behind this not-unheard of social phenomenon. Why do that? Why say, “nice jacket man,” only to add after I had accepted the compliment, “oh no, I was joking, it's shit”... what he did there was exactly what I was planning to do in my lying bit about home-school. If I could tell that story, then tell another, seemingly separate one about home school, and have the audience believe it, then lift the veil and say, “hey, look, it was all a lie,” then they would know how I felt, and the joke would be on Tim, and not on them.

I still have a few reservations about the story, I mean I invented it, from nothing, which feels kind of cool to do – just like Brad Oakes said it would ha. – but still there are only laughs in the setup, not the actual story, and most of those laughs aren't that strong... but I guess my joke writing will improve with time. Hopefully. Fingers crossed.

I've also been trying to write jokes about the news headlines off the Guardian – it doesn't matter which paper really, but I refuse to buy copies of the Feral Scum (thankyou Kieran Butler) or any other trashy cum-rag of a publication just to practise my joke writing. No, no, no; I will not be indebted to Rupert Murdoch in my comedy career. Not now. Not ever. No, no, no, no.

So many no's. I think I am tired. I should stop guessing and have a lie down... but there's still so much I want to do. I've nearly finished reading The War of Art that Richie gave me, and then it's on to Fade To Black (And Disappear) by an Adelaide author whose name I forget right now because I can't be fucked digging in my bag and pulling the book out to read the front cover. No. Fuck. I said no more. FUCK. There they are again. Okay, I'll stop now.

Peace, Taco.

Review of Charles Bukowski's 'Women' [SPOILER ALERT]

I just finished reading Charles Bukowski's 'Women'. Like, just finished it. Just now. For most of the book I had no idea where he was going with the whole thing... it just seemed like one graphic, semi-pornographic sexual encounter after another. I mean, obviously I knew he was going somewhere, because I've read 'Ham on Rye', and 'Post Office', but I had no idea where, or whether it would be anywhere truly interesting, and I had absolutely no inclination whatsoever to begin guessing.

I think 'Women' is by far the best of the three Bukowski books that I've read though, and it definitely resonated with me much more than the other two... the language, he is so detached. Every sexual encounter starts with his eyes roaming up some girl's legs – they're not even girls though, really, just bodies with names on them. Then she undresses and submits to him completely; “I mounted, stuck it in, and then...” is a fair summation of the end of every other chapter in this book, and there are one-hundred and four of them. He jumps from woman to woman to woman to woman, never growing attached to them, or even seeming to care when they walk out on him. At one point around the halfway mark he muses that all of his women leave him, but it is clear that this is only the case because he will take sex wherever he can get it. Only on his terms though. Only ever the way he wants it... he knows how he is, and for most of the book he is aware that he is selfish, and a bastard, and he understands why they all leave. He is seemingly at peace.

The morning hangovers and physical sickness barely seem to drain him, and the paid poetry readings that sustain his lifestyle somehow keep popping up out of nowhere, along with groupies, and fan-mail from easy women. He dismisses the men. But he hardly talks of love – he was married once, but had been in love four times. Now a dirty old man of around sixty, he dreams of the day when he is “an eighty year old fucking an eighteen year old.” Life-long dreams of a professional pervert.

This chauvinistic, evil womaniser has his run of the town for most of the book, and the thing is... and I don't know whether this thing is scary, or sobering, or humbling, or maybe just deliciously tempting in its realism... the thing is, it speaks to me. I don't stand for all men, and I'm sure there are saints out there somewhere among us, but the way Henry Chinaski (Bukowski's literary alter-ego) laps up woman after eager, fawning woman should have most straight men salivating. It's not pretty, and it's not nice, and it sure is pretty fucking uncomfortable, but he gets right to the core of it, at least for me. No wonder there is no mention of his mother... no family, no moral compass or ties to a possibly innocent past. Just a dirty old man, “sucking beer”, puking up blood through three-hundred hangovers a year.

Towards the end though, maybe the last seventy or so pages (out of three-hundred) things start to get a little clouded for Henry Chinaski. The sex is still good – in fact the whores and sluts that he so adores only become more and more sumptuous, their young flesh more and more tempting... but he has also met a girl, Sara, who touches something else in him. He doesn't say he loves her, and I trust him, he is a very honest narrator, and is frank and blunt about his feelings, both to his women, and to the reader. He doesn't love Sara, but he knows that she is 'a good woman', and this is a phrase he uses sparingly only once before. But the difference with Sara as well, is that she won't fuck him. She knows about his continuing conquests, and she suffers through his ongoing selfishness, but she always comes back, and there is something in that that strikes a chord with old, dirty Henry Chinaski. His last few sexual encounters span the whole range of women possibly conceivable: a young, nubile belly-dancer from Canada who gives him the time of his life, and gives it to him again and again; an old, haggard, sagging woman whom he loathes even before she is between his sheets, and infinitely more afterwards; a black hooker who sucks his dick terribly five minutes after meeting him in the car park of a liquor store; a ninety-pound, eighteen year old – at last. He has seen everything. Fondled every part, fucked every crevice. Still Sara waits, over Thanksgiving, Christmas, then she gives herself to him, without his asking and says, “Happy New Years Henry”; they fall asleep together.

After he accepts terrible head from the black hooker for twenty dollars, and then drives her to an intersection where she continues to hitchhike and no doubt solicit more of the same, he makes one last attempt – and there have been many beforehand – to steel his mind against any more fucking around.

“Sara was a good woman. I had to get myself straightened out. The only time a man needed a lot of women was when none of them were any good. A man could lose his identity fucking around too much. Sara deserved much better than I was giving her. It was up to me now.”

This is his final challenge to himself... three-hundred and four pages in and barely one more to go, he convinces himself that he needs to give this good woman a proper chance, because if he lets her slip away, then he will be doomed. Then another girl calls, another admirer, and this is where I was scared. Charles Bukowski was about to offer his opinion, in this last page, in one last conversation between a dirty old man and a juicy, delicious, groaning and spread-legged nineteen-year-old temptress. In the final lines of 'Woman' Charles Bukowski would decree whether, in his humble opinion, it was at all possible for a flawed man to accept the love of a good woman.

Anyone who says that Bukowski is a sexist, chauvinistic pig is probably right... but anyone who says that this is all he is is a single-minded, blind fucking moron. 'Women' is a book that is not afraid to delve past the scared facades that we put in front of ourselves to mask our true desires in our attempts to play the role of the good guy. I'm still not sure if Henry Chinaski is a good guy or not, but I am sure that he is a real guy, about as real a guy as there could possibly ever be in my eyes, and when his time came to decide whether he could be loved in the final pages of this book, my heart was in my mouth, as I felt my fate too, rested in his decision.

He sent her back. And still, there is hope yet.

Peace, Taco.

Adelaide During the Fringe

From Tuesday til Saturday I was in Adelaide seeing friends, Fringe shit, and fam. I planned this trip and bought the tickets pretty much as soon as I got back from my Hometown Christmas last year, but this time around – without everyone having the obligation to spend so much time with their families, and everyone from everywhere being back in town – the trip was way way way way WAY much better. Here's why:

Tuesday I got into town at seven-thirty at night after a brilliant (as always) bus ride involving books, music, and some great ideas and time alone to think. I love those bus rides – there's a reason I always include at least one in each trip home. As soon as I got off the bus I headed straight to the Cranka for some free Tuesday night comedy and caught up with Ross Voss, Josh Cruze, and saw some great comedians who I hadn't seen before. Jesus, what a refreshing change seeing people's sets that I haven't seen ANYTHING from. Being around the same comics all the time in Melbourne, while obviously lovely as it gives a great sense of community, can become exhausting because whenever someone has a good set, you already know more or less how the set is going to go. I can still recognize when someone has done a good set because they have performed well or really captured the audience or whatever, but it's rarely THAT exciting to see someone do well if sixty to eighty percent of what they're doing on stage I have seen before. So seeing my open mic contemporaries in Adelaide do their thing was a great break.

Then the Rhino late show that night was awesome – Will Anderson did some great stuff about framing Adam Hills for a murder by hopping away from the crime scene. Then we somehow got into the Artists' Bar. Then we got drunk. Then we went home. By the way 'Home' for this trip was Phil's place in Kent Town, which was a fucking great change in and of itself because it was a ten minute walk from town, and the posse that he lives with are fucking sick. Sick as dawgs.

Wednesday I woke up earlyish with a hangover, me Elle and Leon went to breakfast at ETC which was always one of my favourite Adelaide breakfast spots. We consumed, then I sweated my shit down to the DMV and got my full license. Tick. Then back home, broke into the guys' house through Leon's bedroom window and crashed out for the afternoon under a fan waiting for MA BOIIII S. Rouse to call, but finally having to pay a Twenty-Five-Dorrah cab to his place during rush hour after he was to shit to get out of bed all day. We reminisced over Pool Party (WHOSE PARTY?!!) days in Empire and then I had a gig at the Ed Castle that night where I also met the lovely German, Sarah for the first time after chatting to her for ages on CouchSurfing since mid-year. The gig went okay – good enough, although I felt I performed a really tight set, but the crowd reaction wasn't AS amazing as I would've liked, but I was happy enough – then me, Elle and Josh Wills jumped into the Artists' Bar again after Rouse went home to crash.

Thursday: another hangover, another breakfast, another cruisy afternoon in Kent Town that ended with the most brilliant snap-decision of recent times with me, Phil, Leon and Nick Fuckenwhatever unanimously agreeing in about five seconds to go to the Tap Inn and have beers. After this I went on to dinner with the fam and shaking Dad's hand after his last day of working some shitty job that he's had for the last ten years and moving into semi-retirement at the tender, supple age of forty-five. He now plans to become a stay-at-home wife and paint the house while Mum Dawgz is off making DEM STAX. Now THAT'S Feminism, bitches!

After family dinner I went off to see David Quirk's Fringe show which was fwarking brilliant I have to say, notwithstanding the tech blunder that sort-of ruined the ending. I can forgive that, the show was great, and I still need to write to that dude and tell him how much I liked it because it really was that good... if any of you reading have a chance to see David Quirk's 'Shaking Hands With Danger' at either the Adelaide Fringe (until march 16^th I think?) or the Melbourne International Comedy Festival later this month, do it. Drinking and deep hangs with Lucy at hers, and then the Rhino Room Late Show again capped off my Me Time before I headed to the Botanic to romp some cunts I'd never met before in doubles pool and crash out around three AM watching something I don't remember on the laptop. Or maybe it was music? Three days into this journey I start to get mixed up about details.

Friday played host to another breakfast/lunch thingo at the Austral with Phil and Eliesa, and then meeting up with Sarah again for a CouchSurfers' picnic in the Botanical Gardens. I convinced my new CS friends to join me in jumping the fence into WOMAD that night to see the Cat Empire – I decided to jump even though I had a press pass, a move that infuriated Phil after I lost his pass in a drunken haze later that night, but for which I'm sure he has forgiven me, and will understand. Adrenaline baby. A-dre-na-line. Before WOMAD though, we went to the UniBar for some final nostalgia and I caught up with Sammy B and Chess – DA BOIZ from Immanuel College. We spat the shit over jugs of cider and laughed heartily as if we were seventeen again. I know I'm not really allowed to reminisce that heavily because I'm still only twenty-two, but whatever, fuck you. I remember shit too you old fuck reading this. That's right, you. Old.

After loosing my shit to the Cat Empire (six years since the last time) me and Jaleesa the Dutch girl went to Trashbags in EC and I capped off my stay catching up with the Kings of Hindley St: Johnny Monday, Jason 'Terror Terror' Petersen, Jake Baker, Liam Ball, and a million other cats that were there that I won't start to list off now mainly because I don't remember shit and I'd probably start guessing, and guessing poorly. When I woke up at ten am on Saturday, I looked at my phone and confirmed what I knew instinctively was the case anyway – I had missed my bus. Mum bought me a plane ticket because she's a diamond, and I spent the rest of the day in Glandore, spending some time with my little bro watching Louie off my hard drive, and then driving around with Eliesa in order to make up the loss of the press pass to Phil. I bought the boys a bottle of wine for letting me crash at their place, and then at nine pm, Eliesa drove me to the airport, and an hour later I was inside a flying steel box, soaring over the country on my way back to Melbourne.

So that's why this trip was better than the one over Christmas. Any questions?

Peace, Taco.

It's Been Too Long

It's been too long, so I have to write something, three weeks almost, but what to write? Updates? Last week I had six gigs – one Sunday, two Tuesday, one Wednesday, one Thursday, and an MC spot Saturday. One of those went okay, three went very well (I'd at least say well, but at least two I was quite happy with), one went to shitsville and was me eating dicks for five and a half minutes, and one (the MC spot) went averagely for the first half, but then pretty well for second half. Now that I'm breaking it down like that, that's a pretty good ratio – and I think I'm being fairly honest with myself there.

That was a good week, not just because of the volume of gigs, but also because of the quality, those three that went really well felt great while I was doing them, and with the solid five minutes that I've got on me now, as well as with the twenty or so minutes of other material, I'm feeling fairly confident going into my run of ten fifteen-minute spots at the comedy festival. Also this week I printed off my flyers for the festival – eighty A4 sheets each with four flyers on them – so that's three-hundred and twenty A6 flyers ready to be given out to people that I meet in the next three weeks... I think I can do it. I'll be pretty happy with myself if I can hand out all of those flyers by the end of the first week of my run.

What else, what else? I'm going to Adelaide for a few days (Tuesday the 5^th to Saturday the 9^th) which should be cool, doing a spot at the Ed Castle and hopefully catching up with a wide array of crew down there during the fringe. The fringe is going to be sick, and I've got a few cool shows lined up that I want to see as well – Wolf Creek the Musical should be sick. Rhino Room Late Show should be sick. Grills at Phil's and jumping into WOMAD, it's all going to be sick. When I get back I'll have to sort out this Centrelink Bullshit that I'm too confused and tired to go into right now, but suffice to say that it needs to be sorted, and quickly, or else I'll be sitting in a room full of lifetime fuckup losers learning how to write cover letters and 'effectively present myself' for job interviews.

This has been an update from Tugzy, your pal, out in the midst.

Peace, Taco.

On the Road and Other Medications

Reading Jack Kerouac's 'On the Road' the first time was a bit of a blur for me to be honest, I was in Bolivia, and I read the entire thing on my HTC Desire HD screen (that's a phone, if you were unsure) in less than twenty-four hours. Most of those hours were spent on a bus, sitting next to a Bolivian kid who was sixteen or seventeen if I remember correctly. I read the book for hour-long stints at a time, and then would turn to the kid and continue the conversation we'd been having before I had dipped off into my reading and he back into the 'cincuenta centavo' (50 Cent) playing on his iPod. I don't think I rushed through it, but the book has a real habit of lifting you out of whatever you are doing and taking you away on the journey, the road, off into the distance with it... so I definitely read it quicker than I would have a normal book. I'm reading it for the second time now though – I'm typing it out actually, word-for-word on my laptop – and this time I'm taking it much slower.

I've just reached the start of part two, and I'm only going about four or five pages each sitting, because to type about that many pages takes around forty minutes to an hour, depending on how good a day my fingers are having. But I'm loving the fact that it's so slow. I almost forget about this ongoing project every few days, but it sits there – the Penguin-Paperback copy of 'On the Road', the clothes-peg I use to hold the pages open, and the hardcover children's 'The Fun-To-Learn Picture Dictionary' that I use as a board to peg the pages of the book onto – it all sits there on the back corner of my desk, waiting to be opened whenever I feel a little desperate. Typing out books is something that I've grown to really depend on in the past year; first it was Orwell's '1984', and now this. It's a great way to immerse myself in someone else's words and thoughts, forcibly and directly, and take my busy mind off of whatever frantic problems are troubling me. The idea came from Hunter S. Thompson and my former obsession with his wild, drug-addled life and persona, but now that I've appropriated his activity as my own I can see benefits completely separate from what he described – or what were described on his behalf. He did it to “see what it felt like to write a great novel”, if I remember correctly – he typed out F. Scott Fitzgerald's 'The Great Gatsby' – but his motivation is of much lesser concern to me. My aims are much more simple, but much more immediate, and vital as well.

I just passed over a part in 'On the Road' where Dean Moriarty has left his second wife, Camille, with their child to go back to his first wife, Marylou, and beg on his knees for her to take him back. She does, and in Kerouac's own words;

“She understood Dean; she stroked his hair; she knew he was mad.”

More reassuring words have never been written, and upon typing them out as my eyes flitted over the page I felt a wave of understanding and hope wash over me. I recently watched a video of Neal Cassady, upon whom Moriarty is famously based, when he was on the bus with the Merry Pransters in the early-mid sixties and to be perfectly honest, he looks and sounds like a complete lunatic. A madman. But sometimes it's hard not to feel, in the furious changing tides of life, that I am mad as well. Although maybe not as outwardly eccentric as Cassady/Moriarty, I'm sure every one of us feels at some point as if they are the exception to some sane rule of the world, an outlier on the bell curve of acceptable normalcy. “Am. I. Insane?”

Well maybe you are, and maybe I am, but Jack Kerouac, in a surely unplanned but far from accidental stroke-of-genius example here, shows that no matter how crazy you think you are, or how crazy you are by everyone else's admission, you still have a place in this world, and you can still find someone to love you. Dean Moriarty, with his head in the hands of his sweetheart, is proof enough of that.

Sometimes I wonder when I'll get tired of the violent up-and-down cycle of my mood and of my life and of the world that I constantly create around myself. I find myself hoping that that day will come soon; “soon, surely, soon I'll find it within myself to settle down and find a level of balance in my life, soon I'll be able to relax.” But every time I find myself repeating this tired inner dialogue, I am tempted, once again, by the promise of a higher tomorrow, and the irresistible, surging rise of a brand new peak. For as long as I am tempted by these peaks though, there will be a frightening low waiting in the trough, and that's where Jack Kerouac and his famous tale of freedom come in. Whenever I feel like I need something else to hold onto, to support me while I ride out the lows and confront the fear, I turn to the pages of this book – and when it's done, the pages of another classic that I'll start typing out – to escape to the open spaces of someone else's words, and leave the dark churnings of my own mind behind for a while. In this way, I remind myself that a new high is coming, and peace is a comfort that, for the moment, I do not need. Not just yet, Tugzy. Not today.

Peace, Taco.

Last Night I Had a Good Gig

I'm heading out to do my first MC gig in a second, but I thought I'd sit down and write something first before I slide into the engulfing black that promises to be Saturday night. After I finish writing this, I'm going to change into my new jeans – hoping they fit properly – and walk out of the house with my notebooks, wallet and phone. Then I'll go get some fried rice from Loi Loi, around the corner. I love fried rice. I've been practising eating with chopsticks.

This MC gig – it's at Voltaire, a little upstairs performance space in North Melbourne that hosts an open mic every Sunday – isn't a comedy night, oh no no no. It's a burlesque show, so already, things are looking interesting. I'm excited though, because the fact that it's not a comedy show means that the audience, and even the performers, will have never heard any of my material before. I have a completely clean slate. Add to that the optimism that I've been feeling lately about my pool of material as a whole – I think I might almost be up to twenty usable, if not killer, minutes of stuff – and this gig is looking like it might just go okay.

Last night I had a spot at Fishface comedy in Footscray that went fucking brilliantly, which was nice. I tried a couple of bits that I've written in the last week and hadn't performed yet, as well as a bit that I did for the first and second time this week, and my bit about birdwatching and my mum that is turning into a pretty strong opener that reveals something about my personal life. The two new bits: last and second last, both killed, but the last one did especially well. It involves me yelling and screaming 'DUH DUH DERRRRR' whilst stomping around the stage for about a minute, and I'm really excited by it because I think I may have managed to write a bit that breaks out of the normal formula of 'stand on stage and say something funny' that stand up threatens to be trapped by, whilst still containing a conventional 'set-up, punchline' structure at its heart. I think I'm being a little pretentious here, and maybe reading Stewart Lee's book where he analyses three of his shows with liner notes has pushed me over the edge and into a pool of self-congratulatory wank. Hopefully not, friends. I need to remain vigilant.

All I think I'm trying to say here, is that I'm really looking forward to this MC gig, and I'm hoping it goes well and I get to do a good amount of material including some new stuff. I'll have to work on winning the crowd over with some of my more bankable material and then coming out with the weirder stuff, whilst still making sure that the stage is set for the burlesque acts themselves. Seven at the start of each bracket... wait... are there brackets in a burlesque show? Eh, this will all be a strange learning experience. I just want to get on stage, to be honest.

Feeling dangerously selfish, maybe? Over-confident after a good gig? Only time will tell.

Peace, Taco.

Living on my Birthday

Yesterday I met the most ridiculous person I have met in a long time... jesus shit! I went to some writing club meeting in South Melbourne with little expectations considering the previous meeting in December wasn't so much a 'writing club' as it was a bunch of people who share writing in common meeting up for a drink. I mean, that could be called a writing club, I guess, but it wasn't really what I had in mind... it can't have been all that terrible though, because I went back, albeit half an hour late.

So when I walked in some lady – who I later discovered was a 'writing guru' (someone else's words, but not difficult to believe) – was talking about journalism and a writers' group/course thingo she'd set up and I sat at a stool on the far end of the table and proceeded to crackle in a violent ray of sun that was beaming through the front door of the bar. A sun-tan indoors – well life is just full of surprises? Tee-hee-hee. Anyway, Mrs Guru (Valerie, her name was) was interesting and she had some cool stuff to say, but the ridiculous person that I met wasn't our speaker, no no, she was a lady by the name of Samantha.

Samantha was a early/mid-thirties (I hope that guess is accurate) writer who had been sending off a few bits and pieces of comedy writing to competitions and doing quite well, but what grabbed me was when she said to the group that her preferred method of writing was sitting down with a bottle of red wine and headphones full of hip hop. YES! My People! She told me about her writing, and then her life before her writing, which had consisted of about a decade all around the world (Denmark, Spain, Portugal, Egypt, South America) as a tour guide for a travel company. She had been taught how to play backgammon by Sean Connery and serenaded by Alanis Morissette, and received a donkey from native people in some far flung corner of the world... the details elude me at this point, friends, as I stand in awe of a person who has truly stepped up to life and nutted the beast between it's piercing eyes. She said that at twenty-three she was engaged and stuck in a dead end job, but one day she woke up, looked at her fiance and said, “I really don't like you”, and within two weeks she was off. Fuck. Fuck. Fuck. These are the people that we all need to know, my friends. This is the person that everyone should be.

And then, a few days before that, there was another lady, this time someone I met on a tour, who was originally from Adelaide (of all the promising beginnings) but had lived in South Africa for twenty-five years including the apartheid era and Nelson Mandela's release from prison. She told me about how many households, including her own, had had black slaves during the era of segregation. One day, after a law had passed which would have nullified the black/white segregation of beaches within six months, she and her kid went to a whites only beach. They also took their slave's (I think she used a different word, but I heard slave) kid along, and the kid would have been no more than ten years old at this point. So while the segregation law was due to be repealed in six months – the decision had already been made and passed – for the time being the beach was still 'whites only', so when they got there a police officer saw the young kid and told the mother that she had to take him off of the beach or they would all be arrested. That's right, that shit happened. Imagine the kid – how confused. Imagine the mother, and the looks, and imagine people actually abiding by these laws and legitimately believing in their righteousness to the point where they knew they were going to be defunct soon, but until then the plan was racism as usual.

She talked about Nelson Mandela and the rugby game depicted in that movie Invictus and she talked about the feeling of national pride and togetherness when Mandela walked out onto the field wearing the national team's jersey. She told me about his ex-wife, who was apparently a part of some underground group and used to send her harems of male entourage on assassination missions. Mandela had to leave her and distance himself from the warring clans – the divides between different groups of black people in South Africa were apparently just as pervasive as the one that we heard about on the news. She lived through that, she saw it first hand. What have I seen? Maybe I've been a part of something important already, I just don't know it yet... maybe the eyes of history will look back and see Melbourne, 2013 as a strange pocket of human existence... maybe. Maybe not.

Crazy, disjointed thoughts on this sunny February day, this day that happens to be my twenty-second birthday. Samantha, this outlandish specimen of a person, has forced me to look at what I am doing and make absolutely certain that what I am doing with my life is exactly what I want to be doing. How can I possibly spend one single day doing anything other than that, when there are people out there in the dankest pockets of existence being given donkeys by villagers and playing board games with James Bond. Not a single second, my friends, not a solitary fucking moment can we afford to waste. Wring with all your strength, and drain this life for every drop. Be sure, it can be done.

Peace, Taco.